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Amico, Marta:
La résistance des Touaregs au prisme de la World Music.
Cahiers d’études africaines (Paris), nᵒ 224, 2016: 821-844.

Amkoullel L’enfant Peulh:
Malian Hip Hop: Social Engagement through Music.
Le Hip Hop malien ou l’engagement social à travers l’art.
in: Clark, Msia Kibona & Mickie Mwanzia Koster (eds.):
Hip Hop and Social Change in Africa.
Lanham, Md.: Lexington Books, 2014: 65-67 & 266-268.

Amoros, Luis Gimenez:
I Play Wassoulou, Jeli, Songhay and Tuareg Music:
Adama Drame in Postcolonial Mali, Bimusical or Multimusical?

El oído pensante (Buenos Aires), Vol. 2, No., 2, 2014: 1-17.

Arnoldi, Mary Jo:
Youth Festivals and Museums: The Cultural Policies of Public Memory in Postcolonial Mali.
Africa Today Bloomington, Ind.), Vol. 52, No. 4, 2006: 55-76.

Arnqvist, Maria & Stig-Magnus Thorsén:
Music Industry in Burkina Faso and Mali – The Case of Seydoni Production.
Interview with Richard Traore (Burkina Faso).
in: Thorsén, Stig-Magnus (ed.):
Sound of Change. Social and Political Features of Music in Africa.
Stockholm: SIDA Studies No. 12, 2004: 107-119.

Barlet, Olivier:
Mali K7 : les pirates ont la peau dure.
Africulture (Paris), n° 29, juin 2000: 47-48.

Camara, Brahima; Graeme Counsel & Jan Jansen:
YouTube in Academic Teaching:
A Multimedia Documentation of Siramori Diabate’s Song ‘Nanyuman’.

in: Merolla, Daniela & Mark Turin (eds.):
Searching for Sharing: Heritage and Multimedia in Africa.
Cambridge: Open Book Publishers, 2017: 81-108.

Camara, Brahima & Jan Jansen:
A Heroic Performance by Siramori Diabate of Mali.
in: Hale, Thomas & Aissata Sidikou (eds.):
Women’s Songs from West Africa.
Bloomington, Ind.: Indiana University Press, 2013: 136–151.

Cheick Mahamadou, Chérif Keita:
Jaliya in the Modern World: A Tribute to Banzumana Sissoko and Massa Makan Diabaté.
Ufahamu. Journal of the African Activist Association (Los Angeles, Calif.), Vol. 17, No. 1, 1988: 57-68.
Reprint
in: Conrad, David C. and Barbara E. Frank (eds.):
Status and Identity in West Africa: Nyamakalaw of Mande.
Bloomington, Ind.: Indiana University Press, 1995: 182-196.

Counsel , Graeme:
Cultural Policy and Music in Mali.
Africa Quarterly (New Delhi), Vol. 43, No. 3, January 2003: 36-51.

Counsel , Graeme:
The return of Mali’s National Arts Festival.
in: Jan Jansen (ed.):
Mande-Manding. Background Reading for Ethnographic Research in the Region South of Bamako.
Leiden: Leiden University Department of Cultural Anthropology and Development Sociology, 2004: 302-306.

Counsel , Graeme; Brahima Camara & Jan Jansen:
YouTube in Academic Teaching:
A Multimedia Documentation of Siramori Diabate’s song ‘Nanyuman’.

in: Merolla, Daniela & Mark Turin (eds.):
Searching for Sharing: Heritage and Multimedia in Africa.
Cambridge: Open Book Publishers, 2017: 81-108.

Counsel , Graeme; Brahima Camara & Jan Jansen:
Sex, Drugs and Female Agency:
Why Siramori Diabaté’s Song ‘Nanyuman’ Was such a Success in Mali and Guinea.

Journal of West African History (East Lansing, Mich.), Vol. 4, Issue 1, 2018: 57-74.

Cutter, Charles H.:
The Politics of Music in Mali.
African Arts (Los Angeles, Calif.), Vol. 1, No. 3, Spring 1968: 38-39 & 74-77.

Diawara, Manthia:
The Sixties in Bamako: Malick Sidibé and James Brown.
in: Elam Jr., Harry J[ustin] & Kennell Jackson (eds.):
Black Cultural Traffic: Crossroads in Global Performance and Popular Culture.
Ann Arbor, Mich.: University of Michigan Press, 2005: 242-265.

Djebbari, Elina:
Musique, patrimoine, identité : le Ballet national du Mali.
in: Desroches, Monique; Marie-Hélène Pichette; Claude Dauphin & Gordon E. Smith (dir.):
Territoires musicaux mis en scène.
Montréal, QC: Presses de l’Université de Montréal, 2011: 195-208.

Djebbari , Élina:
La Biennale artistique et culturelle du Mali :
la mise en scène d’une culture nationale, de l’indépendance à aujourd’hui.
in: Fléchet, Anaïs; Pascale Goetschel; Patricia Hidiroglou; Sophie Jacotot; Caroline Moine & Julie Verlaine:
Une histoire des festivals XXe-XXIe siècle.
Paris: Éditions de la Sorbonne, 2013: 291-302.

Djebbari, Élina:
Guerre froide, jeux politiques et circulations musicales entre Cuba et l’Afrique de l’Ouest.
Las Maravillas de Mali à Cuba et la Orquesta Aragón en Afrique.
Afrique contemporaine (Paris), Nᵒ 254, 2015: 21-36.

Durán, Lucy:
Birds of Wassulu: Freedom of Expression and Expressions of
Freedom in the Popular Music of Southern Mali.

British Journal of Ethnomusicology (London), Vol. 4, 1995: 101-134.

Durán, Lucy:
Jelimusow: The Superwomen of Malian Music.
in: Furniss, Graham und Liz Gunner (eds.):
Power, Marginality, and African Oral Literature.
Cambridge: Cambridge University Press, 1995: 197-210.

Durán, Lucy:
Women, Music, and the “Mystique” of Hunters in Mali.
in: Monson, Ingrid (ed.):
The African Diaspora: A Musical Perspective.
New York, N.Y Garland, 2000 / London: Routledge, 2003: 136-186.

Durán, Lucy:
Mali Gold Dust by the River.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 219-238.

Durán, Lucy:
Ngaraya: Women and Musical Mastery in Mali.
Bulletin of the School of Oriental and African Studies (London), Vol. 70, Issue 3, 2007: 569–602.

Durán, Lucy:
POYI! Bamana jeli Music, Mali and the Blues.
Journal of African Cultural Studies (Abingdon), Vol. 25, Issue 2, 2013: 211-246.

Durán, Lucy:
Growing into Music in Mali –Perspectives on Informal Learning in West Africa.
in: Economidou, Natassa & Mary Stakelum (eds.):
European Perspectives on Music Education, Vol. 4.
Every Learner Counts: Democracy and Inclusion in Music Education.
Innsbruck: Helbling Verlag, 2015: 49-64.

Durán, Lucy:
“Soliyo” (Calling the Horses): Song and Memory in Mande Music (Mali).
in: Pease, Rowan & Rachel Harris (eds.):
Pieces of the Musical World: The Study of Music in Culture.
Abingdon: Taylor & Francis, 2015: 27-44.

Durán, Lucy:
‘An Jèra Cèla’ (We Share a Husband): Song as Social Comment on Polygamy in Southern Mali.
Mande Studies (Bloomington, Ind.), Vol. 19, 2017: 169-202.

Durán, Lucy & Marta Amico:
Grandir en musique chez les jelis du Mande (Mali). Un entretien avec Lucy Durán.
Cahiers d’ethnomusicologie (Paris), Vol. 31, 2018: 269-286.

Enkerli, Alexandre:
Yoro Sidibe, griot des chasseurs du Mali.
Africultures (Paris), 2004/4 (n° 61): 37-47.

Graham, Ronnie:
Chapter 8 Mali.
Stern’s Guide to Contemporary African Music.
London: Zwan / Off the Record Press, 1988: 125-131.

Graham, Ronnie:
Chapter 7 Mali.
The World of African Music. Stern’s Guide to Contemporary African Music. Volume 2.
Chicago, Ill.: Pluto Press: 1992: 59-67.

Jacquey, Marie-Clotilde:
Etre griot aujour’hui : entretien avec Massa Makan Diabaté.
Notre Librairie (Paris), nᵒ 75-76, juillet-octobre 1984: 114-119.

Jansen, Jan:
‘Elle Connaît Tout le Mande’ — A Tribute to the Griotte Siramori Diabaté.
Research in African Literatures (Austin, Tex.), Vol. 27, No. 4, 1996: 198–216.

Keita, Cheick M[ahamadou] Chérif:
Jeliya in the Modern World: A Tribute to Bazumana Sissoko and Massa Makan Diabaté.
Ufahamu. Journal of the African Activist Association (Los Angeles, Calif.), Vol. 17, No. 1, 1988: 57-68.
Reprint
in: Conrad, David C. & Barbara E. Frank (eds.):
Status and Identity in West Africa: Nyamakalaw of Mande.
Bloomington, Ind.: Indiana University Press, 1995: 182-196.

Keita, Cheick M[ahamadou] Chérif:
A Praise-son for the Father: Family Identity in Salif Keïta’s Music.
in: Jansen, Jan & Clemens Zobel (eds.):
The Younger Brother in Mande Society: Kinship and Politics in West Africa.
Leiden: Research School of the Centre of Non-Western Studies (CNWS), University of Leiden, 1996: 97-104.

Künzler, Daniel:
Rapping Against the Lack of Change: Rap music in Mali and Burkina Faso.
in: Soucier, P[aul] Khalil (ed.):
Native Tongues. An African Hip-Hop Reader.
Trenton, N.J.: Africa World Press, 2011: 23-50.

Maxwell, Heather [A.]:
Divas of the Wassoulou Sound:
Transformations in the Matrix of Cultural Production, Globalization, and Identity.

Consumption Markets and Culture (Abingdon), Vol. 6, Issue 1, 2003: 43-63.

Maxwell, Heather A.:
Of Youth-Harps and Songbirds : The Sweet Music of Wasulu.
African Music (Grahamstown), Vol. 8, No. 2, 2008: 26-55.

Melville, Caspar:
Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright.
Journal of Popular World Music (Sheffield), Vol. 4, No. 1, 2017: 10-44.

Sangaré, Fatou:
Griots et griottes : de Bamako à Paris.
Africultures (Paris), 2004/4 (n° 61): 62-65.

Sangaré, Fatou:
Mah Damba, djelimusso nyuma, la sublime griotte.
Africultures (Paris), 2004/4 (n° 61): 69-71.

Schulz, Dorothea [Elisabeth]:
Praise without Enchantment: Griots, Broadcast Media, and the Politics of Tradition in Mali.
Africa Today (Bloomington, Ind.), Vol. 44, No. 4, October -December, 1997: 443-464.

Schulz, Dorothea [Elisabeth]:
Morals of Praise: Broadcast Media and the Commoditization of Jeli Praise Performance in Mali.
Research in Economic Anthropology (Greenwich, Conn.), Vol. 19, 1998: 117-132.

Schulz, Dorothea E[lisabeth]:
Pricey Publicity, Refutable Reputations. “Jeliw” and the Economics of Honour in Mali.
Paideuma. Mitteilungen zur Kulturkunde (Frankfurt am Main), Band 45, 1999: 275-292.

Schulz, Dorothea [Elisabeth]:
Music Videos and the Effeminate Vices of Urban Culture in Mali.
Africa. Journal of the International African Institute (London), Vol. 71, No. 3, 2001: 345-372.

Schulz, Dorothea E[lisabeth]:
“The World is made by Talk”.
Female Fans, Popular Music, and New Forms of Public Sociality in Urban Mali.
Cahiers d’études africaines (Paris), 2002/4 (nᵒ 168): 797-830.

Schulz, Dorothea E[lisabeth]:
Mapping Cosmopolitan Identities: Rap Music and Male Youth Culture in Mali.
in: Charry, Eric (ed.):
Hip Hop Africa. New African Music in a Globalizing World.
Bloomington, Ind.: Indiana University Press, 2012: 129-146.

Skinner, Ryan Thomas:
Artists, Music Piracy, and the Crisis of Political Subjectivity in Contemporary Mali.
Anthropological Quarterly (Washington, D.C.), Vol. 85, No. 3, 2012: 723–754.

Skinner, Ryan Thomas:
Cultural Politics in the Post-Colony: Music, Nationalism and Statism in Mali, 1964–75.
Africa. Journal of the International African Institute (London), Vol.  82, No. 4, 2012: 511–534.

Skinner, Ryan Thomas:
An Afropolitan muse.
Research in African Literatures (Bloomington, Ind.), Vol. 46, No. 2, Summer 2015: 15-31.

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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