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Allen, Lara Victoria:
Pennywhistle Kwela: A Musical, Historical and Socio-Political Analysis.
M.M. University of Natal (Durban), 1993. [v] & 288 p.
PDF Download / Télécharger / Baixar 10.58 MB

Allen, Lara Victoria:
Representation, Gender and Women in Black Southern
African Popular Music, 1948-1960.

Ph.D. University of Cambridge, 2000. 275 p.
Full text unavailable. Only abstract online – Link / Lien / Ligação

Baxter, Lisa Mary:
History, Identity and Meaning, Cape Town’s Coon Carnival
in the 1960s and 1970s, Cape Town.

M.A. University of Cape Town, 1996. xiv & 225 p.
PDF Download / Télécharger / Baixar 11.30 MB
https://open.uct.ac.za/handle/11427/19684

Birkholtz, Kristel:
Wired for Sound: An Investigation into South African Live Music
Performance and the Johannesburg Live Music Scene.

M.M. University of the Witwatersrand (Johannesburg), 2009. viii & 219 p.
PDF Download / Télécharger / Baixar 1.22 MB

Bruce, Emily:
The Business of Live Music in South Africa and the Jazz Musician.
M.M. University of Cape Town, 2013. 82 p.
PDF Download / Télécharger / Baixar 1.23 MB

Butete, Netsayi:
The Jazz Divas.
An Analysis of the Musical Careers of Six New Brighton Vocalists.

M.M. Rhodes University (Grahamstown), 2011. x & 195 p. & 6 audio files
PDF Download / Télécharger / Baixar 24.50 MB

Byerly, Ingrid Bianca:
The Music Indaba: Music as Mirror, Mediator and Prophet in
the South African Transition from Apartheid to Democracy.
Ph.D. Duke University (Durham, N.C.), 1996. 338 p.
ProQuest no. 9628771

Chimba, Musonda Mabuza:
The Role of Rap Performance in Reinforcing or Challenging Participants’
Perceptions of ‘Race’ in Post-Apartheid South Africa, Durban.
M.A. University of KwaZulu-Natal (Durban), 2008. 74 p.
PDF Download / Télécharger / Baixar 0.97 MB

Chrispo, Caleb Okumu:
Tradition, Identity, Performance: Black South African Popular Music on SABC Television.
D.Litt. et Phil. University of the Witwatersrand (Johannesburg), 2003.
Reprint
Saarbrücken: LAP Lambert Academic Publishing, 2010. 328 p.

Coetzer, Briét Louise:
A Business Model for the Digital Distribution of Music in the South African Context.
M.M. University of Pretoria, 2009. xii & 152 p.
PDF Download / Télécharger / Baixar 3.55 MB

Cohen, Dror:
The Role of Rap/Hip Hop Music in the Meaning and Maintenance of
Identity in South African Youth.

M.A. University of the Witswatersrand (Johannesburg), 2008. 92 p.
PDF Download / Télécharger / Baixar 708 KB

Cole Kai-Lewis, Abimbola Naomi:
The Hard Cashless Society: Millennial Economics and Street Hop in Johannesburg.
Ph.D. University of California (Los Angeles, Calif.), 2016. 262 p.
NB. This item is embargoed until 18/10/2018

Coplan, David Bellin:
The Urbanization of African Performing Arts in South Africa.
Ph.D. Indiana University (Bloomington, Ind.), 1980. 482 p.
Contents

Dalamba, Lindelwa:
Remixing the Rainbow: House Music and the Construction of the Present.
M.M. Rhodes University (Grahamstown), 2003.

Dalamba, Lindelwa:
Writing against Exile: A Chronotopic Reading of the Autobiographies
of Miriam Makeba, Joe Mogotsi, and Hugh Masekela.

M.A. University of KwaZulu-Natal (Durban), 2006. [v] & 158 p.
PDF Download / Télécharger / Baixar 1.90 MB

Davies, Nollene J.:
A Study of the Guitar Styles in Zulu Maskanda Music.
M.M. University of Natal (Durban), 1992.

De Villiers, William Murray:
Aspects of the South African Music Industry: An Analytical Perspective.
M.M. University of Pretoria, 2006. xiii & 98 p.
PDF Download / Télécharger / Baixar 1.22 MB

Dlamini, Sazi Stephen:
Township Music: The Performance and Compositional
Approaches of Three Neotraditional Musicians in Durban.

M.M. University of Natal (Durban), 1998. vi & 183 p.
PDF Download / Télécharger / Baixar  171 MB

Dlamini, Sazi Stephen:
The South African Blue Notes: Bebop, Mbaqanga, Apartheid and
the Exiling of a Musical Imagination.

Ph.D.  University of KwaZulu-Natal (Durban), 2009. xv & 477 p.
PDF Download / Télécharger / Baixar 301 MB

Donne, Raffaella Delle:
Mapping the Beat, Beating the Map: The Religious Work of Hip Hop,
Reggae and Kwaito in South Africa.

M.R. University of Cape Town, 2003. 109 p.
PDF Download / Télécharger / Baixar 3.93 MB

Drewett, Michael:
An Analysis of the Censorship of Popular Music within the Context of
Cultural Struggle in South Africa during the 1980s.

Ph.D. Rhodes University (Grahamstown), 2004. xvi & 359 p.
PDF Download / Télécharger / Baixar 29.30 MB

Durbach, David Justin:
A Study of the Linkages between Popular Music and
Politics in South Africa under Apartheid in the 1980s.
M.A. University of South Africa (Pretoria), 2015. viii & 268 p.
PDF Download / Télécharger / Baixar 1.82 MB

Fleming, Tyler David:
“King Kong, Bigger Than Cape Town”.
A History of a South African Musical.
Ph.D. The University of Texas at Austin, 2009. ix & 374 p.
PDF Download / Télécharger / Baixar 1.63 MB

Galane, Sello Edwin:
The Music of Philip Tabane.
An Historical Analytical Study of Malombo Music of South Africa.
D.M. University of Pretoria, 2009. xiii & 255 p.
PDF Download / Télécharger / Baixar 7.78 MB

Gaulier, Armelle:
Emprunt musical et créolisation chez les populations coloured
du Cap (Afrique du Sud): le cas des chants « nederlandsliedjies ».

Mémoire. Université de Paris 8 Saint-Denis. 2009. 95 p.

Gitonga, Priscilla Nyawira:
The Contribution of Hip Hop to the Construction of Personal
Identities of South African Female Late Adolescents.

Ph.D. Nelson Mandela Metropolitan University (Port Elizabeth), 2012. xiv & 198 p.
PDF Download / Télécharger / Baixar 1.90 MB

Goosen, U.:
The Music of Erroll Cuddumbey (b. 1950):
A Socio-Historical Profile of a Port Elizabeth Jazz Artist.

M.M. University of Port Elizabeth, 1999.

Greer, Jonathan David:
Paul Simon’s Graceland and its Social and Political Statements on Apartheid in South Africa.
M.M. Baylor University (Waco, Tex.), 2006. v & 68 p.
PDF Download / Télécharger / Baixar 984 KB

Gross, Anna Jennifer:
“Rap for abokhokho nelokishi nabantu bonke…”
Language Choice in Hop Hop Music from KwaZulu-Natal: A Sociolinguistic Approach.
M.A. University of KwaZulu-Natal (Durban). 2007. [vii] & 68 p.
PDF Download / Télécharger / Baixar 3.69 MB

Haupt, Adam:
Rap and the Articulation of Resistance: An Exploration of Subversive Cultural
Production during the Early 90’s, with Particular Reference to Prophets of da City.
M.A. University of Western Cape (Cape Town), 1995. 88 p.
PDF Download / Télécharger / Baixar 2.76 MB

Herholdt-Powell, Ilse-Louise:
The Small Independent Recording Studio in South Africa.
M.M. University of the Witwatersrand (Johannesburg), 2007. xiv & 131 p.
PDF Download / Télécharger / Baixar 7.37 MB

Hope, Stuart:
An Investigation of the Effect that the Availability of Legitimate Channels
for Acquiring Digital Music has on Piracy in South Africa.
M.Com. University of Cape Town, 2014. 192 p.
PDF Download / Télécharger / Baixar 2.99 MB

Howard, Colin:
The “No-Persons”: An Investigation into Aspects of Secular Popular Music in Cape Town.
M.M. Goldsmiths’ College, University of London, 1994.

Jackson, Melveen Beth:
Indian South African Popular Music, the Broadcast Media, and the Record Industry, 1920-1983.
Ph.D. University of Natal (Durban), 1999. [viii] & 348 p.
PDF Download / Télécharger / Baixar 16.80 MB

Jansen Van Rensburg, Claudia Elizabeth:
Institutional Manifestations of Music Censorship and Surveillance in
Apartheid South Africa with Specific Reference to the SABC from 1974 to 1996.

M.M. Stellenbosch University, 2013. xii & 157 p.
PDF Download / Télécharger / Baixar  2.87 MB

Jeffrey, Ian:
The Sharpetown Swingsters: Their Will to Survive.
B.A. University of the Witswatersrand (Braamfontein), 1985.
Development Studies Group, Dissertation Series, No. 6, 1985. 118 p.

Jeppie, M. Shamil:
Aspects of Popular Culture and Class Expression in Inner Cape Town, circa 1939-1959.
M.A. University of Cape Town, 1990. [vi] & 175 p.
PDF Download / Télécharger / Baixar 3.58 MB

Johannes, Shaun:
Bassists of iKapa (the Cape).
A brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and
Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of
Cape Town’s most prolific bassists, Spencer Mbadu and Gary Kriel.
M.M. University of Cape Town, 2010. 127 p.
PDF Download / Télécharger / Baixar 695 KB

Kane Lo, Sheba:
People’s Poet: Mzwakhe Mbuli and the Power of the Poet in
the Liberation Struggle and in the ‘New’ South Africa.

Ph.D. Howard University (Washington D. C.), 2009. 238 p.
ProQuest no. 3350433

Kruger, Jaco Hentie:
A Cultural Analysis of Venda Guitar Songs.
Ph.D. Rhodes University (Grahamstown), 1993. xiv & 527 p.
PDF Download / Télécharger / Baixar 21.00 MB

Layne, Valmont:
A History of Dance and Jazz Band Performance in the Western Cape in the Post-1945 Era.
M.A. University of Cape Town, 1995. [iv] & 184 p.
PDF Download / Télécharger / Baixar 8.58 MB

Livermon, Xavier O’Neal:
Kwaito Bodies in African Diaspora Space:
The Politics of Popular Music in Post-Apartheid South Africa.

Ph.D. University of California (Berkeley, Calif.), 2006. xxii & 266 p.
ProQuest no. 3253968

Lunn, Helen:
Antecedents of the Music and Popular Culture of the African Post-1976 Generation.
M.A. University of the Witwatersrand (Johannesburg), 1986.

Madalane, Ignatia Cynthia:
Ximatsatsa: Exploring Genre in Contemporary Tsonga Popular Music.
M.A., University of the Witwatersrand (Johannesburg), 2011. viii & 131 p.
PDF Download / Télécharger / Baixar 130 KB & 1.02 MB
http://wiredspace.wits.ac.za/handle/10539/11543

Maduna, Mvuyo E.:
Elastic Vernac:
The (In)Significance of Indigenous Languages in South African Rap Music.

M.A. University of the Witwatersrand (Johannesburg), 2009. viii & 79 p.
PDF Download / Télécharger / Baixar 304 KB

Matthews, Robert Eric:
Generic Music Style Preferences of Urban South African Adolescents:
A Follow-Up Study Including Additional Genres of Hip-Hop, House,
Kwaito, Metal and Rhythm&Blues.

M.M. University of Pretoria, 2011. viii & 195 p.
PDF Download / Télécharger / Baixar 4.59 MB

Meintjes, Louise:
Mediating Difference: Producing Mbaqanga Music in a South African Studio.
Ph.D. The University of Texas at Austin, 1997. 399 p.
ProQuest no. 9802958

Moelwyn-Hughes, Ceri:
Women, Gender and Identity in Popular Music-Making in Gauteng, 1994 – 2012.
M.M. University of the Witwatersrand (Johannesburg), 2013. x & 177 p.
PDF Download / Télécharger / Baixar 1.24 MB

Mohr, Claudia:
Music to Move the Masses.
Protest Music of the 1980s as a Facilitator for Social Change in South Africa.

M.M. University of Cape Town, 2014.109 p.
PDF Download / Télécharger / Baixar 3.39 MB

Ndlovu, Caesar Maxwell Jeffrey:
Religion, Tradition and Custom in a Zulu Male Vocal Idiom.
Ph.D. Rhodes University (Grahamstown), 1996. xii & 316 p.
PDF Download / Télécharger / Baixar 10.10 MB

Nhlapo, Phindile Joseph:
Maskanda: The Zulu Strolling Musicians.
M.M. University of the Witwatersrand (Johannesburg), 1998. x & 159 p.
PDF Download / Télécharger / Baixar 25.90 MB

Nkabinde, Thulasizwe:
Indigenous Features Inherent in African Popular Music of South Africa.
M.M. University of Zululand (Richards Bay), 1997. [xi] & 133 p.
PDF Download / Télécharger / Baixar 4.03 MB

Nkala, Dumisani Nomagugu:
Towards a Model for Digital Distribution and
Value Capture in the South African Music Industry.

M.B.A. University of Pretoria, 2012. viii & 169 p.
PDF Download / Télécharger / Baixar 1.82 MB

Ntaka, Mfundo Goodwill:
Some Performance in Umbhaqanga Music: A Study in Tradition and Change.
M.M. University of Zululand (Richards Bay), 1997. v & 85 p.
PDF Download / Télécharger / Baixar 16.61 MB

Ntaka, Mfundo Goodwill:
Music as Culture, Music in Culture:
An Analytical Study of the History and Cultural Context of Mbaqanga Music in South Africa.

Ph.D. University of Zululand (Richards Bay), 2007. 324 p.

Olsen, Kathryn:
Politics, Production and Process: Discourses on Tradition in Contemporary Maskanda.
M.A. University of Natal (Durban), 2000. ii & 215 p.
PDF Download / Télécharger / Baixar 12.70 MB

Pienaar, Cilnette:
Using the Business Model Canvas to explore how
Independent South African Musicians do Music-as-Business.

Ph. M. University of Stellenbosch, 2016. x & 102 p.
PDF Download / Télécharger / Baixar 34.20 MB

Polak, Fiona Margaret:
Copyright and Digital Music Collections in South Africa.
M.I.S. University of KwaZulu-Natal (Pietermaritzburg), 2009. xix & 243 p.
PDF Download / Télécharger / Baixar 2.75 MB

Pyper, Brett:
“You can’t listen alone”: Jazz and Sociality in a Transitioning South Africa.
Ph.D., New York University, 2014. 264 p.
PDF Download / Télécharger / Baixar 2.95 MB

Ramanna, Nishlyn:
Jazz as Discourse: A Contextualized Account of Temporary Jazz
in Post-Apartheid Durban and Johannesburg.

Ph.D. University of KwaZulu-Natal (Durban), 2005. viii & 270 p.
PDF Download / Télécharger / Baixar 13.70 MB

Robertson, Mary:
Claiming Sounds, Constructing Selves.
The Racial and Social Imaginaries of South African Popular Music.

M.A. University of KwaZulu-Natal (Durban), 2005. [iii] & 191 p.
PDF Download / Télécharger / Baixar 9.69 MB

Roubertie, Lorraine:
Sheer Sound, un acteur culturel important dans la resurgence
du jazz sud-africain depuis la chute de l’apartheid.

Mémoire. Université de Paris 8 Saint Denis, 2006. 96 p.

Roubertie, Lorraine:
La transmission du jazz en Afrique du Sud : penser l’héritage d’un enseignement
inégalitaire dans le contexte post-apartheid : l’exemple du Western Cape.

Thèse. Université de Paris 8 Saint-Denis, 2012. 591 p.
Num. national de thèse: 2012PA083549

Scheckter, Jonathan:
A Holistic Approach to Consumption Analysis in the Popular Music Market.
M.Com. Rhodes University (Grahamstown), 2006. vi & 210 p.
PDF Download / Télécharger / Baixar 1.41 MB

Sofika, Dumisa:
Subjectivity and Forms of Resistance: The Construction of Resistance
through Discourse and Embodied Discursive Practices in Hip Hop.
M.A. University of KwaZulu-Natal (Pietermaritzburg), 2012. 106 p.
PDF Download / Télécharger / Baixar 912 KB

Steingo, Gavin:
After Apartheid: Kwaito Music and the Aesthetics of Freedom.
Ph.D. University of Pennsylvania (Philadelphia, Penn.), 2010. 283 p.
ProQuest no. 3429190

Stewart, Lynette:
Black South African Urban Music Styles: The Ideological Concepts and
Beliefs Surrounding their Developement 1930-1960.

Ph.D. University of Pretoria, 2000. viii &  405 p.
PDF Download / Télécharger / Baixar 6.79 MB

Steyn, Martha Magdalena:
A Supply Chain Model for the South African Recording Industry.
DBM. University of Pretoria, 2005. xiv & 227 p.
PDF Download / Télécharger / Baixar 764 KB

Szymczak, Collete:
Music as a Cultural Weapon in the Life of Jonas Gwangwa.
M.M. University of Witwatersrand (Johannesburg), 2004. 159 p.

Thomas, Harold Jeff:
Ingoma Dancers and Their Response to Town:
A Study of Ingoma Dance Troupes among Zulu Migrant Workers in Durban.

M.A. University of Natal (Durban), 1988.

van der Meulen, Lindy:
From Rock’n’Roll to Hard Core Punk:
An Introduction to Rock Music in Durban, 1963-1985.

M.M. University of Natal (Durban), 1995. [vi] & 186 p.
PDF Download / Télécharger / Baixar 10.60 MB

van Niekerk, Heather:
Performing the Township: Pantsula for Life.
M.A. Rhodes University (Grahamstown), 2017. iv & 129 p.
PDF Download / Télécharger / Baixar 1.83 MB

van Schalkwyk, Anastasia:
The Voice of Protest: Urban Black Women, Song and Resistance in the 1980s.
M.M. University of Kwa-Zulu Natal (Durban), 1994. [vi] & 155 p.
PDF Download / Télécharger / Baixar 7.08 MB

Veeran, Naresh Denny:
The Orchestral Tradition amongst Indian South Africans in Durban between 1935 and 1970.
M.M. University of Natal (Durban), 1996. viii & 120 p.
PDF Download / Télécharger / Baixar 4.68 MB

Veeran, Naresh Denny:
“Orchestral Music Was the Music of the Working Class”: Indian Popular Music,
Performance Practices and Identity among Indian South Africans in Durban, 1930 – 1970.
Ph.D. University of Natal (Durban), 1999. xv & 372 p.
PDF Download / Télécharger / Baixar 8.05 MB

Versola, A. Mariela:
Jazz & Apartheid: An Analysis of the Life and Music of Hugh Masekela.
M.M. William Paterson University (Wayne, N.J.), 2018 ix & 88 p.
PDF Download / Télécharger / Baixar 3.00 MB

Vilakazi, Sandisiwe:
The Representation of Kwaito in the Sunday Times between 1994 and 2001.
M.A. University of the Witwatersrand (Johannesburg), 2012.  60 p.
PDF Download / Télécharger / Baixar 412 KB

Watkins, Lee William:
Tracking the Narrative: The Poetics of Identity in Rap Music and Hip-Hop Culture in Cape Town.
M.A. University of Natal (Durban), 2000. 162 p.
PDF Download / Télécharger / Baixar 4,94 MB

Wilken, Mandy Lee:
The Interplay of Music and Text in Selected Rap Compositions in Contemporary Durban.
M.M. University of KwaZulu-Natal (Durban), 2009. vi & 118 p.
PDF Download / Télécharger / Baixar 896 KB

Xaluva, Nomfundo:
An Analysis of the Musical Style of Miriam Makeba.
M.M. University of Cape Town, 2009. xii & 80 p.
PDF Download / Télécharger / Baixar 4.69 MB

Xulu, Musa Khulekani:
The Re-emergence of amahubo Song Style and Ideas in Some Modern Zulu Musical Styles.
Ph.D.  University of Natal (Durban), 1992. [xiv] & 520 p.
PDF Download / Télécharger / Baixar 9.91 MB

Page created 13/10/2017 © afrobib.com – latest update 16/08/2018

  • Coplan, David Bellin:
    The Urbanization of African Performing Arts in South Africa.
    Ph.D. Indiana University, 1980. 482 p.
    ProQuest no. 8105958

    CONTENTS

    Preface viii
    Maps xvii

    Chapter 1
    Introduction 1

    Chapter 2
    The Foundations of Urban African Social Life and Performing Arts in Nineteenth Century South Africa 44
    Black Performers in Early Cape Town 44
    Proletarian Performers in Kimberley 49
    Migrant Performance Culture in Kimberley 60
    Missions and Performing Arts: the Christian Cape Nguni 76
    The African Elite: Music and Society in Kimberley 101
    African Performance in Johannesburg 112

    Chapter 3
    Black Johannesburg: Social Conditions and Cultural Development, 1900-1920 129
    The Background of African Settlement 129
    Crime and Urban Social Organization 141
    Migrants and Townsmen 146
    Church and School Culture 155
    Separatist Christianity and Working-Class Culture 182
    Musical Modernization: The Brass Bands 185

    Chapter 4
    Working-Class African Society and Performance Culture Between the World Wars 197
    Shebeen Soclety 197
    Marabi Culture 205
    Sotho Urbanization: the Famo Dance 213
    Music and Social Organization: Tswana Stokfel 219
    Reference Group Behavior: Zulu Ndunduma 233
    Marabi Musical Structure 235
    Performance Culture and Class Dynamics 245

    Chapter 5
    Elite Performance Culture and Class Dynamics Between the World Wars 254
    Social Background 254
    Church and School Culture 257
    Black America in Johannesburg 270
    Entertainment and Class Dynamics 284
    Africans and the Mass Cultural Media 300

    Chapter 6
    Sophiatown – Culture and Community, 1940-1960 312
    The Background of Urban African Freehold 312
    School and Professional Performance 315
    Street and Professional Performance 330
    African Music and Media Dominance 347
    Black Performance, White Management 362
    Musicians and Community 374

    Chapter 7
    Conclusion: Causality and Process in the Urbanization of Performance Culture 387

    Glossary 429
    References Cited 444

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Coplan, David Bellin:
    The Urbanization of African Performing Arts in South Africa.
    Ph.D. Indiana University, 1980. 482 p.
    ProQuest no. 8105958

    CONTENTS

    Preface viii
    Maps xvii

    Chapter 1
    Introduction 1

    Chapter 2
    The Foundations of Urban African Social Life and Performing Arts in Nineteenth Century South Africa 44
    Black Performers in Early Cape Town 44
    Proletarian Performers in Kimberley 49
    Migrant Performance Culture in Kimberley 60
    Missions and Performing Arts: the Christian Cape Nguni 76
    The African Elite: Music and Society in Kimberley 101
    African Performance in Johannesburg 112

    Chapter 3
    Black Johannesburg: Social Conditions and Cultural Development, 1900-1920 129
    The Background of African Settlement 129
    Crime and Urban Social Organization 141
    Migrants and Townsmen 146
    Church and School Culture 155
    Separatist Christianity and Working-Class Culture 182
    Musical Modernization: The Brass Bands 185

    Chapter 4
    Working-Class African Society and Performance Culture Between the World Wars 197
    Shebeen Soclety 197
    Marabi Culture 205
    Sotho Urbanization: the Famo Dance 213
    Music and Social Organization: Tswana Stokfel 219
    Reference Group Behavior: Zulu Ndunduma 233
    Marabi Musical Structure 235
    Performance Culture and Class Dynamics 245

    Chapter 5
    Elite Performance Culture and Class Dynamics Between the World Wars 254
    Social Background 254
    Church and School Culture 257
    Black America in Johannesburg 270
    Entertainment and Class Dynamics 284
    Africans and the Mass Cultural Media 300

    Chapter 6
    Sophiatown – Culture and Community, 1940-1960 312
    The Background of Urban African Freehold 312
    School and Professional Performance 315
    Street and Professional Performance 330
    African Music and Media Dominance 347
    Black Performance, White Management 362
    Musicians and Community 374

    Chapter 7
    Conclusion: Causality and Process in the Urbanization of Performance Culture 387

    Glossary 429
    References Cited 444

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

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