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See as well / Voir aussi / Veja também “África Central em geral – Artigos”

Alves, Amanda Palomo:
Angola: musicalidade, política e anticolonialismo (1950-1980).
Revista Tempo e Argumento (Florianópolis), vol. 5, nᵒ. 10, jul./dez. 2013: 373-396.

Alves, Amanda Palomo:
Angolano segue em frente:
música e política em Angola (1960-1970).
Anais do XIII Encontro Estadual de História: a escrita da História,
Londrina, Paraná,  12-15 outubro 2012. Vol. 1.
Londrina, PR:  ANPUH : UEL, 2013: 156-166.

Alves, Amanda Palomo:
Música e política em Angola (1940 a 1980).
Anais da VIII Semana de História Política – V Seminário Nacional de História:
Política e Cultura Política e Sociedade da UERJ. Rio de Janeiro,  11-14 novembro 2013.
Rio de Janeiro: UERJ, 2013: 231-241.

Alves, Amanda Palomo:
Oh, muxima! A formação da música popular
urbana de angola e o grupo “N’gola Ritmos” (1940-1950).
Revista TEL (Irati), vol. 7, nᵒ. 2, jul. /dez. 2016: 193-218.

Amosu, Akwe:
Sing Independence!
West Africa (London), 27 June 1983: 1496-1497.

Buire, Chloé & Arnaud Simetière:
Les « désirs d’être » du hip hop à Luanda.
Géographie et Cultures (Paris), n° 76, hiver 2010: 81-97.

Buire, Chloé:
L’hégémonie politique à l’épreuve des musiques urbaines à Luanda, Angola.
Politique africaine (Paris), 2016/1 (n° 141): 53-76.

Castro, Maurício Barros de:
Remembering and Forgetting the Kalunga Project:
Popular Music and the Construction of Identities between Brazil and Angola.
African and Black Diaspora: An International Journal (Abingdon), Vol. 9, Issue 1, 2016: 96-108.

Fortunato, Jomo:
Contribuições para a Reconstituição Histórica da Música Popular Angolana.
Comunicação apresentada no Colóquio sobrecultura angolana, em Moscovo a 8 de septembro de 2004.

Graham, Ronnie:
Chapter 20 Angola / Sao Tomé and Principe.
Stern’s Guide to Contemporary African Music.
London: Zwan / Off the Record Press, 1988: 221-225.

Graham, Ronnie:
Chapter 21 Angola. 
The World of African Music. Stern’s Guide to Contemporary African Music. Volume 2.
Chicago, Ill.: Pluto Press: 1992: 137-139.

Hyde, Christian & Richard Trillo:
Angola Struggle and Talent.
in: Broughton, Simon; Mark Ellingham & Richard Trillo (eds.):
World Music. The Rough Guide, Volume 1: Africa, Europe and the Middle East.
London: The Rough Guides, 1999: 428-431.

Kuschick, Mateus Berger & Vilson Zattera:
A Música dos Musseques: estudos preliminares sobre o semba em Angola.
Anais do VI ENABET – Música e Sustententabilidade. João Pessoa, PB, 27-31 maio de 2013.
João Pessoa, Paraíba: UFPB, 2013: 392-397.

Kuschick, Mateus Berger:
O semba angolano pré-independência (1961-1975): relações entre música e política.
Anais do VII ENABET –  Redes, trânsitos e resistência. Florianopolis, SC,  25-28 maio 2015.
Florianópolis, SC: UFSC, 2015 : 893-902.

Kubik, Gerhard:
Muxima Ngola – Veränderungen und Strömungen in
der Musikkulturen Angolas im 20. Jahrhundert.
in: Erlmann, Veit (ed.): Populäre Musik in Afrika.
Veröffentlichungen des Museum für Völkerkunde. Neue Folge 53.
Abteilung Musikethnologie VIII. Berlin: Museum für Völkerkunde, 1991: 201-271.

Mallet, Julien:
Musique urbaine et construction politique de l’identité en Angola.
L’Homme et la société (Paris) , nᵒ 126, 1997: 37-48.

Moorman, Marissa J.:
Dueling Bands and Good Girls:
Gender, Music, and Nation in Luanda’s Musseques, 1961-1974.
International Journal of African Historical Studies (Boston, Mass.), Vol. 37, No. 2, 2004: 255-288.

Moorman, Marissa J.:
Putting on a Pano and Dancing like Our Grandparents:
Dress and Nation in Late Colonial Luanda.
in: Jean Allman (ed.):
Fashioning Africa: Power and the Politics of Dress.
Bloomington, Ind.: Indiana University Press, 2004: 84-103.

Moorman, Marissa J.:
’Semba é nossa bandeira’: música e nação em Angola (1961-74).
Actas do III Encontro Internacional de História de Angola. Luanda, 24-28 setembro 2007.
Luanda: Arquivo Nacional de Angola, Ministério da Cultura, 2015.

Moorman, Marissa [J.]:
“Sempre a subir!”: música e dança kuduro na Angola pós-colonial.
in: Lima, Ivana Stolze & Laura do Carmo (Orgs.):
História da Língua Nacional 2: diaspora Africana.
Rio de Janeiro: NAU Editora, 2014: 121-158.

Moorman, Marissa J.:
Luanda Humms and Buzzes: Urban Soundscapes, Club Music, and Dance, 1960-present.
in: Dreßen, Markus; Johannes Hossfeld; Joyce Nyairo; Florian Sievers & Adriaan Van Leuven (eds.):
Clubbing in Africa and Europe, 1960 – Present. (Berlin, Bristol, Johannesburg, Kairo /
Cairo, Kyiv, Lagos, Lissabon / Lisbon, Luanda, Nairobi, Neapel / Naples)
Leipzig: Spector Books OGH, 2017.

Nascimento, Washington Santos:
Liceu Vieira Dias e o N’gola Ritmos: música e resistência anticolonial em Angola.
Odeere: Revista do Programa de Pós-Graduação em Relações Étnicas e Contemporaneidade (PPGREC) –
UESB (Itapetinga, BA), Ano 1, número 1, volume 1, janeiro–junho de 2016: 75-98.

Posthumus, Bram:
Angola Unstoppable Rhythms
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 27-34.

Redinha, José:
Capítulo A música angolana nas actividades recreativas.
Instrumentos músicais de Angola. Sua construção e desçricão.
Notas históricas e etno-sociológicas de música angolana.
Coimbra: Centro de Estudos Africanos. Instituto de Antro0pologia, 1984: 195-198.

Trillo, Richard:
A Luta Continua: Music in Lusophone Africa – Angola and Mozambique.
in: Broughton, Simon; Mark Ellingham, David Muddyman & Richard Trillo (eds.):
World Music. The Rough Guide.
London: The Rough Guides, 1994: 412-414.

Walt, Vivienne:
Semba: Link between Two Cultures.
[Interview with Andre Mingus].
Africa Now (London), No. 28, August 1983: 71-73.

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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