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Ademuleya, Babasehinde Augustine & Michael Olusegun Fajuyigbe:
Pan-Africanism and the Black Festivals of Arts and Culture:
Today’s Realities and Expectations.

Journal of Humanities and Social Science IOSR-JHSS (Ghaziabad, UP),
Vol. 20, Issue 3, Ver. 1, 2015: 22-28.

Akombo, David O.:
Deconstructing African Poverty against the Backdrop of a Rich Musical Heritage: A Paradox.
in: Falola, Toyin & Jamaine Abidogun (eds.)
Education, Creativity, and Economic Empowerment in Africa.
London: Palgrave Macmillan, 2013: 221-231.

Akpabot, Samuel Ekpe:
Music in Urban African Revolution.
Paper Presented at the 22nd Annual Meeting of the African Studies Association, Los Angeles, California, October 31 – November 3, 1979. 18 p.

Allen, Lara:
Music and Politics in Africa.
Social Dynamics (Cape Town), Vol. 30, Issue 2, 2004: 1-19.

Aranzadi, Isabela de:
Musical Objects and Identities in Transit within Groups in
Equatorial Guinea:
Musical Connections with Sierra Leone
and Cuba following the Abolition of Slavery.

in: Boampong, Joanna (ed.):
In and Out of Africa: Exploring Afro-Hispanic, Luso-Brazilian, and Latin-American Connections.
Newcastle upon Tyne: Cambridge Scholars Publishing, 2012: 190-215.

Aranzadi, Isabela de:
El legado cultural de Sierra Leona en Bioko.
Comparativa de dos espacios de criolización africana.
Éndoxa (Madrid), Series Filosóficas, n.ᵒ 37, 2016: 237-278.

Argyle, John:
Kalela, Beni, Asafo, Ingoma and the Rural‐Urban Dichotomy.
African Studies (Johannesburg), Vol. 50, 1991: 65-86.

Arlt, Veit & Ernst Lichtenhahn:
Recordings of African Popular Music:
A Valuable Source for Historians of Africa.

History in Africa (Cambridge), Vol. 31, 2004: 389-391.

Arnaud, Gérald:
Pour une exception musicale africaine.
Africultures (Paris), 2003/1 (n° 54): 79-92.

Arnaud, Gérald:
L’économie des musiques africaines : un terrible paradoxe.
Africultures (Paris), 2006/4 (n° 69): 57-71.

Aterianus-Owanga, Alice & Sophie Moulard:
Cherchez le politique… Polyphonies, agencéité et stratégies du rap en Afrique.
Politique africaine (Paris), 2016/1 (n° 141): 5-25.

Aterianus-Owanga, Alice:
Rap Studies in Africa.
Revue analytique de la littérature sur le rap en Afrique depuis les années 2000‪.‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬

Volume ! (Paris), 2017/2 (n° 14:1): 7-22.

Baines, Gary:
Popular Music of Sub-Saharan Africa.
in: Hickey, Dennis V. (ed.):
The Greenwood Encyclopedia of World Popular Culture: Volume 5: Sub-Saharan Africa.
Westport, Conn.: Greenwood Press, 2007: 203-229.

Barrett, Lindsay:
Roots Music (Part 1). The Rhythm and Colour of African Traditions in Modern Music.
Africa Music (London), No. 1, Janauary-February 1981: 9-11 & 18.
Roots Music (Part 2). The Funky End of Roots Music.
Africa Music (London), No. 2, March-April 1981: 9-11.

Bender, Wolfgang:
Hunderte von Völkern, Hunderte von Kulturen.
Materialien zur populären Musik Schwarzafrikas.
in: Frederking, Klaus & Klaus Humann (Hrsg.):
Rock Session 7. Das Magazin der populären Musik.
Hamburg: Rowohlt Taschenbuch Verlag, 1983: 112-134.

Bender, Wolfgang:
Indépendence ChaCha. Independence Songs in Africa during the ‘60s.
in: Hennion, Antoine (dir.):
1789-1989. Musique, histoire, démocratie/Music, History, Democracy.
Colloque international organisé par “Vibrations” et IASPM (International Association for the Studies of Popular Music), Paris, 17-20 juilliet 1989. Recherche Musique et Danse, nᵒ 6.
Paris: Éditions de la Maison des sciences de l’homme, 1992: 167-180.

Bender, Wolfgang:
African Music Airwaves – From Colonial to Neocolonial Shores: Radio and Music in Africa.
in: Collier, Gordon & Frank Schulze-Engler (eds.):
Cross / Cultures, Vol. 59. Crabtracks. Progress and Process in Teaching the New Literatures in English: Essays in Honour of Dieter Riemenschneider.
Amsterdam & New York, N.Y.: Rodopi B.V. Editions, 2002: 181-198.

Bender, Wolfgang:
Modern African Music – An Autonomous Music.
in: Thorsén, Stig-Magnus (ed.):
Sound of Change. Social and Political Features of Music in Africa.
Stockholm: SIDA Studies No. 12, 2004: 87-106.

Bensignor, François:
Afrique contemporaine. La création musicale au miroir de l’histoire.
Hommes et Migrations (Paris), n° 1257, 2005: 125-133.

Bilby, Kenneth:
The Transatlantic “Return” of Afro-American Musics to Africa.
in: Aharonián, Coriún (ed.):
La música entre África y América.
Montevideo: Centro de Documentación Musical Lauro Ayestarán,
Ministerio de Educación y Cultura, 2013: 311-355.

Brusila, Johannes:
Jungle Drums Striking the World Beat: Africa as an Image Factor in World Beat.
in: Palmberg Mai (ed.):
Encountering Images in the Meetings between Africa and Europe.
Uppsala: The Nordic Africa Institute, 2001: 146-161.

Charry, Eric:
Music and Postcolonial Africa.
in: Shanguhyia, Martin S.  & Toyin Falola (eds.):
The Palgrave Handbook of Colonial and Postcolonial History.
New York, N.Y.: Palgrave Macmillan, 2018: 1231-1261.

Chernoff, John Miller:
Foreword.
in: Bender, Wolfgang:
Sweet Mother. Modern African Music.
Chicago, Ill.: Chicaco University Press, 1991: ix-xvii.

Clerfeuille, Sylvie:
Musique : l’Afrique lusophone bercée par la saudade.
Notre Librairie (Paris), nᵒ 154, avril-juin 2004: 102-106.

Cloonan, Martin:
Popular Music Censorship in Africa: An Overview.
in: Drewett, Michael & Martin Cloonan (eds.):
Popular Music Censorship in Africa.
Aldershot: Ashgate, 2006: 3-21.

Collins, [Edmund] John:
African Music Strengthens Cultural Autonomy. 
Group Media Journal (München), Vol. 8, No. 4, 1989: 17-21.

Collins, [Edmund] John:
A Historical Review of Popular Entertainment in Sub-Saharan Africa.
in: Manuh, Takyiwaa & Esi Sutherland-Addy (eds.):
Africa in Contemporary Perspective: A Textbook for Undergraduate Students.
Accra: Sub-Saharan Publishers, 2013: 445-466.

Coplan, David B[ellin]:
Popular Music.
in: Oliver, Roland & Michael Crowder (eds.):
The Cambridge Encyclopedia of Africa.
Cambridge: Cambridge University Press, 1981: 446-450.

Cowley, John H.:
uBungca (Oxford Bags).
Recordings in London of African and West Indian Music in the 1920s and 1930s.

Musical Traditions (Rochford, Essex), No. 12, Summer 1994: 13-26.

Dagri, Paul:
Musiques traditionnelles et modernes : des concepts et de la problématique du développement des musiques africaines à l’ère de la globalisation.
in: Kadima-Nzuji, Mukala & Alpha Noël Malonga (dir.):
Ininéraires et convergences des musiques traditionelles et modernes d’Afrique.
Paris: L’Harmattan / Brazzaville: FESPAM, 2004: 375-386.

Dauer, A[lfons] M.:
Neue Musik in Afrika. 1. & 2. Teil.
Afrika Heute (Bonn), Nr. 14/15, 1. August 1965: 196-200
& Nr. 16, 1. September 1965: 220-223.

Dorsch, Hauke:
“Indépendance Cha Cha”: African Pop Music since the Independence Era.
Africa Spectrum (Hamburg), Vol. 45, Issue 3, 2010: 131-146.

Dorsch, Hauke:
Vom „Independance Cha Cha” zu „Quitte Le Pouvoir”.
Afrikanische Popmusik seit der Unabhängigkeitsära.

in: Bierschenk, Thomas & Eva Spies (Hrsg.):
50 Jahre Unabhängigkeit in Afrika – Kontinuitäten, Brüche, Perspektiven.
Köln: Köppe, 2012: 501-523.

Dorsch, Hauke:
Rumberos and Guerrilleros: Angélique Kidjo, Freddy Ilanga and African-Cuban Relations.
in: Röschenthaler, Ute & Alessandroo Jedlowski (eds.):
Mobility between Africa, Asia and Latin America.
London: Zed Books, 2017: 277-297.

Durán, Lucy, Janet Topp Fargion & Marion Wallace:
Crossings: Word and Music across the Atlantic.
in: Casely-Hayford, Gus; Janet Topp Fargion & Marion Wallace (eds.):
West Africa: Word, Symbol, Song.
London: British Library, 2015: 72-99.

Emielu, Austin ‘Maro:
Towards a Global 21st Century African Popular Music: ASSATA Band as a Case Study.
Legon Journal of the Humanities (Legon), Vol. 19, 2008: 135-149.

Emielu, A[ustin ‘Maro]:
I am a Music Minister, not a Musician: Social Identity in Contemporary African Music.
Nigerian Music Review (Ile-Ife), No. 1, 2014: 110-126.

Englert, Birgit:
Popular Music and Politics in Africa – Some Introductory Reflections.
Stichproben. Wiener Zeitschrift für kritische Afrikastudien (Wien), Nr. 14, 8. Jahrgang, 2008: 1-15.

Eriksson, Bengt:
Afrikansk safari 1968-1982.
Schlager (Stockholm), nr. 57/58, december 1982: 33-37.

Everett, Richard:
’Operation Africa’. Report from Abidjan on the Partial Success of an
African Fund-Raising Pop Concert for Famine Relief.
West Africa (London), 9 September 1985: 1861-1862.

Fosu-Mensah, Kwabena:
Unanswered Questions.
African Music‘s Acceptance in the West is not Coming Smoothly.
West Africa (London), 4 April 1988: 599.

Eyre, Banning:
New Sounds from Africa: Soukous, Chimurenga, Mbanqanga and more.
Guitar Player (San Jose, Calif.), Vol. 22, No. 10, Issue 226, October 1988: 80-88.

Eyre, Banning:
African Reinventions of the Guitar.
in: Coelho, Victor Anand (ed.):
The Cambridge Companion to the Guitar.
Cambridge: Cambridge University Press, 2003: 44-64.

Fargion, Janet Topp:
African Music in the World and Traditional Music Section at the British Library Sound Archive.
History in Africa (Cambridge), Vol. 31, 2004: 447-454.

Forman, Murray:
Keeping it Real? African Youth Identities and Hip Hop.
in: Young, Richard (ed.):
Critical Studies Vol. 19: Music, Popular Culture, Identities.
Amsterdam & New York, N.Y.: Editions Rodopi, 2002: 101-132.
Reprint
New York, N.Y.: Brill, 2016: 89-118.

Freedman, Jeffrey & Robert Saucier:
Le son d’amplicateurs lointains: une revue de la littérature sur la pop africaine.
Communication-Information (Québec, QB), vol. 8, nᵒ 2, août-septembre 1986: 23-49.

Gaulier, Armelle & Daouda Gary-Tounkara :
Musique et pouvoir, pouvoirs des musiques dans les Afriques. Introduction thématique.
Afrique contemporaine (Paris), 2015/2 (n° 254):  13-20.

Günter, Robert:
Gedanken zur Neuzeit in der Afrikanischen Musik.
in: Musicae Scientae Collectanea [Fellerer Festschrift].
Karl Gustav Fellerer zum 70. Geburtstag am 7. Juli 1972.
Köln: Arno Volk Verlag, 1973: 187-198.

Hall, Perry A.:
Soul to Soul: Hip Hop, Globalization, and Africa.
in: Sahle, Eunice N. (ed.):
Globalization and Socio-Cultural Processes in Contemporary Africa.
Basingstoke: Palmgrave Macmillan, 2015: 229-274.

Hendler, Maximilian:
Drei afrikanische Städte: Bamako – Kinshasa – Zanzibar.
in: Helms, Dietrich & Thomas Phelps (Hrsg.):
Sound and the City. Populäre Musik im urbanen Kontext.
Bielefeld: Transcript Verlag, 2007: 87-96.

Impey, Angela:
Popular Music in Africa.
in: Stone, Ruth M. (ed.):
Africa. The Garland Encyclopedia of World Music, Vol. 1.
New York, N.Y. & London: Garland Publishing Inc., 1998: 415-437.

Jackson, Rachel:
The Trans-Atlantic Journey of Gumbé: Where and why has It Survived?
Africa Music (Grahamstown), Vol. 9, No. 2, 2012: 128-153.

Jones, A[rthur] M[orris]:
Vol. 1 Chapter 11 The Neo-Folk Music.
Studies in African Music. 2 vols.
London: Oxford University Press, 1959: 252-257.

Kaemmer, John E.:
Changing Music in Contemporary Africa.
in: Martin, Phillis M. & Patrick O’Meara (eds.): Africa.
Bloomington, Ind.: Indiana University Press, 1977: 367-377 & 453-455.

Kaye, Andrew L.:
The Guitar in Africa.
in: Stone, Ruth M. (ed.):
Africa. The Garland Encyclopedia of World Music, Vol. 1.
New York, N.Y. & London: Garland Publishing Inc., 1998: 350-369.

Kierman, Sean:
Audiometric Characteristics of the Ethnic Ear.
in: Tracey, Andrew (ed.):
Papers Presented at the Second Symposium on Ethnomusicology.
Music Department, Rhodes University, 24th to 26th September 1981.
Grahamstown: International Library of African Music, 1982: 53-60.

Kirkegaard, Annemette:
Hvad er baggrunden for reggaens enorme popularitet i Afrika?
[What is the Background for Reggae’s Enormous Popularity in Africa?]
Musik og Forskning (København), 1998-1999: 79-114.

Kohlhagen, Dominik:
Frime, escroquerie et cosmopolitisme.
Le succès du « coupé-décalé » en Afrique et ailleurs.
Politique africaine (Paris), 2005/4 (n° 100): 92-105.

Kubik, Gerhard:
Die Situation der Musik Afrikas.
Neues Afrika (Berlin), 4. Jahrgang, Heft 9, September 1962: 351-352.

Kubik, Gerhard:
Neue Musikformen in Schwarzafrika.
Psychologische und musik-ethnologische Grundlagen.
Afrika Heute (Bonn), Sonderbeilage. 1. Märtz 1965. 16 p.

Kubik, Gerhard:
Die Situation der Musik und darstellenden Kunst in Afrika.
Afrika Heute (Bonn), Nr. 13, 15. Juli 1965: 174-175.

Kubik, Gerhard:
Die Popularität von Musikarten im Afrika südlich der Sahara.
Afrika Heute (Bonn), Nr. 24, 15. Dezember 1966: 370-375.

Kubik, Gerhard:
Afrikanische Elemente im Jazz – Jazzelemente in der populären Musik Afrikas.
Jazzforschung / Jazz Research (Graz), Nr. 1, 1969: 84-98.
Nachgedruckt
Kapitel Afrikanische Elemente im Jazz – Jazzelemente in der populären Musik Afrikas.
Zum Verstehen afrikanischer Musik. Aufsätze.
Leipzig: Verlag Philipp Reclam jun., 1988: 300-321.

Kubik, Gerhard:
Part II Return to Africa.
Africa and the Blues.
Jackson, Miss., University Press of Mississippi, 1999: 153-196.

Künzler, Daniel:
The ‘Lost Generation’: African Hip Hop Movements and the Protest of the Young (Male) Urban.
in: Herkenrath, Mark (ed.):
Civil Society: local and Regional Responses to Global Challenges.
Zürich & Münster: LIT Verlag, 2006: 89-127.

Laade, Wolfgang:
Abschnitt Bemerkungen… Afrika.
Neue Musik in Afrika, Asien und Oceanien.
Diskographie und historisch-stilistischer Überblick.
Heidelberg: Wolfgang Laade, 1971: 57-102.

Malm, Krister:
Intellectual Property Rights and Unfair Exploitation of
Traditional Music and Other Traditional Knowledge in Africa.

in: Thorsén, Stig-Magnus (ed.):
Sound of Change. Social and Political Features of Music in Africa.
Stockholm: SIDA Studies No. 12, 2004: 120-134.

Mano, Winston:
Popular Music as Journalism in Africa: Issues and Contexts.
in: Wasserman, Herman (ed.):
Popular Media, Democracy and Development in Africa.
Abingdon: Routledge, 2011: 91-104.

Manuel, Peter:
Chapter 3 Africa.
Popular Musics of the Non-Western World: An Introductory Survey.
New York, N.Y.: Oxford University Press, 1988: 84-114  & 251-254.

Martin, Denis-Constant:
Les musiques face au pouvoir.
Géopolitique africaine / African Geopolitics (Paris), n° 13, 2004: 117-132.

Mbaye, Jenny F.:
Hip Hop Politics: Recognising a Southern Complexity.
in: Parnell, Susan & Sophie Oldfield (eds.):
The Routledge Handbook on Cities of the Global South.
London: Routledge, 2014: 396-412.

Mbaye, Jenny F.:
Musical Borderlands: A Cultural Perspective of Regional Integration in Africa.
City, Culture and Society (Amsterdam), Vol. 6, Issue 2, 2015: 19-26.

Mensah, Atta Annan:
Music South of the Sahara.
in: May, Elizabeth (ed.):
Music of Many Cultures: An Introduction.
Berkley, Calif.: University of California Press, 1980: 172-194.

Miller, Terry E. & Andrew Shahriari:
Chapter 10 Sub-Saharan Africa: Ghana, Zimbabwe, Senegal, The Republic of South Africa.
World Music. A Global Journey. Concise edition.
New York, N.Y. & London: Routledge, 2015: 206-233.
2nd edition
New York, N.Y. & London: Routledge, 2019: 205-232.

Monroe, Arthur:
Festac 77. The Second World Black and African Festival of Arts and Culture, Lagos, Nigeria.
The Black Scholar (Abingdon), Vol. 9, No. 1, 1977: 34-37.

Moulard, Sophie:
Quand « se représenter » veut dire exister ; du concert party au rap,
quarante ans de pratiques performatives en Afrique subsaharienne.

in: Coulon, Virginia & Xavier Garnier (dir.):
Les littératures africaines : textes et terrains / Textwork and Fieldwork. Hommage à Alain Ricard.
Paris, Karthala, 2011.

Ndaywell è Nzim:
Les grand journées africaines de Lagos. [FESTAC 77]
Zaïre-Afrique (Kinshasa),  n° 115, mai 1977: 303-312.

Ndjehoya, Blaise:
Les diseurs de vérité : textes militants et pédagogiques.
Notre Librairie (Paris), n° 154, avril-juin 2004: 27-33.

Nketia, J[oseph] H[ansson] Kwabena:
Traditional and Contemporary Idioms of African Music.
Journal of the International Folk Music Council (Cambridge), No. 16, 1964: 34-37.

Ntarangwi, Mwenda:
African Hip Hop and Politics of Change in an Era of Rapid Globalization.
History Compass (Hoboken, N.J.), Vol. 8, No. 12, 2010: 1316–1327.

Obatala, J. K.:
US ‘Soul’ Music in Africa.
The African Communist (London), No. 41, Second Quarter 1970: 80-89.
Reprint
Soul Music in Africa. Has Papa Got a Brand New Bag?
The Black Scholar (Sausalito, Calif.), Vol. 2, No. 6, February 1971: 8-12.

Okochi, Reginald:
Disco Bonanza in Africa.
Africa Music (London), No. 9, May-June 1982: 16-18.

Okwong, Eteyen:
Why African Musicians Suffer From Good Packaging.
Africa Music (London), No. 18, November-December 1983: 12-13.

Omibiyi[-Obidike], Mosunmola [Ayinke]:
Interaction between African and Afro-American Music.
Actes du 42e Congrès international des américanistes:
Congrès du centenaire: Paris, 2-9 septembre 1976: 597-604.

Onwuegbuna, Ikenna Emmanuel:
African Popular Music and Politics of Presentation.
Journal of the Association of Nigerian Musicologists (Ile-Ife), Vol. 7, 2013: 176-181.

Onyumbe, Tshonga:
La Musique africaine moderne ou l’école incontrôlée de l’oralité.
Cahiers de pédagogie africaine (Bordeaux), n° 1, 1978: 50-59.

Racanelli, David:
Revisiting the Katanga Guitar Style(s) and Some Other Early African Guitar Idioms.
Black Music Research Journal (Chicago, Ill.), Vol. 36, No. 1, 2016: 31-57.

Raibaud, Yves:
Musique noire : la musique des Afriques dans le monde. Géographie des musiques noires.
Géographie et Cultures (Paris), n° 76, 2011: 3-12.

Reitov, Ole & Marie Korpe:
“NOT TO BE BROADCASTED”.
in: Thorsén, Stig-Magnus (ed.):
Sound of Change. Social and Political Features of Music in Africa.
Stockholm: SIDA Studies No. 12, 2004: 70-86.

Reuster‐Jahn, Uta & Daniel Künzler:
“Mr. President”: Musical Open Letters as Political Commentary in Africa.
Africa Today (Bloomington, Ind.), Vol. 59, No. 1, 2012: 89-113.

Rhodes, Willard:
Music as an Agent of Political Expression.
African Studies Bulletin (New York, N.Y.), Vol. 5, No. 2, May 1962: 14-22.
Reprint
in: Butcher, Vada R. (ed.): Centre of Ethnic Music. Annual Report 1970-71.
School of Music. Howard University, Washington, D.C.: 37-40.

Ricard, Alain:
Le “taarab est comme le concert party…” – Reflexions comparatives.
in: Englert, Birgit (ed.): Popular Music and Politics in Africa.
Stichproben. Wiener Zeitschrift für kritische Afrikastudien (Wien), Nr. 14, 8. Jahrgang, 2008: 123-136.

Roberts, John Storm:
Chapter 9 The Modern Urban Popular Styles.
Black Music of Two Worlds.
New York, N.Y.: Praeger Publishers, 1972: 239-260.
1st reprint
New York, N.Y.: W. Morrow, 1974. 282 p. ISBN 978-06880-5278-2
2nd reprint
Brooklyn, N.Y.:  Original Music, 1982. ISBN 978-09614-4580-5
Second revised edition
New York, N.Y.: Schirmer Books, 1998. 368 p. ISBN 978-00286-4929-0

Roberts, John Storm:
Africa. The Guitar’s Role.
Guitar Player (San Jose, Calif.), Vol. 9, No. 11, November 1975: 22-23 & 57.

Roberts, John Storm:
Introducing African Pop.
Africa Report (Washington, D.C.), January-February 1975: 42-45.

Saucier, P[aul] Khalil:
Introduction Hip-Hop Culture in Red, Black and Green.
Native Tongues. An African Hip-Hop Reader.
Trenton, N.J.: Africa World Press, 2011: xiii-xxiii.

Schmidt, Cynthia:
The Guitar in Africa: Issues and Research.
The World of Music (Berlin), Vol. 36, No.2, 1994: 3-20.

Schmidt, Cynthia:
Kru Mariners and Migrants of the West African Coast.
in: Stone, Ruth M. (ed.): Africa. The Garland Encyclopedia of World Music, Vol. 1.
New York, N.Y. & London: Garland Publishing Inc., 1998: 370-382.
Reprint
New York, N.Y. & London: Routledge, 2013: 370-382.

Simon, Artur:
Afrikanische und indonesische Musik zwischen Tradition und Pop.
in: Rösing, Helmut (Hrsg.):
Zur Tradition, Rezeption und Produktion von populärer Musik.
Hamburg: ASPM, 1987: 5-14.

Simon, Artur:
Traditionelle Wurzeln und moderne Entwicklungen in populärer Musik Afrikas.
in: Rösing, Helmut (Hrsg.):
Aspekte zur Geschichte populärer Musik.
Baden-Baden: ASPM, 1992: 31-41.

Sweeney, Philip:
Section Africa.
Directory of World Music. A Guide to Performers and their Music.
With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
London: Virgin Books, 1991: 1-81.

Turino, Thomas:
The Music of Sub-Saharan Africa.
in: Nettl, Bruno;‎ Timothy Rommen;‎ Charles Capwell;‎  Isabel K. F. Wong;‎
Thomas Turino;‎ Philip V. Bohlman & ‎Byron Dueck (eds.):
Excursions in World Music. 6th Edition.
Abingdon & New York, N.Y.: Routledge, [1992] 2011: 196-237.

Vernon, Paul:
The World at 80 rpm.
Paul Vernon looks at the Early Days of World Music Recordings.
Folk Roots (London), No. 119, May 1993: 25.

Waters, Alan:
Reggae music in Africa.
Passages: A Chronicle of the African Humanities (Ann Arbor, Mich.), Issue 8, 1994: 3 & 6-7.

White, Bob W.:
Réflexions sur un hymne continental. La musique africaine dans le monde.
Cahiers d’études africaines (Paris), n° 168, 2002:  633-644.

Zeleza, Paul Tiyambe:
Dancing to the Beat of the Diaspora: Musical Exchanges between Africa and its Diasporas.
African and Black Diaspora: An International Journal (Abingdon), Vol. 3, Issue 2, 2010: 211-236.

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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