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See as well / Voir aussi / Veja também “Afrique de l’Ouest en général – Articles”

Akindes, Simon:
Playing It “Loud and Straight”. Reggae, Zouglou,
Mapouka and Youth Insubordination in Côte d’lvoire.

in: Palmberg, Mai & Annemette Kirkegaard (eds.):
Playing with Identities in Contemporary Music in Africa.
Uppsala: Nordiska Afrikainstitutet, 2002: 86-103.

Bahi, Auguste Aghi:
Musique populaire moderne et coproduction de l’imaginaire national en Côte d’Ivoire.
in: Akindès, Francis (ed.):
Côte d’Ivoire : la réinvention de soi dans la violence.
Dakar: CODESRIA, 2011: 133-168.

Bakyono, Jean-Servais:
Abidjan : la rue secrète des poètes.
Africultures (Paris), n° 21, octobre 1999: 28-31.

Bensignor François, Brooke Wentz & Soro Solo:
Cote d’lvoire Zouglou to Cut’n’Run.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 91-98.

Ble, Raoul G. :
Zouglou et réalités sociales des jeunes en Côte d’Ivoire.
Afrique dévelopement (Dakar), vol. 31, n° 1, 2006: 168-184.

Bourderionnet, Olivier:
Displacement in French/Displacement of French:
The Reggae and R’n’B of Tiken Jah Fakoly and Corneille.
Research in African Literatures (Bloomington, Ind.), Vol. 39, No. 4, 2008: 14-23.

Dedy, Séri:
Opinions des publics face à la musique ivoirienne.
Annales de l’Université d’Abidjan , vol. 10, 1982: 101-119.

Dedy, Seri:
Musique traditionnelle et développement national en Côte d’Ivoire.
Tiers-Monde (Paris), tome 25, n° 97, 1984: 109-124.

Derive, Jean & Marie-Clémence Adom:
Zouglou and Current Socio-Political Issues in Côte d’Ivoire.
The Global South (Bloomington, Ind.), Vol. 5, No. 2, Fall 2011: 21-49.

Djedje, Jacqueline:
The Role of Mass Media in the Development of Urban African Music.
Paper Presented at the 27th Annual Meeting of the African Studies Association,
Los Angeles, California, October 25-28, 1984. [84-30]. 10 p.

Doucet, Lyse:
Dance Ziglibity. Who will Succeed Ernesto Djedje as the
Greatest Exponent of Ivory Coast’s own Dance Style?
West Africa (London), 17 December 1994: 2588.

Fié, Doh Ludovic:
Crise politique et production musicale en Côte d’Ivoire.
Cahiers du Centre d’études et de recherche en lettres, sciences humaines
et sociales (Ouagadougou), tome 24, nᵒ 32, février 2009: 125-152.

Fié, Doh Ludovic:
Refus et liberté : contribution des musiques populaires
urbaines aux mutations sociopolitiques en Côte d’Ivoire.

Cycnos (Nice), Vol. 28, n° Spécial, 2012. Mis en ligne le 01 juillet 2012.

Graham, Ronnie:
Chapter 7 Côte d’Ivoire.
Stern’s Guide to Contemporary African Music.
London: Zwan / Off the Record Press, 1988: 116-124.

Graham, Ronnie:
Chapter 9 Côte d’Ivoire.
The World of African Music. Stern’s Guide to Contemporary African Music. Volume 2.
Chicago, Ill.: Pluto Press: 1992: 73-77.

Holas, B[ohumil]:
La goumbé. Une association de jeunesse musulmane en basse Côte d’Ivoire.
Kongo-Oversee (Antwerpen), Vol. 19, No. 1/2, 1953: 116-131.

Kadi, Germain-Arsène:
La dynamique du zouglou de Côte d’Ivoire en Afrique francophone.
Diogène (Paris), 2014/2 (n° 246-247): 204-221.

Konate, Yacouba:
Génération zouglou.
Cahiers d’études africaines (Paris), nᵒ 168, 2002: 777-796.

Land, F. Mitchell:
Reggae, Resistance and the State: Television and Popular Music in the Côte d’Ivoire.
Critical Studies in Mass Communication (Abingdon), Vol. 12, Issue 4, 1995: 438-454.

Reed, Daniel B.:
Promises of the Chameleon: Reggae Artist Tiken Jah Fakoly’s
Intertextual Contestation of Power in Côte d’Ivoire.
in: Charry, Eric (ed.):
Hip Hop Africa. New African Music in a Globalizing World.
Bloomington, Ind.: Indiana University Press, 2012: 92-108.

Sangaré, Yacouba:
« Le marché de la musique n’est pas encore mûr en Afrique ».
Entretien avec Jean-Alain Texier directeur général de Jat Music (Abidjan).
Africulture (Paris), n° 29, juin 2000: 49-50.

Schumann, Anne:
Popular Music and Political Change in Côte d’Ivoire: The Divergent Dynamics of Zougglou and Reggae.
Journal of African Media Studies (Bristol), Vol. 1, Issue 1, October 2008: 117-134.

Schumann, Anne:
Music at War: Reggae Musicians as Political Actors in the Ivoirian Crisis.
Journal of African Cultural Studies (Abingdon), Volume 27, Issue 3, 2015: 342-355.

Schumann, Anne:
A Generation of Orphans: The Socio-Economic Crisis in Côte D’ivoire as Seen Through Popular Music.
Africa (London), Vol.  82, No. 4, 2012: 535-555.

Schumann, Anne:
Songs of a New Era: Popular Music and Political Expression in the Ivorian Crisis.
African Affairs (London), Vol. 112, No. 448, 2013: 440-459.

Suzuki, Hiroyuki: *
Rapper, danser et se vendre bien : la commercialisation de la culture de la rue à Abidjan.
in: Kawada, Junzo et Kenichi Tsukada (dir.):
Cultures Sonores d’Afrique II : Aspects Dynamiques.
Hiroshima: Hiroshima City University 2001: 97-125.

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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