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Avant-propos i
Mode d’emploi ii
Avertissements iii

Index des Interprètes 1

Index des Titres 67

Index des Référeces 167

TABLE DES MATIÈRES

Avant-Propos/Preface 7

Yu-Sion Live
Approche pour une étude du métissage des instruments
de musique de I’océan Indien 13
Ben Ali Damir
Musique et genre aux Comores. Le cas du debe, dans l’île de Ngazidja 27
Werner Graebner
Twarab : a Comorian music between two worlds 41
Mireille Rakotomalala
Pratique musicale à Madagascar 67
Victor Randrianary
Du terrain au laboratoire. La recherche de sens et le sens
de la recherche  83
Michel Razafiarivony
Le tokatoka betsimisaraka 97
August Schmidhofer
Le xylophone malgache : étude analytique et comparative 109
Jobonina Montoya-Razafindrakoto
La valiha face à la tradition et à la modernité :
un paradoxe permanent 129
Germain Rakotomavo
« Ny gitara tendry gasy » ou jeu de guitare à la
manière malgache 147
Julien Malet
Liens sociaux et rapports ville / campagne. Analyse d’une pratique musicale du sud de Madagascar 155
Bernard Terramorsi & Elie Rajaonarison
Jaojoby et Samoela : les deux grandes figures de la chanson malgache moderne 169
Sudel Fuma
Aux origines ethno-historiques du maloya réunionnais traditionnel ou «le maloya réunionnais, expression d’une interculturalité indiaocéanique » 207
Jean-Pierre La Selve
Organologie et linguistique. Petite promenade à travers les noms d’instruments traditionnels à La Réunion 219
Brigitte Des Rosiers
Le chant à l’île Rodrigues : rites, rires et sanctions 257
Guillaume Samson
Séga zariko : une présentation des chants de travail rodriguais 271
Jean-Claude Pascal Mahoune
The origin of the traditional music / Dances of the Republic of Seychelles 285

SOMMAIRE
NB. Le livre n’a pas de table des matières

Introduction 5
Îles de m´tissage 7
Bref historique des îles 9
Organologie 13
La nature instrumentale 15

Le corps instrumental et ses prolongements 19
Les battements de mains 21
Hochets, sonnailles, grelots 22
Les hochets végétaux 23
Les arch musicaux 24
Arc en bouche 24
Arc en terre 25
L’arc à calebasse 28
Le cithare sur bâton 31
Le hochet tubulaire 33
La cithare tubulaire 34
La cithare sur caisse 38
Le luth 40
Le violon Bara 43
La flûte 44
Le hautbois 45
L’accordéon 46
Le hochet en radeau 48
Le xylophone sur jambes 50
Le poutrelle frappée 51
Le gros tambours 53
Le tambour sur cadre 54

Conclusions 57

Références bibliographiques 59
Remerciements 61

ÍNDICE

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CONTENTS

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CONTENTS

Foreword to the first edition by B. W. Andrzejewski ix
Foreword to the 1996 edition by Abdilahi Qarshi xi
Preface to the first edition xv
Preface to the 1996 edition xxiii

1. Introduction
The social context 1
The Nature of Traditional Pastoralist Poetry 12
The Historical Development of Modern Oral Poetry 17

2. The Family of Miniature Genres
The Nature of the Family of Miniature Genres 27
The Poetry of the Miniature Family 32

3. The emergence of the Belwo
The Historical Background 49
The Belwo is Born 53
The Poetry of the Belwo 59

4. The Heello: Period One
The Metamorphosis: Belwo to Heello A 75
The Modem Poem: Heello A to Heello B 82

5. The Heello: Period Two
The Historical Background 95
The Poetry of the Second Period 103

6. The Heello: Period Three
The Historical Background 117
The Poetry of the Third Period 146

7. Characteristics of the Heello: All Periods
Themes Common to All Periods 175
Structural Characteristics and
Development Common to All Periods 190
The Impact of Media on Modern Poetry 208

8. Conclusion
The Inheritance of the Heello 215
Forces Behind the Success and Development of Modern Poetry 216

CONTENTS

Foreword by Banning Eyre ix
Introduction 1

Part 1 Early Days
1 The Birth of Afrobeat 27
2 Joe Mensah Remembers 41
3 Fela in Ghana 49
4 Stan Plange Remembers 29

Part 2 Confrontation
5 Kalakuta is Born 67
6 “JB” Talks about Fela 73
7 The Kalakuta Republic 81
8 The Black President 114
9 Amsterdam and After 125

Part 3 Retrospect
10 Mac Tontoh on Fela 139
11 Frank Talk about Fela 152
12 Obiba Plays It Again 165
13 Smart Binete Sorts It Out 174
14 Anku Checks Out the Beat 178
15 Nana Danso Orchestrates 183
16 Some Early Afro-Fusion Pioneers 197
17 Interview with Fela 204
18 Afterthoughts and Updates 209
19. Felabrations at Home and Abroad 238

Chronology 259
Notes 269
Selected Bibliography 281
Discography 285
Appendix A: “Shuffering and Shmiling” Score 303
Index 309

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TABLE DES MATIÈRES

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CONTENTS

AFRICA

The North and West
Introduction: Peter Gabriel 1
Libya 3
Tunisia 5
Algeria 6
Morocco 13
Mauritania 16
Senegal 17
Mali 20
Guinea 26
Guinea-Bissau 29
Cape Verde 29
Sierra Leone 31
Côte d’Ivoire 32
Ghana 34
Togo and Benin 36
Nigeria 37

Central Africa, The South and East
Introduction: Manu Dibango 42
Cameroon 44
Zaire 49
Congo 56
Gabon 56
Angola 57
Zambia 58
Mozambique 59
Zimbabwe 60
South Africa 65
Madagascar 70
Mauritius and Reunion 71
Tanzania and Zanzibar 72
Kenya 74
Uganda 76
Burundi 76
Ethiopia 77
Sudan 79

TABLE DE MATIÈRES

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