daboué2014

/by

Daboué, Jacob B. Y.:
Langues nationales et musique moderne et au burkinabé face à la mondialisation.
Paris: L’Harmattan, 2014. 207 p.
ISBN 978-2-343-04755-3

TABLE DES MATIÈRES

Avertissement 5
Dédicace 7
Remerciements 9
Sigles et abréviations 11
Sommaire 19
Introduction générale : Contexte et justification 21

Première partie
Cadre théorique et méthodologique de la recherche 25

Chapitre 1
Cadre Théorique 29
1.1 Approche conceptuelle 29
1.1.1 Concept de langue locale 30
1.1.2 Le concept de musique moderne 36
1.1.3 Le concept de mondialisation culturelle 38
1.2 Approches thèoriques de la littérature 45
1.2.1 Approche identitaire de to culture 46
1.2.2 Identitéeat mondialisation 50
1.2.3 Langues africaines et colonialisme  52
1.2.4 La musique moderne burkinabè 56

Chapitre 2
Méthodologie de la Recherche 59
2.1 Champs d’investigation  59
2.2 La collecte des données 60
2.2.1 Le public cible 60
* Qualités musicales 62
* Qualités intellectuelles 64
* Qualités politiques 65
* Qualités socioculturelles 66
2.2.2 Entretien 67
2.3 Recherche documentaire 68

Chapitre 3
Mondialisation et enjeux identitaires en Afrique 71
3.1 Perception de la mondialisation 72
3.1.1 Perception pessimists 73
3.1.2 Perception optimiste 82
3.2 Enjeux identitaires face à la mondialisation 89
3.2.1 Enjeux socioculturels 91
3.2.2 Enjeux politiques at économiques 100
3.2.3 Enjeux linguistiques : cas du Burkina Faso 107

Deuxième partie
Langues nationales at musique moderne burkinabè :
quelle place dans la mondialisation culturelle ?  113

Chapitre 4
Langues nationales et musique moderne burkinabè  117
4.1 Situation actuelle 119
4.2 Typologie des langues dominantes dans la musique 122
4.3 Atouts 128
4.3.1 Brassage ethnique et musical  128
4.3.2 Modernisation des rythmes traditionnels 141
4.3.3 Poéticité des chansons en langues 147
4.4 Handicaps liés au contexte de la mondialisation 155
4.4.1 Handicaps 155
4.4.2 Handicaps extrinsèques  163

Chapitre 5
Dynamique du rayonnement de la musique moderne en langues nationales 171
5.1 Les conditions favorables pour le rayonnement 172
5.2 Perspectives face à la mondialisation culturelle 177

Conclusion générale 195

Reférences Bibliographiques
Ouvrages, articles, etc. 199
Webographie 203
Interviews 204

mazzoleni2015b job2017

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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