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See as well / Voir aussi / Veja também “East Africa general – Articles”

Asaasira, Anita Desire:
Politics of Competition in the Pearl of African Music (PAM) Award.
Constructing of Popular Music” in Uganda.
in: Nannyonga-Tamusuza, Sylvia & Thomas Solomon (eds.):
Ethnomusicology in East Africa: Perspectives from Uganda and Beyond.
Kampala: Fountain Publishers, 2012: 153-169.

Cooke, Andy & Sten Sandahl:
Uganda Strong Roots and New Shoots.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 430-435.

Kasule, Sam & Peter Cooke:
Regards croisés sur la vie musicale en Ouganda.
Bwemba nnyimba saagala anyumya
Activité et diversité dans l’Ouganda contemporain.

Cahiers de musiques traditionelles (Genève), vol. 9, 1996: 147-166.
English edition
The musical scene in Uganda. Views from Without and Within.
Africa Music (Grahamstown), Vol. 7, No. 4, 1999: 6-21.

Kafumbe, Damascus:
Could Afrigo’s Semadongo be Uganda’s Zilizopendwa?
The World of Music, New Series (Berlin), Vol. 3, Issue 1, January 2014: 113-132.

Mbabazi, Pamela:
Digital Technology Creating Musicians:
Compromising Creativity, Dehumanising Music and Questioning Ownership?

in: Nannyonga-Tamusuza, Sylvia & Thomas Solomon (eds.):
Ethnomusicology in East Africa: Perspectives from Uganda and Beyond.
Kampala: Fountain Publishers, 2012: 170-176.

Mitsui, Toru:
Archiving Ugandan Popular Music.
Popular Music History (Sheffield), Vol. 1, No. 1, 2004: 109-111.

Nannyonga-Tatnusuza, Sylvia:
Gender, Ethnicity and Politics in Kadongo-Kamu
Music of Uganda. Analysing the Song Kayanda.

in: Palmberg, Mai & Annemette Kirkegaard (eds.):
Playing with Identities in Contemporary Music in Africa.
Uppsala: Nordiska Afrikainstitutet, 2002: 134-148.

Pier, David G.:
Missionaries for Capital: Brand Marketers and Music Sponsorship in Uganda.
in: Sahle, Eunice N. (ed.):
Globalization and Socio-Cultural Processes in Contemporary Africa.
Basingstoke: Palmgrave Macmillan, 2015: 199-228.

Pier, David [G.]:
Song for a King’s Exile: Royalism and Popular Music in Postcolonial Uganda.
Popular Music and Society (Abingdon), Vol. 40, Issue 1, 2017: 5-21.

Russell, Aidan:
Home, Music and Memory for the Congolese in Kampala.
Journal of Eastern African Studies (Abingdon), Vol. 5, No. 2, May 2011: 294-312.

Schneidermann, Nanna:
Mic Power: ‘Public’ Connections through the Hip Hop Nation in Kampala.
Ethnography (London), Vol. 15, No. 1, 2014: 88–105.

Schneidermann,  Nanna :
« Qui cuisine, qui mange ? » :
les artistes, courtiers culturels des campagnes électorales en Ouganda.

Politique africaine (Paris), 2016/1 (n° 141):  99-121.

Schneidermann, Nanna:
Keepin’ it in the Family; Cultural Relatedness and Hip Hop Constellations in Kampala, Uganda.
Suomen Antropologi (Helsinki), Vol. 42, No. 2, 2017: 94-108.

Slim MC:
Hip Hop and Social Change in Uganda.
in: Clark, Msia Kibona & Mickie Mwanzia Koster (eds.):
Hip Hop and Social Change in Africa.
Lanham, Md.: Lexington Books, 2014: 170-171.

Ssewakiryanga, Richard:
Imaginer le monde chez soi.
Les jeunes et la musique internationale en Ouganda.
Politique africaine (Paris), n° 75, octobre 1999: 91-106.

Ssewakiryanga Richard:
New Kids on the Block: African-American Music and Uganda Youth.
CODESRIA Bulletin (Dakar), No. 1 & 2, 1999: 24-27.

Ssewakiryanga, Richard:
‘Bringing the Global Home’.
Locating Agency in the Reconfiguration of Western Music by Ugandan Youth.
in: Thorsén, Stig-Magnus (ed.):
Sound of Change. Social and Political Features of Music in Africa.
Stockholm: SIDA Studies No. 12, 2004: 135-151.

Ssewakiryanga, Richard & Joel Isabirye:
‘From War Cacophonies to Rhythms of Peace’: Popular Cultural Music in post-1986 Uganda.
Current Writing: Text and Reception in Southern Africa (Abingdon) , Vol. 18, No. 2, 2006: 53-73.

Tabula, Joe:
Understanding Popular Music and its Development in Uganda.
in: Solomon, Thomas (ed.)::
African Musics in Context: Institutions, Culture, Identity.
Kampala: Fountain Publishers, 2015: 11-16.

Wadiru, Stella:
Sounding the War: Acholi Popular Music in the Peace Process in Northern Uganda.
in: Nannyonga-Tamusuza, Sylvia & Thomas Solomon (eds.):
Ethnomusicology in East Africa: Perspectives from Uganda and Beyond.
Kampala: Fountain Publishers, 2012: 177-187.

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    ÍNDICE

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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