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Barz, Gregory F.:
Meaning in Benga Music of Western Kenya.
British Journal of Ethnomusicology (Abingdon),
Vol. 10, Issue 1, 2001: 107-115.

Bender, Wolfgang :
Le hip-hop au Kenya :
créateur d’identité ou nouvelle « musique nationale ».
L’exemple d’« Unbwogable » de GidiGidiMajiMaji.
Cahiers d’ethnomusicologie (Genève), vol. 20, 2007: 107-131.

Blewett, Robert A. & Michael Farley:
Institutional Constraints on Entrepreneurship in Kenya’s Popular Music Industry.
in: Spring, Anita & Barbara E. McDade (eds.):
African Entrepreneurship: Theory and Reality.
Gainesville, Fla.: University of Florida Press, 1998: 233-250.

Eagleson, Ian [M].:
Between Uptown and River Road: The Making and Undoing of Kenya’s 1960s Zilizopendwa.
The World of Music, New Series (Berlin), Vol. 3, Issue 1, January 2014: 25-45.

Eagleson, Ian [M].:
Continuities and Innovation in Luo Song Style: Creating the Benga Beat in Kenya 1960 to 1996.
African Music (Grahamstown), Vol. 9, No. 4, 2014: 91-122.

Eisenberg, Andrew J.:
Hip-Hop and Cultural Citizenship on Kenya’s ‘Swahili Coast’.
Africa. Journal of the International African Institute (London), Vol.  82, No. 4, 2012: 556-578.

Eisenberg, Andrew J.:
The Swahili Art of Indian Taarab. A Poetics of Vocality and Ethnicity on the Kenyan Coast.
Comparative Studies of South Asia, Africa and the Middle East (Durham, N.C.), Vol. 37, No. 2, 2017: 336-354.

Ekdale, Brian:
Global Frictions and the Production of Locality in Kenya’s Music Video Industry.
Media, Culture & Society (London), 2018, Vol. 40, Issue 2, 2018:.211-227.

Ferrari, Aurélia:
Hip-Hop in Nairobi: Recognition of an International Movement and the
Main Means of Expression for the Urban Youth in Poor Residential Areas.
in: Njogu, Kimani & Hervé Maupeu (eds.):
Songs and Politics in Eastern Africa.
Dar es Salaam: Mkuki na Nyota Publishers /
Nairobi: l’Institute francais de recherche en Afrique (IFRA), 2007: 107-128.

Frankl, P.J.L. & Yahy Ali Omar (Part 1); Janet Topp Fargion (Part 2):
Kasha Langu: A Popular Song from Mombasa.
Afrikanistische Arbeitspapiere, Nr. 55 / Swahili Forum (Köln), Vol. 5, 1998: 17-25.

Frederiksen, Bodil Folke:
Fritid i en afrikansk storby, Nairobi 1940-1960 – koloniale forestillinger og tiltag.
[Leisure Time in an African city, Nairobi 1940-1960 – Colonial perceptions and initiatives.]
Den Ny Verden (København), 24. årgang, nr. 1, 1991: 93-107.

Gecau, Kimani:
Popular Song and Social Change in Kenya.
Media, Culture and Society (Thousand Oaks, Calif.), Vol. 17, Issue 4, 1995: 557–575.

Gecau, Kimani:
The 1980s background to the popular political songs of the early 1990s in Kenya.
in: Zhuwarara, Rino; Kimani Gecau & Mariana Drag (eds.):
Media, Democracy and Identity.
Harare: Department of English, University of Zimbabwe, 1997: 149-176.

Githiora, Christopher K.:
Recreating Discourse and Performance in Kenyan Urban Space through Mũgithi, Hip Hop and Gĩcandĩ.
Journal of African Cultural Studies (Abingdon), Vol. 20, Issue 1, 2008: 85-93.

Greven, Katharina:
Hip Hop and Sheng in Nairobi: Creating Identity Markers and Expressing a Lifestyle.
in: Clark, Msia Kibona & Mickie Mwanzia Koster (eds.):
Hip Hop and Social Change in Africa.
Lanham, Md.: Lexington Books, 2014: 226-256.

Hofmeyr, Isabel; Joyce Nyairo & James Ogude:
Specificities: ‘Who can Bwogo Me”: Popular Culture in Kenya.
Social Identities (Abingdon), Vol. 9, Issue 3, 2003: 373-382.

Kariuki, John:
What is Kenyan Music?
Africa Music (London), No. 22, July-August 1984: 12.

Kariuki, John:
Poor Record Sales Crippling Kenya.
Africa Music (London), No. 24, March-April 1985: 13.

Kavyu, Paul N.:
The Development of Guitar Music in Kenya.
Jazzforschung (Graz), Nr. 10, 1978: 111-120.
Deutsche Ausgabe
Die Entwicklung der Gitarrenmusik in  Kenya.
in: Erlmann, Veit (ed.): Populäre Musik in Afrika.
Veröffentlichungen des Museum für Völkerkunde.
Neue Folge 53. Abteilung Musikethnologie VIII.
Berlin: Museum für Völkerkunde, 1991: 135-141.

Kidula, Jean [Ngoya]:
Cultural Dynamism in Process, the Kenya Music Festival.
Ufahamu (Los Angeles, calif.), Vol. 24, Nos. 2/3, 1996: 63-81.

Kidula, Jean [Ngoya]:
Polishing the Luster of the Stars: Music Professionalism Made Workable in Kenya.
Ethnomusicology (Bloomington, Ind.), Vol. 44, No. 3, 2000: 408-428.

Kidula, Jean Ngoya:
The Local and Global in Kenyan Rap and Hip Hop Culture.
in: Charry, Eric (ed.): Hip Hop Africa. New African Music in a Globalizing World.
Bloomington, Ind.: Indiana University Press, 2012: 171-186.

K’olewe, Ochieng’o:
Benga and Ohangla Orature: The Subversive Traditional Curriculum.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 10, Issue supplement 1, 2013: 33-49.

Koster, Mickie Mwanzia:
The Hip Hop Revolution in Kenya:
Ukoo Flani Mau Mau, Youth Politics and Memory, 1990-2012.

The Journal of Pan African Studies (Sun Village, Calif.), Vol. 6, No. 3, 2013: 82-105.

Künzler, Daniel:
« L’entrepreneur de lui-même » et les polyphonies politiques du rap kenyan.
Politique africaine (Paris), 2016/1 (n° 141): 77-97.

Low, John:
A History of Kenyan Guitar Music: 1945-1980.
African Music (Grahamstown), Vol. 6, No. 3, 1982: 17-36.
Deutsche Ausgabe
Die Geschichte der Gitarrenmusik in Kenya, 1945-1980.
in: Erlmann, Veit (Hrsg.): Populäre Musik in Afrika.
Veröffentlichungen des Museum für Völkerkunde.
Neue Folge 53. Abteilung Musikethnologie VIII.
Berlin: Museum für Völkerkunde, 1991: 143-164.

Maina [wa] Mũtonya:
Praise and Protest: Music and Contesting Patriotisms in Postcolonial Kenya.
Social Dynamics (Cape Town), Vol. 30, Issue 2, 2004: 20-35.

Maina wa Mũtonya:
Mugiithi Performance, Popular Music, Stereotypes and Ethnic Identity.
Africa Insight (Pretoria), Vol. 35, No. 2, 2005: 53-60.

Maina wa Mũtonya:
Ethnic Identity and Stereotypes in Popular Music: Mũgiithi Performance in Kenya.
in: Njogu, Kimani & Hervé Maupeu (eds.):
Songs and Politics in Eastern Africa.
Dar es Salaam: Mkuki na Nyota Publishers /
Nairobi: l’Institute francais de recherche en Afrique (IFRA), 2007: 157-175.

Maina wa Mũtonya:
Joseph Kamaru: Contending Narrations of Kenya’s Politics through Music.
Cultural Production and Social Change in Kenya: Building Bridges.
in: Njogu, Kimani & Garnet Oluoch-Olunya (eds.):
Nairobi: Twaweza Communications, 2007: 27-45.

Maina wa Mũtonya:
‘Touch what you don’t have’: Mũgithi, One-Man Guitar and Urban Identities.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 4, Issue 1, 2007 12-26.

Maina wa Mũtonya:
Joseph Kamaru’s Music: Cutting with “Words, Not Swords”.
Journal of Cultural Studies (Lagos), Vol. 8, No. 2, 2010: 235-258.

Maina wa Mũtonya:
The Beat Goes On: Performing Postcolonial Disillusionment in Kenya.
Humania del Sur (Mérida), Año 5, Nº 8, Enero-Junio, 2010: 47-66.

Maina wa Mũtonya:
Jogoo La Shambani Haliwiki Mjini:
the village and the town in the Mũgithi and one-man guitar performances in Kenya.

African Studies Quarterly (Gainesville, Fla.), Vol. 14, Issue 4, 2014: 1-16.

Malm, Krister & Roger Wallis:
Transculturation and the Rise of National Pop and Rock in Small Countries.
in: Festskrift til Jan Ling. Tvärspel: trettioen artikler om musik.
Göteborg: Skrifter från Musikvetenskapliga institutionen, Nr. 9, 1984: 79-90.
Case study including Kenya

Malm, Krister & Roger Wallis:
Chapter 5 Case Study Kenya.
Media Policy and Music Activity.
London: Routledge, 1992: 84-107.

Mapuwei, N. & Gladys Kemunto Orina:
The Role Played by Music in Promoting Peace and Unity in East and Southern Africa:
The Case of Zimbabwe and Kenya.

The Dyke (Gweru), Vol. 7, No. 2, 2013:‖110-127.

Mareri, Lydia A.:
The Relationship between Hip Hop Music and Aggression among Secondary School Youth in Kenya.
Egerton Journal of Humanities, Social Sciences and Education (Nakuru), Vol. 9, 2010: 132-145.

Masolo, Dismas A.:
Presencing the Past and Remembering the Present: Social Features of Popular Music in Kenya.
in: Radano, Ronald and Philip V. Bohlman (eds.):
Music and the Racial Imagination.
Chicago, Ill.: University of Chicago Press, 2000: 349-402.

Maupeu, Hervé:
La ville dans la chanson kikuyu contemporaine.
Journal des africanistes (Paris), vol. 75,  n° 1, 2005: 255-292.

Maupeu, Hervé:
L’intellectuel populaire et l’imaginaire politique : Le cas de Joseph Kamaru (Kenya).
in: Njogu, Kimani & Hervé Maupeu (eds.):
Songs and Politics in Eastern Africa.
Dar es Salaam: Mkuki na Nyota Publishers /
Nairobi: l’Institute français de recherche en Afrique (IFRA), 2007: 23-47.
Aussi
in: Kouvoama, Abel; Abdoulaye Gueye; Anne Piriou & Wagner Anne-Catherine (dir.):
Figures croisées d’intellectuels. Trajectoires, modes d’action, productions.
Paris: Karthala, 2007: 161-182.

Maupeu, Hervé & Mbûgua wa Mûngai:
La politique des bars gikuyu de Nairobi.
Cahiers d’études africaines (Paris), n° 182, 2006:  313-331.

Mboya, T. Michael:
‘My voice is nowadays known’, Okatch Biggy, Benga and Luo Identity in the 1990s.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 6, Issue 1, 2009 14-25.

Mboya, T. Michael:
Ethnicity and the Brokerage of Kenyan Popular Music: Categorizing ‘Riziki’ by Ja-Mnazi Afrika.
Journal of African Cultural Studies (Abingdon), Volume 27, Issue 2, 2015: 205-215.

Mbügua wa-Müngai:
“It’s marwa it’s ours”: Popular Music and Identity Politics in Kenyan Youth Culture.
in: Njogu, Kimani & Garnet Oluoch-Olunya (eds.):
Cultural Production and Social Change in Kenya: Building Bridges.
Nairobi: Twaweza Communications, 2007: 47-60.

Mbügua wa-Müngai:
“Kaa Masaa, Grapple with Spiders”: The Myriad Threads of Nairobi Matatu Discourse.
in: Ogude, James & Joyce Nyairo (eds.) :
Urban Legends, Colonial Myths. Popular Culture and Litterature in East Africa.
Trenton, N.J.: Africa World Press, 2007: 25-57.

Mbügua wa-Müngai:
‘Made in Riverwood’: (Dis) Locating Identities and Power through Kenyan Pop Music.
Journal of African Cultural Studies (Abingdon), Vol. 20, Issue 1, 2008: 57-70.

Mbügua wa-Müngai:
‘For I name thee…’: Disability Onomastics in Kenyan Folklore and Popular Music.
Disability Studies Quarterly (Toledo, Ohio), Vol. 29, No. 4, 2009: online.

Mbügua wa Müngai:
This is a Robbers’ System: Popular Musicians’ Readings of the Kenyan State.
in: Cooper Brenda & Robert Morrel (eds.):
Africa-Centred Knowledges: Crossing Fields and Worlds.
Woodbridge, Suffolk: James Currey, 2014: 93-109

Mose, Caroline:
Jua Cali-Justice: Navigating the ‘Mainstream-Underground’ dichotomy in Kenyan Hip-Hop culture.
in: Soucier, P[aul] Khalil (ed.): Native Tongues. An African Hip-Hop Reader.
Trenton, N.J.: Africa World Press, 2011: 69-104.

Mose, Caroline:
Hip Hop Halisi: Continuities of Heroism on the African Political Landscape.
in: Clark, Msia Kibona & Mickie Mwanzia Koster (eds.):
Hip Hop and Social Change in Africa.
Lanham, Md.: Lexington Books, 2014: 3-25.

Mose, Caroline:
Swag’ and ‘cred’: Representing Hip-hop in the African City.
The Journal of Pan African Studies (Sun Village, Calif.), Vol. 6, No. 3, 2013: 106-132.

Mwangi, Evan:
Sex, Music, and the City in a Globalized East Africa.
PMLA (New York, N.Y.), Vol. 122, No. 1, 2007: 321-324.

Mwangi, Peter Muhoro:
Silencing Musical Expression in Colonial and Post-Colonial Kenya.
in: Drewett, Michael & Martin Cloonan (eds.):
Popular Music Censorship in Africa.
Aldershot: Ashgate, 2006: 157-169.

Mwaũra, Michael W.:
Artistic Discourse and Gender Politics in the Gĩkũyũ Popular Song.
in: Njogu, Kimani & Hervé Maupeu (eds.):
Songs and Politics in Eastern Africa.
Dar es Salaam: Mkuki na Nyota Publishers /
Nairobi: l’Institute francais de recherche en Afrique (IFRA), 2007: 49-71.

Ndĩgĩrĩgĩ, Gĩchingiri:
Popular Songs and Resistance: Ngũgĩ wa Thiong’o’s Maitũ Njugĩra.
Popular Music and Society (Abingdon), Vol. 40, Issue 1, 2017: 22-36.

Ngigi, Kamau:
Reflections on Ni Wakati: Hip Hop and Revolution.
in: Clark, Msia Kibona & Mickie Mwanzia Koster (eds.):
Hip Hop and Social Change in Africa.
Lanham, Md.: Lexington Books, 2014: 258-265.

Ntarangwi, Mwenda:
Musical Performance as a Gender Experience: Examples from Kenya and Zimbabwe.
in: Abraham, Keshia Nicole & Patricia McFadden (eds.):
Reflecting on Gender in Africa.
Harare: Sapes Books, 1999: 27-54.

Ntarangwi, Mwenda:
Malumbano or Matukano: Competition, Confrontation, and
(De)Construction of Masculinity in the Taarab of Maulidi and Bhalo.

in: Gunderson, Frank & Gregory Barz (eds.):
Mashindano! Competitive Music Performance in East Africa.
Dar es Salaam: Mkuki na Nyota Publishers, 2000: 55-66.

Ntarangwi, Mwenda:
A Socio-Historical and Contextual Analysis of
Popular Musical Performance among the Swahili of Mombasa, Kenya.
Cultural Analysis (Berkeley, Calif.), Vol. 2, 2001: 1-33.

Ntarangwi, Mwenda:
The Never Ending Wisdom in Swahili Poetry:
A Case Study of Zuhura Swaleh’s Taarab Songs.

Metamorphoses (Northampton, Mass.), Vol. 10, No. 1, 2002: 79-93.

Ntarangwi, Mwenda:
Music, Identity and Swahili Networks of Knowledge.
in: wa Njogu, Kimani & Oluoch-Olunya (eds.):
Cultural Production and Social Change in Kenya: Building Bridges.
Nairobi: Twaweza Communications, 2007: 7-26.

Nyabuga, George:
Things Fall Apart: What troubles Hath Hip Hop in Kenya?
in: Falola, Toyin & Tyler Fleming (eds.):
Music, Performance and African Identities.
New York, N.Y.: Routledge, 2012: 283-295.

Nyairo, Joyce:
Reading the Referents: The Ghost of America in Contemporary Kenyan Popular Music.
Srutiny2 (Abingdon), Vol. 9, Issue 1, 2004: 39-55.

Nyairo, Joyce:
Zilizopendwa: Kayamba Afrika’s Use of Cover Versions,
Remix and Sampling in the (Re)Membering of Kenya.

Mary Kingsley Lecture, School of Oriental and African Studies (SOAS). Royal African Society, July 2, 2005.
African Studies (Cambridge); Vol. 64, No. 1, 2005: 29-54.

Nyairo, Joyce:
“Modify”: Jua Kali as a Metaphor for Africa’s Urban Ethnicities and Culture.
in: Ogude, James & Joyce Nyairo (eds.) :
Urban Legends, Colonial Myths. Popular Culture and Litterature in East Africa.
Trenton, N.J.: Africa World Press, 2007: 125-151.

Nyairo, Joyce & James Ogunde:
Specificities: Popular Music and the Negotiation of Contemporary Kenyan Identity:
The Example of Nairobi City Ensemble.
Social Identities (Abingdon), Vol. 9, Issue 3, 2003: 303–400.

Nyairo, Joyce & James Ogunde:
Popular Music, Popular Politics:
Unbwogable and the Idioms of Freedom in Kenyan Popular Music.

African Affairs (Oxford), Volume 104, Issue 415, April 2005: 225-249.

Nyawalo, Mich:
Redefining the Struggle: Remembering the Mau Mau through Hip Hop Music.
in: Clark, Msia Kibona & Mickie Mwanzia Koster (eds.):
Hip Hop and Social Change in Africa.
Lanham, Md.: Lexington Books, 2014: 72-92.

Ogone, James Odhiambo:
Framing the Urban Hustler: Space and Identity Discourse in Kenyan Popular Music.
Africology. Journal of Pan African Studies (Long Beach, Calif.), Vol. 6, No. 9, 2014: 179-200.

Ogude, James [Odhiambo]:
”The Cat that ended up eating the Homestead Chicken”:
Murder, Memory and Fabulization in D.O. Misiani’s Dissident Music.
in: Ogude, James & Joyce Nyairo:
Urban Legends, Colonial Myths. Popular Culture and Litterature in East Africa.
Trenton, N.J.: Africa World Press, 2007: 173-200.

Ogude, James [Odhiambo]:
The Invention of Traditional Music in the City:
Exploring History and Meaning in Urban Music in Contemporary Kenya.
Research in African Literatures (Columbus, Ohio), Vol.  43, No. 4, 2012: 147-165.

Okong’o, Joseph Basil:
Ohangla Music as a Parodic Genre and Postcolonial Luo Experience.
Africa Today (Bloomington, Ind.), Vol. 57, Issue 3, 2011: 23-36.

Okumu, Chrispo Caleb:
A World View of Benga: Truths and Lies about the Region’s Popular Music.
Paper presented at the Lake Victoria Festival of Arts, Kisumu 26 May – 1 June 2005.

Okumu, Chrispo Caleb:
The Congolese Colonization of Kenyan Popular Music.
in: Akuno, E. A. (ed.):
Refocusing Indigenous Music in Education: Proceedings of the East African Symposium on Music Education.
Nairobi: Kenyatta University & Emak Music Services, 2005

Okumu, Chrispo Caleb:
The Kenya Broadcasting Corporation and Kenyan popular Music: An Identity Crises.
East African Journal of Music (Nairobi), No. 1, May 2005; 5-11.

Oloo, Adams:
Song and Politics: The Case of D. Owino Misiani.
in: Njogu, Kimani & Hervé Maupeu (eds.):
Songs and Politics in Eastern Africa.
Dar es Salaam: Mkuki na Nyota Publishers /
Nairobi: l’Institute francais de recherche en Afrique (IFRA), 2007: 177-199.

Ondieki, Donald Otoyo; Sylvester Otieno Ogama & Emily Achieng’ Akuno:
Zilizopendwa: The Development and Revival Ramifications.
The World of Music, New Series (Berlin), Vol. 3, Issue 1, January 2014: 47-62.

Osumare, Halifu:
Motherland Hip-Hop: Connective Marginality and
African American Youth Culture in Senegal and Kenya.

in: Diouf, Mamadou & Ifeoma Kiddoe Nwankwo (eds.):
Rhythms of the Afro-Atlantic World. Rituals and Remembrances.
Ann Arbor, Mich.: The University of Michigan Press, 2010: 161-177.

Osusa, Tabu & Bill Odidi:
Ketebul Music: Retracing and Archiving Kenya’s Popular Music.
in: Baker, Sarah (ed.):
Preserving Popular Music Heritage.
New York, N.Y.: Routledge, 2015: 175-184.

Paterson, Doug:
The Life and Times of Kenyan Pop.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 171-187.

Pfukwa, Charles:
When Cultures Speak back to each other: The Legacy of Benga in Zimbabwe.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 7, Issue 1, 2010: 169-178.

Prince, Ruth:
Popular Music and Luo Youth in Western Kenya:
Ambiguities of Modernity, Morality and Gender Relations in the Era of AIDS.
in: Christiansen, Catrine; Mats Utas & Henrik E. Vigh (eds.):
Navigating Youth, Generating Adulthood. Social Becoming in an African Context.
Uppsala: The Nordic Africa Institute, 2006: 117-152.

Puri, Shamlal:
Problems Facing Kenya Music.
Africa Music (London), No. 16, July-August 1983: 6-7 & 11.

Roberts, John [Storm]:
Kenya’s Pop Music.
Transition (Kampala), No. 19 (Vol. 4, No. 2), 1965: 40-43.
Deutsche Ausgabe
Kenyas Schlager-Texte.
Afrika Heute (Bonn), Nr. 14/15, 1. August 1965: 201-205.

Roberts, John Storm:
Popular Music in Kenya.
African Music (Roodepoort), Vol. 4, No. 2, 1968: 53-55.

Salm, Steven J.:
Popular Music, Identity, and the Lumpen Youth of Nairobi.
in: Falola, Toyin and Steven J. Salm (eds.):
Urbanization and African Cultures.
Durham, N.C.: Carolina Academic Press. 2005: 167-184.

Samper, David Arthur:
‘Africa is still our mama’:
Kenyan Rappers, Youth Identity and the Revitalization of Traditional Values.

African Identities (Abingdon), Vol, 2, Issue 1: 2004: 31-51.

Shitemi, Naomi L.:
Orality: Aesthetic and Expressive Literary Genre Exemplified by Kenyan Hip Hop Discourse.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 7, Issue 1, 2010: 1-30.

Simatei, Tirop P[eter]:
Kalenjin Popular Music and the Contestation of National Space in Kenya.
Journal of Eastern African Studies (Abingdon), Vol. 4, Issue 3, 2010: 425-434.

Wachira-Chiuri, B. A.:
Popular Gramophone Music: A Survey of Joseph Kamaru.
Mzalendo (Nairobi), University of Nairobi Literature Department, Vol. 2, 1981: 43-57.

Wallis, Roger & Krister Malm:
The Interdependency of Broadcasting and the Phonogram Industry.
A Case Study Covering Events in Kenya during March 1980.
Mediacult Documents, No. 6.
Wien: International Institute for Audiovisual Communication and Cultural Development, 1980. 32 p.
Reprint
in: Horn, David & Philip Tagg (eds.):
Popular Music Perspectives.
Göteborg & Exeter: IASPM, 1982: 93-110.

Wangari, Munuku Anne:
Code Switching in Contemporary Kiswahili Rap Song.
Beder Scientific Journal of Education Sciences (Tirana), Vol. 11, No. 1, 2016: 101-131.

Wanjala, Henry & Charles Kebaya:
Popular Music and Identity Formation among Kenyan Youth.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 13, Issue 2, 2016: 20-35.

Wanyama, Mellitus Nyongesa:
Policy and Implementation: A Case of Music Copyright Laws in Kenya.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 4, Issue 1, 2007 27-41.

Wasike, Chris:
Jua Cali, Genge Rap Music and the Anxieties of Living in the Glocalized City of Nairobi.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 8, Issue 1, 2011: 18-33.

Wekesa, Peter Wafula:
The Politics of Marginal Forms: Popular Music, Cultural Identity and Political Opposition in Kenya.
Africa Development. A Quarterly Journal of the Council for the Development of Economic and
Social Research in Africa / Revue trimestrielle du Conseil pour le développement de la recherche
économique et sociale en Afrique  (Dakar), Vol. 29, No. 4, 2004: 92-112.

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

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