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Barrett, Lindsay:
European Wishes: African Hopes.
Africa Music (London), No. 3, May-June 1981: 8-9.

Barrett, Lindsay:
Fela Conquers Europe.
West Africa (London), 8 April 1981: 729-731.

Barrett, Lindsay:
Fela’s Sweep Across Europe.
Africa Music (London), No. 3, May-June 1981: 16-17 & 24-25.

Bensignor, François:
Great Black Music.
Hommes & migrations (Paris), n° 1307, 2014: 194-200.

Brunner, Anja:
Afrikanische Musik in transnationalen Netzwerken.
Überlegungen zur Erforschung der Musikpraxis von Musikerinnen und Musikern aus Afrika in Europa.
in: Gratzer, Wolfgang & Nils Grosch (Hrsg.):
Musik und Migration.
Münster: Waxmann, 2017: 111–124.

Dorsch, Hauke:
Griots, Roots and Identity in the African Diaspora.
in: Kokot, Waltraud; Khachig Tölölyan & Carolin Alfonso (eds.):
Diaspora, Identity and Religion.
London & New York, N.Y.: Routledge, 2004: 102-115.

Dorsch, Hauke:
Populärkultur, Panafrikanismus und Griots – die afrikanische Diaspora.
Periplus. Jahrbuch für außereuropäische Geschichte (Essen), 14. Jahrgang, 2004: 31-59.

Dorsch, Hauke:
Cosmopolitans, Diasporists, and Griots – the Role of Diasporic Elites.
in: Weißköppel, Cordula & Afe Adogame (eds.):
Religion in the Context of African Migration Studies.
Bayreuth African Studies Series (Bayreuth), Vol. 75, 2005: 56-77.

Easman, Charles:
Music’s Ambassadors. 1984 has been a busy and successful year for
African musicians on the international circuit.

West Africa (London), 17 December 1984: 2575.

Glanvill, Rick:
World Music Mining – The International Trade in New Music.
in: Hanly, Francis & Tim May (eds.):
Rhythms of the World.
London: BBC Books, 1989: 58-67.

Martins, Bayo:
The European Romance with Juju Music.
Africa Music (London), No. 19, January-February 1984: 14-15.

Moore, Sylvia:
Effects of Mass Media on Traditional Musical Cultures in Industrial and Developing Countries.
in: Heartz, Daniel & Bonnie Wade (eds.):
International Musicological Society: Report of the Twelfth Congress, Berkeley 1977.
Kassel: Bärenreiter, 1981: 552-556.

White, Bob W[hitman]:
Soucuss or Sell-Out? Congolese Popular Dance Music on the World Market.
in: Haugerud, Angelique; M. Priscilla Stone & Peter D. Little (eds.):
Commodities and Globalization:  Anthropological Perspectives.
Lanham, Md.:  Rowman & Littlefield, 2000: 33-57.

White, Bob W[hitman]:
Réflexions sur un hymne continental. La musique africaine dans le monde.
Cahiers d’études africaines (Paris), vol. 42, nᵒ 168, 2002: 633-644.

Whitmore, Aleysia K.:
‘Cuban music is African Music’:
Negotiating African and the African Diaspora on the World Music Stage.

African Music (Grahamstown), Vol.  9, No. 3, 2013: 111-121.

 Belgium & France / Belgique & France / Bélgica & França  

Ngoye, Achille:
Le soukouss des Zaïrois en Europe.
Hommes et Migrations (Paris),  n° 1191, octobre 1995: 42-47.

 France / France / França  

Bensignor, François:
Africains en France : la compile.
Hommes et Migrations (Paris),  n°1191, octobre 1995: 31-41.

Bensignor, François:
Musiques africaines en économie parallèle.
Hommes et Migrations (Paris),  n° 1191, octobre 1995: 48-53.

Bensignor, François:
Africolor à vingt ans.
Hommes & migrations (Paris), n° 1281, 2009: 204-210.

Dalby, Alexa:
Africa in Paris.
New African (London), No. 281, February 1991: 42-43.

Dorsch, Hauke:
Griots in der Manding-Provinz Paris.
in: Wendl, Tobias; Kerstin Pinther & Bettina von Lintig (Hrsg.):
Black Paris – Kunst und Geschichte einer schwarzen Diaspora.
Wuppertal: Peter Hammer Verlag, 2006: 338-349.

Dorsch, Hauke:
Making Manding in the Concert Hall – Jali Pop in Paris.
Ka Manding ke sumung-bungo kono – Bii jaliyaa Pari saatewo kono.
Journal of African Cultural Studies (Abingdon), Vol. 29, Issue 2, 2017: 177-193.

Knight, Roderic:
Music Out of Africa: Mande Jaliya in Paris.
The World of Music (Berlin), Vol. 33, No. 1, 1991: 52-69.

Lagrave, Sébastien: [Entretien – Festival Africolor]
Artistes africains, malentendu migratoire et création musicale.
Afrique contemporaine (Paris), 2015/2 (n° 254): 115-126.

Orlean, Susan:
The Congo Sound.
How a Record Store in Paris became a Center of African Music.

The New Yorker (New York, N.Y.), 14 October 2002.
Reprint
Chapter The Congo Sound.
My Kind of Place: Travel Stories from a Woman Who’s Been Everywhere.
New York, N.Y.: Random House, 2004: 149-158.

Rollefson, J. Griffith:
Le Cauchemar de la France:
Blackara’s Postcolonial Hip-Hop Critique in the City of Light.

in: Soucier, P[aul] Khalil (ed.):
Native Tongues. An African Hip-Hop Reader.
Trenton, N.J.: Africa World Press, 2011: 179-216.

Sangaré, Fatou:
Griots et griottes : de Bamako à Paris.
Africultures (Paris), 2004/4 (n° 61): 62-65.

Stapleton, Chris:
Paris, Africa.
in: Hanly, Francis & Tim May (eds.):
Rhythms of the World.
London: BBC Books, 1989: 10-23.

Stewart, Gary:
Paris When It Sizzles.
The Beat (Los Angeles, Calif.), Vol. 10, No. 6, 1991: 32-33.

Tshimanga, Charles:
Let the Music Play:
The African Diaspora, Popular Culture, and National Identity in Contemporary France.

in: Tshimanga, Charles; [Charles] Didier Gondola & Peter J. Bloom (eds.):
Frenchness and the African Diaspora: Identity and Uprising in Contemporary France.
Bloomington and Indianapolis, Ind.: Indiana University Press, 2009: 248-276.

Waberi, Abdourahman A.:
Des immigrés aux artistes africains parisiens. Une migration sémantique récente.
Cahiers d’études africaines (Paris), vol. 50, nᵒ 198-199-200, 2010: 1147-1161.

Warne, Chris :
The Impact of World Music in France.
in: Hargraves, Alec & Mark McKinney (eds.):
Post-Colonial Cultures in France.
London & New York, N.Y.: Routledge, 1997: 133-149.

 Germany / Allemagne /  Alemanha  

Carl, Florian:
The Representation and Performance of African Music in German Popular Culture.
Yearbook for Traditional Music (Wien), Vol. 43, 2011: 198-223.

Dorsch, Hauke:
Die Heimat im Konzertsaal – Westafrikanische Musik in Hamburg.
in: McIntyre, Joseph; Beate Balliel & Katrin Pfeiffer (Hrsg.):
Wurzeln in zwei Welten – Afrikanische Migranten und Migrantinnen in Hamburg.
Frankfurt am Main: Brandes & Apsel, 2004: 137-149.

 United Kingdom / Royaume-Uni / Reino Unido  

Anonymous:
“Mr. Highlife” Gets the Lowdown.
West Africa’s Top Band Leader Sees how it’s done in Europe. [E. T. Mensah].
West African Review (Liverpool), Vol. 26, No. 337, October 1955: 888.

Anonymous:
“Cool” Ginger Peps up Piccadilly. [Ginger Johnson].
West African Review (Liverpool), Vol. 27, No. 341, February 1956: 108-109.

Anonymous:
Rans Strikes a New Note. [Rans Boi].
West African Review (Liverpool), Vol. 27, No. 351, December 1956: 1113.

Anonymous:
African Ballet in Edinburgh. Enthusiastic Reception at Festival.
West African Review (Liverpool), Vol. 28, No. 349 [should read 36], October 1957: 912-913.

Anonymous:
West African Spot in London’s Clubland. [Club Afrique].
West African Review (Liverpool), Vol. 31, No. 390, May 1960: 43, 45 & 47.

Anonymous:
‘Ballets Africains’ Thrill London.
West African Review (Liverpool), Vol. 31, No. 395, October 1960: 30-31.

Anonymous:
King Kong. All-African “Jazz Opera” Thrills London Theatregoers.
West African Review (Liverpool), Vol. 32, No. 401, May 1961: 28, 31, 33 & 35.

Anonymous:
Africa Freedom Day. Concert in London.
[Including Bana Kanuteh, King Kong Cast, Fela Ransome-Kuti &
Ginger Johnson and his Highlife Rhythm Band].
West African Review (Liverpool), Vol. 33, No. 414, June 1962: 10-13.

Coester, Markus:
Localising African Popular Music Transnationally:
‘Highlife-Travellers’ in Britain in the 1950s and 1960s.

Journal of African Cultural Studies (Abingdon), Vol. 20, Issue 2, 2008: 133-144.

Coester, Markus:
Revisiting Britain´s ‘Afro Trend’of the 1960s and 1970s:
Musical Journeys, Fusion, and African stereotypes.

in: Stratton, John & Zabeel Zuberi (eds.):
Black Popular Music in Britain since 1945.
Ashgate (Farnham, Surrey), 2014: 47-66.

Collins, [Edmund] John:
The African Connection in Black British Music.
Africa Music (London), No. 4, July-August 1981: 13-14 & 16-17.

Conconbility Jane:
New Rhythm at Stern’s.
West Africa (London), 16 May 1983: 1175-1176.

Crowder, Michael:
African Ballet in London. [Les Ballets Africains].
West African Review (Liverpool), Vol. 27, No. 345, June 1956: 556-561.

Dennis, Ferdi:
London Greets a Musical Invasion.
West Africa (London), 19/25 December 1983: 2936-2937.

Ewens, Graeme:
Reeling to the Rhytms.
The Annual World of Music and Dance (WOMAD) Festival.
West Africa (London), 4 August 1986: 1627-1628.

Ewens, Graeme:
Night of Malian Griots. [Camden Centre, London].
West Africa (London), 10 November 1986: 2385.

Fosu-Mensah, Kwabena:
Time for African Music to be Heard.
[On British radio and TV stations’ unwillingness to devote airtime].
West Africa (London), 17 December 1984: 2578-2579.

Lycett, Andrew:
African Beat in Britain.
New African (London), No. 186, March 1983: 49-50.

Okolo, Vicky:
“African Sounds” Explode in London.
Africa Music (London), No. 16, July-August 1983: 12-13.

Mark, Andrew:
Divided Kingdom Republic’s Zimbabwean Hip-Hop in London.
in: Desroches, Monique; Marie-Hélène Pichette; Claude Dauphin & Gordon E. Smith (dir.):
Territoires musicaux mis en scène.
Montréal, QC: Presses de l’Université de Montréal, 2011: 399-414.

Stapleton, Chris:
African Connections: London´s Hidden Music Scene.
In: Oliver, Paul (ed.):
Black Music in Britain.
Open University Press (Buckingham), 1990: 87-101.

Templeton, Ray:
Highlife Piccadilly. African Music on 45 rpm records in the UK, 1954-1981.
Musical Traditions, Article MT037, 19-05-1999 (Online).

 USA / Etats-Unis / EUA  

Hale, Thomas A.:
De Sotuma-Sere à New York City, l’itinéraire de jali Papa Bunka Susso, griot gambien.
Africultures (Paris), 2004/4 (n° 61): 86-95.

Kazadi wa Mukuna, [Pierre Cary]:
Creative Practice in African Music:
New Perspectives in the Scrutiny of Africanisms in Diaspora.

Black Music Research Journal (Chicago, Ill.), Vol. 17, No. 2, Fall 1997: 239-250.

Racanelli, David:
Diasporic Jeliya as a Collaborative Trade in New York City.
African Music (Grahamstown), Vol.  9, No. 1, 2011: 136-153.

Racanelli, David:
Guitar Playing and Representation in the Changing
Locations of New York City’s African Music Scene.

Ethnomusicology (Bloomington, Ind.), Vol. 58, No. 2, Spring/Summer 2014: 278-313.

Skinner, Ryan Thomas:
Determined Urbanites: Diasporic “Jeliya” in the 21st Century.
Mande Studies (Bloomington, Ind.), Vol. 6, 2004: 139-161.

Stewart, Gary:
Out of Africa—and Into America. Third World Music Explodes in the U.S.
San Francisco Chronicle, Datebook section, 15 March 1987: 39 & 42.

 Canada  

Collins, [Edmund] John:
Highlife in Toronto.
West Africa (London), 26 December 1988-8 January 1989: 2428-2429.

Stewart, Gary:
Toronto’s Afro-Fest 89.
The Beat (Los Angeles, Calif.), Vol. 8, No. 4, 1989: 18-21.

Page created  18/08/2018 © afrobib.com – update 22/10/2018

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    ÍNDICE

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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