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Bahirtas, Gezahegen Teji:
Music Censorship in Contemporary Ethiopia.
The Case of Ethiopian Radio and FM Addis 97.1.
Saarbrücken: VDM Verlag, 2009. 88 p.
ISBN 978-3-639-19584-2

Bekele, Zenebe:
Music in the Horn.
A Preliminary Analytical Approach to the Study of Ethiopian Music.
Stockholm: Published by the Author, 1987. 119 p.

Bender, Wolfgang:
Musik aus Äthiopien. Ein kommentierter Katalog zu einer
Auswahl traditioneller und moderner Musik aus Äthiopien.

Kommentierter Katalog zur afrikanischen Musik Nr. 1.
Bayreuth: Iwalewa, Universität Bayreuth, 1982. 20 p.

Eshete, Aleme:
Songs of the Ethiopian Revolution. Chansons de la révolution éthiopienne.
Addis Ababa: Ministry of Culture, 1979. 118 p.
Contents / Table des matières

Falceto, Francis:
Abyssinie Swing.
A Pictorial History of Modern Ethiopian Music. /
Image de la musique éthiopienne moderne.

Addis Ababa: Shama Books, 2001. 120 p.
Contents / Table des matières

Kidané, Berhané:
The Origin and the Development of the Imperial Guard Band 1924-1974.
B.A. Addis Ababa University, 1985.

Mollenhauer, Shawn Michael:
Millions on the Margins: Music, Ethnicity, and Censorship Among the Oromo of Ethiopia.
Ph.D. University of California (Riverside, Calif), 2011. x & 251 p.
ContentsPDF Download / Télécharger / Baixar 27.8 MB

Powne, Michael:
Ethiopian Music: An Introduction.
A Survey of Ecclesiastical and Secular Ethiopian Music and Instruments.

London: Oxford University Press, 1966. Reprint 1968. xviii & 156 p.
ISBN 978-0-1931-1908-6
2nd reprint
Westport, Conn.: Greenwood Press, 1980. xix & 160 p.
ISBN 978-0-3132-2161-3

Seyoum, Selem:
The Origin and Development of Zemenawi Music in Ethiopia 1896-1974.
B.A.  Addis Ababa University, 1988.

Simeneh, B.:
A Profile of the Life and Works of Mulatu Astatke.
Term Paper. Yared School of Music (Addis Ababa), July 2004.

Zegeye, Abebe:
Mulatu Astatke. The Making of Ethio Jazz.
Maskerem Assegued in Conversation with Mulatu Astatke.
Pretoria: Unisa Press / Trenton, N.J. : The Red Sea Press, 2009. 55 p. & CD
Contents

Page created 22/09/2017 © afrobib.com

  • Eshete, Aleme:
    Songs of the Ethiopian Revolution. Chansons de la revolution ethiopienne.
    Addis Ababa: Ministry of Culture, 1979. 118 p.
    ISBN N/A

    CONTENTS

    1. Revolution Day, New year, New era of social justice,
        Ethiopia First 13
    2. Development Through Cooperation Campaign 33
    3. Proclamation Nationalising Rural land 33
    4. Unity, territorial integrity, equality of Nationalities and
        religion, Anti-imperialist Struggle 53
    5. The New Democratic Revolution and Socialism 79
    6. Revolutionary Struggle and Sacrifice for victory of Socialism
        and Dictatorship of the proletariat 95
    7. Women Struggle for equality and the Victory of Socialism 109

    TABLE DE MATIÈRES

    1. Jour de la Revolution; Nouvel an; Ere Nouvelle de justice Sociale;
        Ethiopie d’abord 13
    2. La campagne du Developpement par Cooperation 33
    3. Proclamation sur Nationalisation des terres rurales 33
    4. Unité, intégrité territoriale, egalité des nationalités et des
        réligions, la lutte anti – imperialiste 53
    5. La Revolution de la Nouvelle Democratie et le Socialisme 79
    6. La Lutte revolutionnaire et les sacrifices à payer pour la Victoire
        du Socialisme et la dictature du Prolétariat 95
    7. Les femmes luttent pour l’egalité et la victoire du Socialisme 109

  • Falceto, Francis:
    Abyssinie Swing. 
    A Pictorial History of Modern Ethiopian Music. / 
    Image de la musique éthiopienne moderne. 
    Addis Ababa: Shama Books, 2001. 120 p. 
    ISBN 1-931253-09-9

    CONTENTS / TABLE DE MATIÈRE

    Foreword / Avant-dire 8

    Independent Abyssinia and Colonial Rule /
    Abyssinie indépendante et musique coloniale 16

    From ‘Arba lijotch’ to the Italian Invasion /
    Des ‘Arba lidjotch’ à l’invasion italienne 28

    Africa Orientale Italiana 1935-1941 42

    A Musical Post-War /
    Après-guerre en musique 1941-1960 50

    Eritrea: An Ethiopian Half-Country /
    Érythrée: un demi-siècle éthiopien 68

    The Regime Goes down Swinging /
    Fin de règne en chansons 1960-1974 80

    Photo Credits & Sources 118
    Bibliography 119
    Acknowledgements / Remerciements 120

  • Mollenhauer, Shawn Michael:
    Millions on the Margins: Music, Ethnicity, and Censorship among the Oromo of Ethiopia.
    Ph.D. University of California (Riverside, Calif), 2011. x & 251 p.

    CONTENTS

    Chapter 1
    Introduction 1
    Memory and Music 9
    Nationalism, Ethnicity and Folklore 15
    Music, Politics and Censorship in Africa 24
    Brief overview of fieldwork 28

    Chapter 2
    Ethnicity and the Oromo 34
    Ethnicity in Ethiopia 37
    The “African-ness” of Ethiopia 47

    Chapter 3
    The Oromo: A History in the Making 54
    The Oromo People 59
    Oromo Unity Through Performance:
    The National Culture Show of 1977 62
    Ali 72
    Legesse Abdi 81
    Conclusions 85

    Chapter 4
    Traditional Music 90
    Instruments/Organology 96
    Genres 100
    Erecha 103
    Shashemane 114
    Biftu Oromia 120
    Conclusions 128

    Chapter 5
    Oromo Popular Music 133
    Ibrahim’s studio 136
    Daniel 146
    Insight in Asele 161
    Conclusions 165

    Chapter 6
    The Diaspora 170
    Movements of a Nation without a State 173
    The Oromo Studies Conference, Minneapolis 2008 177
    Minneapolis Concert 2011 181
    Oromo Online 195
    On the future of the Oromo diasporic project 200
    Conclusions 204

    Bibliography 210-225

    Appendices
    Appendix 1: Maps
        Map 1: Map of the present day borders of 
                    Ethiopia (and neighboring countries) 226
        Map 2: Map of Ethiopia’s regional states under 
                     “ethnic federalism” 227
        Map 3: Oromia state map (ethnic regions) 228

    Appendix 2: Notation Examples 229-230
    Appendix 3: Glossary 231
    Appendix 4: Translations 232-233
    Appendix 5: CD Tracks List 234-235
    Appendix 6: Photographs 236-251

  • Zegeye, Abebe:
    Mulatu Astatke. The Making of Ethio Jazz.
    Maskerem Assegued in Conversation with Mulatu Astatke.
    Pretoria: Unisa Press / Trenton, N.J. : The Red Sea Press, 2009. 55 p. & CD
    ISBN 1-56902-310-7 (HB) 1-56902-311-5 (PB)

    CONTENTS

    The Making of Ethio Jazz – Abebe Zegeye
    Introduction 3
    Mulatu’s early life 4
    Mulatu’s musical heritage 5
    Mulatu trains overseas 15
    The birth of Ethio jazz 17
    In Addis Ababa 20
    Ethiopia’s social and political milieu 23
    Adapting to changed circumstances 27
    Celebrity status 29
    ‘Broken Flowers’ 31
    Accolades and looking ahead 33
    The postcoloniality of Mulato’s jazz 34
    Conclusion 35
    Endnotes 36
    References 38

    Meskerem Assegued in Conversation with Mulatu Astatke 41

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Zegeye, Abebe:
    Mulatu Astatke. The Making of Ethio Jazz.
    Maskerem Assegued in Conversation with Mulatu Astatke.
    Pretoria: Unisa Press / Trenton, N.J. : The Red Sea Press, 2009. 55 p. & CD
    ISBN 1-56902-310-7 (HB) 1-56902-311-5 (PB)

    CONTENTS

    The Making of Ethio Jazz – Abebe Zegeye
    Introduction 3
    Mulatu’s early life 4
    Mulatu’s musical heritage 5
    Mulatu trains overseas 15
    The birth of Ethio jazz 17
    In Addis Ababa 20
    Ethiopia’s social and political milieu 23
    Adapting to changed circumstances 27
    Celebrity status 29
    ‘Broken Flowers’ 31
    Accolades and looking ahead 33
    The postcoloniality of Mulato’s jazz 34
    Conclusion 35
    Endnotes 36
    References 38

    Meskerem Assegued in Conversation with Mulatu Astatke 41

  • Mollenhauer, Shawn Michael:
    Millions on the Margins: Music, Ethnicity, and Censorship among the Oromo of Ethiopia.
    Ph.D. University of California (Riverside, Calif), 2011. x & 251 p.

    CONTENTS

    Chapter 1
    Introduction 1
    Memory and Music 9
    Nationalism, Ethnicity and Folklore 15
    Music, Politics and Censorship in Africa 24
    Brief overview of fieldwork 28

    Chapter 2
    Ethnicity and the Oromo 34
    Ethnicity in Ethiopia 37
    The “African-ness” of Ethiopia 47

    Chapter 3
    The Oromo: A History in the Making 54
    The Oromo People 59
    Oromo Unity Through Performance:
    The National Culture Show of 1977 62
    Ali 72
    Legesse Abdi 81
    Conclusions 85

    Chapter 4
    Traditional Music 90
    Instruments/Organology 96
    Genres 100
    Erecha 103
    Shashemane 114
    Biftu Oromia 120
    Conclusions 128

    Chapter 5
    Oromo Popular Music 133
    Ibrahim’s studio 136
    Daniel 146
    Insight in Asele 161
    Conclusions 165

    Chapter 6
    The Diaspora 170
    Movements of a Nation without a State 173
    The Oromo Studies Conference, Minneapolis 2008 177
    Minneapolis Concert 2011 181
    Oromo Online 195
    On the future of the Oromo diasporic project 200
    Conclusions 204

    Bibliography 210-225

    Appendices
    Appendix 1: Maps
        Map 1: Map of the present day borders of 
                    Ethiopia (and neighboring countries) 226
        Map 2: Map of Ethiopia’s regional states under 
                     “ethnic federalism” 227
        Map 3: Oromia state map (ethnic regions) 228

    Appendix 2: Notation Examples 229-230
    Appendix 3: Glossary 231
    Appendix 4: Translations 232-233
    Appendix 5: CD Tracks List 234-235
    Appendix 6: Photographs 236-251

  • Falceto, Francis:
    Abyssinie Swing. 
    A Pictorial History of Modern Ethiopian Music. / 
    Image de la musique éthiopienne moderne. 
    Addis Ababa: Shama Books, 2001. 120 p. 
    ISBN 1-931253-09-9

    CONTENTS / TABLE DE MATIÈRE

    Foreword / Avant-dire 8

    Independent Abyssinia and Colonial Rule /
    Abyssinie indépendante et musique coloniale 16

    From ‘Arba lijotch’ to the Italian Invasion /
    Des ‘Arba lidjotch’ à l’invasion italienne 28

    Africa Orientale Italiana 1935-1941 42

    A Musical Post-War /
    Après-guerre en musique 1941-1960 50

    Eritrea: An Ethiopian Half-Country /
    Érythrée: un demi-siècle éthiopien 68

    The Regime Goes down Swinging /
    Fin de règne en chansons 1960-1974 80

    Photo Credits & Sources 118
    Bibliography 119
    Acknowledgements / Remerciements 120

  • Eshete, Aleme:
    Songs of the Ethiopian Revolution. Chansons de la revolution ethiopienne.
    Addis Ababa: Ministry of Culture, 1979. 118 p.
    ISBN N/A

    CONTENTS

    1. Revolution Day, New year, New era of social justice,
        Ethiopia First 13
    2. Development Through Cooperation Campaign 33
    3. Proclamation Nationalising Rural land 33
    4. Unity, territorial integrity, equality of Nationalities and
        religion, Anti-imperialist Struggle 53
    5. The New Democratic Revolution and Socialism 79
    6. Revolutionary Struggle and Sacrifice for victory of Socialism
        and Dictatorship of the proletariat 95
    7. Women Struggle for equality and the Victory of Socialism 109

    TABLE DE MATIÈRES

    1. Jour de la Revolution; Nouvel an; Ere Nouvelle de justice Sociale;
        Ethiopie d’abord 13
    2. La campagne du Developpement par Cooperation 33
    3. Proclamation sur Nationalisation des terres rurales 33
    4. Unité, intégrité territoriale, egalité des nationalités et des
        réligions, la lutte anti – imperialiste 53
    5. La Revolution de la Nouvelle Democratie et le Socialisme 79
    6. La Lutte revolutionnaire et les sacrifices à payer pour la Victoire
        du Socialisme et la dictature du Prolétariat 95
    7. Les femmes luttent pour l’egalité et la victoire du Socialisme 109

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    ÍNDICE

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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