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Barrett, Lindsay:
European Wishes: African Hopes.
Africa Music (London), No. 3, May-June 1981: 8-9.
Barrett, Lindsay:
Fela Conquers Europe.
West Africa (London), 8 April 1981: 729-731.
Barrett, Lindsay:
Fela’s Sweep Across Europe.
Africa Music (London), No. 3, May-June 1981: 16-17 & 24-25.
Bensignor, François:
Great Black Music.
Hommes & migrations (Paris), n° 1307, 2014: 194-200.
Brunner, Anja:
Afrikanische Musik in transnationalen Netzwerken.
Überlegungen zur Erforschung der Musikpraxis von Musikerinnen und Musikern aus Afrika in Europa.
in: Gratzer, Wolfgang & Nils Grosch (Hrsg.):
Musik und Migration.
Münster: Waxmann, 2017: 111–124.
Dorsch, Hauke:
Griots, Roots and Identity in the African Diaspora.
in: Kokot, Waltraud; Khachig Tölölyan & Carolin Alfonso (eds.):
Diaspora, Identity and Religion.
London & New York, N.Y.: Routledge, 2004: 102-115.
Dorsch, Hauke:
Populärkultur, Panafrikanismus und Griots – die afrikanische Diaspora.
Periplus. Jahrbuch für außereuropäische Geschichte (Essen), 14. Jahrgang, 2004: 31-59.
Dorsch, Hauke:
Cosmopolitans, Diasporists, and Griots – the Role of Diasporic Elites.
in: Weißköppel, Cordula & Afe Adogame (eds.):
Religion in the Context of African Migration Studies.
Bayreuth African Studies Series (Bayreuth), Vol. 75, 2005: 56-77.
Easman, Charles:
Music’s Ambassadors. 1984 has been a busy and successful year for
African musicians on the international circuit.
West Africa (London), 17 December 1984: 2575.
Glanvill, Rick:
World Music Mining – The International Trade in New Music.
in: Hanly, Francis & Tim May (eds.):
Rhythms of the World.
London: BBC Books, 1989: 58-67.
Martins, Bayo:
The European Romance with Juju Music.
Africa Music (London), No. 19, January-February 1984: 14-15.
Moore, Sylvia:
Effects of Mass Media on Traditional Musical Cultures in Industrial and Developing Countries.
in: Heartz, Daniel & Bonnie Wade (eds.):
International Musicological Society: Report of the Twelfth Congress, Berkeley 1977.
Kassel: Bärenreiter, 1981: 552-556.
White, Bob W[hitman]:
Soucuss or Sell-Out? Congolese Popular Dance Music on the World Market.
in: Haugerud, Angelique; M. Priscilla Stone & Peter D. Little (eds.):
Commodities and Globalization: Anthropological Perspectives.
Lanham, Md.: Rowman & Littlefield, 2000: 33-57.
White, Bob W[hitman]:
Réflexions sur un hymne continental. La musique africaine dans le monde.
Cahiers d’études africaines (Paris), vol. 42, nᵒ 168, 2002: 633-644.
Whitmore, Aleysia K.:
‘Cuban music is African Music’:
Negotiating African and the African Diaspora on the World Music Stage.
African Music (Grahamstown), Vol. 9, No. 3, 2013: 111-121.
Belgium & France / Belgique & France / Bélgica & França
Ngoye, Achille:
Le soukouss des Zaïrois en Europe.
Hommes et Migrations (Paris), n° 1191, octobre 1995: 42-47.
France / France / França
Bensignor, François:
Africains en France : la compile.
Hommes et Migrations (Paris), n°1191, octobre 1995: 31-41.
Bensignor, François:
Musiques africaines en économie parallèle.
Hommes et Migrations (Paris), n° 1191, octobre 1995: 48-53.
Bensignor, François:
Africolor à vingt ans.
Hommes & migrations (Paris), n° 1281, 2009: 204-210.
Dalby, Alexa:
Africa in Paris.
New African (London), No. 281, February 1991: 42-43.
Dorsch, Hauke:
Griots in der Manding-Provinz Paris.
in: Wendl, Tobias; Kerstin Pinther & Bettina von Lintig (Hrsg.):
Black Paris – Kunst und Geschichte einer schwarzen Diaspora.
Wuppertal: Peter Hammer Verlag, 2006: 338-349.
Dorsch, Hauke:
Making Manding in the Concert Hall – Jali Pop in Paris.
Ka Manding ke sumung-bungo kono – Bii jaliyaa Pari saatewo kono.
Journal of African Cultural Studies (Abingdon), Vol. 29, Issue 2, 2017: 177-193.
Knight, Roderic:
Music Out of Africa: Mande Jaliya in Paris.
The World of Music (Berlin), Vol. 33, No. 1, 1991: 52-69.
Lagrave, Sébastien: [Entretien – Festival Africolor]
Artistes africains, malentendu migratoire et création musicale.
Afrique contemporaine (Paris), 2015/2 (n° 254): 115-126.
Orlean, Susan:
The Congo Sound.
How a Record Store in Paris became a Center of African Music.
The New Yorker (New York, N.Y.), 14 October 2002.
Reprint
Chapter The Congo Sound.
My Kind of Place: Travel Stories from a Woman Who’s Been Everywhere.
New York, N.Y.: Random House, 2004: 149-158.
Rollefson, J. Griffith:
Le Cauchemar de la France:
Blackara’s Postcolonial Hip-Hop Critique in the City of Light.
in: Soucier, P[aul] Khalil (ed.):
Native Tongues. An African Hip-Hop Reader.
Trenton, N.J.: Africa World Press, 2011: 179-216.
Sangaré, Fatou:
Griots et griottes : de Bamako à Paris.
Africultures (Paris), 2004/4 (n° 61): 62-65.
Stapleton, Chris:
Paris, Africa.
in: Hanly, Francis & Tim May (eds.):
Rhythms of the World.
London: BBC Books, 1989: 10-23.
Stewart, Gary:
Paris When It Sizzles.
The Beat (Los Angeles, Calif.), Vol. 10, No. 6, 1991: 32-33.
Tshimanga, Charles:
Let the Music Play:
The African Diaspora, Popular Culture, and National Identity in Contemporary France.
in: Tshimanga, Charles; [Charles] Didier Gondola & Peter J. Bloom (eds.):
Frenchness and the African Diaspora: Identity and Uprising in Contemporary France.
Bloomington and Indianapolis, Ind.: Indiana University Press, 2009: 248-276.
Waberi, Abdourahman A.:
Des immigrés aux artistes africains parisiens. Une migration sémantique récente.
Cahiers d’études africaines (Paris), vol. 50, nᵒ 198-199-200, 2010: 1147-1161.
Warne, Chris :
The Impact of World Music in France.
in: Hargraves, Alec & Mark McKinney (eds.):
Post-Colonial Cultures in France.
London & New York, N.Y.: Routledge, 1997: 133-149.
Germany / Allemagne / Alemanha
Carl, Florian:
The Representation and Performance of African Music in German Popular Culture.
Yearbook for Traditional Music (Wien), Vol. 43, 2011: 198-223.
Dorsch, Hauke:
Die Heimat im Konzertsaal – Westafrikanische Musik in Hamburg.
in: McIntyre, Joseph; Beate Balliel & Katrin Pfeiffer (Hrsg.):
Wurzeln in zwei Welten – Afrikanische Migranten und Migrantinnen in Hamburg.
Frankfurt am Main: Brandes & Apsel, 2004: 137-149.
United Kingdom / Royaume-Uni / Reino Unido
Anonymous:
“Mr. Highlife” Gets the Lowdown.
West Africa’s Top Band Leader Sees how it’s done in Europe. [E. T. Mensah].
West African Review (Liverpool), Vol. 26, No. 337, October 1955: 888.
Anonymous:
“Cool” Ginger Peps up Piccadilly. [Ginger Johnson].
West African Review (Liverpool), Vol. 27, No. 341, February 1956: 108-109.
Anonymous:
Rans Strikes a New Note. [Rans Boi].
West African Review (Liverpool), Vol. 27, No. 351, December 1956: 1113.
Anonymous:
African Ballet in Edinburgh. Enthusiastic Reception at Festival.
West African Review (Liverpool), Vol. 28, No. 349 [should read 36], October 1957: 912-913.
Anonymous:
West African Spot in London’s Clubland. [Club Afrique].
West African Review (Liverpool), Vol. 31, No. 390, May 1960: 43, 45 & 47.
Anonymous:
‘Ballets Africains’ Thrill London.
West African Review (Liverpool), Vol. 31, No. 395, October 1960: 30-31.
Anonymous:
King Kong. All-African “Jazz Opera” Thrills London Theatregoers.
West African Review (Liverpool), Vol. 32, No. 401, May 1961: 28, 31, 33 & 35.
Anonymous:
Africa Freedom Day. Concert in London.
[Including Bana Kanuteh, King Kong Cast, Fela Ransome-Kuti &
Ginger Johnson and his Highlife Rhythm Band].
West African Review (Liverpool), Vol. 33, No. 414, June 1962: 10-13.
Coester, Markus:
Localising African Popular Music Transnationally:
‘Highlife-Travellers’ in Britain in the 1950s and 1960s.
Journal of African Cultural Studies (Abingdon), Vol. 20, Issue 2, 2008: 133-144.
Coester, Markus:
Revisiting Britain´s ‘Afro Trend’of the 1960s and 1970s:
Musical Journeys, Fusion, and African stereotypes.
in: Stratton, John & Zabeel Zuberi (eds.):
Black Popular Music in Britain since 1945.
Ashgate (Farnham, Surrey), 2014: 47-66.
Collins, [Edmund] John:
The African Connection in Black British Music.
Africa Music (London), No. 4, July-August 1981: 13-14 & 16-17.
Conconbility Jane:
New Rhythm at Stern’s.
West Africa (London), 16 May 1983: 1175-1176.
Crowder, Michael:
African Ballet in London. [Les Ballets Africains].
West African Review (Liverpool), Vol. 27, No. 345, June 1956: 556-561.
Dennis, Ferdi:
London Greets a Musical Invasion.
West Africa (London), 19/25 December 1983: 2936-2937.
Ewens, Graeme:
Reeling to the Rhytms.
The Annual World of Music and Dance (WOMAD) Festival.
West Africa (London), 4 August 1986: 1627-1628.
Ewens, Graeme:
Night of Malian Griots. [Camden Centre, London].
West Africa (London), 10 November 1986: 2385.
Fosu-Mensah, Kwabena:
Time for African Music to be Heard.
[On British radio and TV stations’ unwillingness to devote airtime].
West Africa (London), 17 December 1984: 2578-2579.
Lycett, Andrew:
African Beat in Britain.
New African (London), No. 186, March 1983: 49-50.
Okolo, Vicky:
“African Sounds” Explode in London.
Africa Music (London), No. 16, July-August 1983: 12-13.
Mark, Andrew:
Divided Kingdom Republic’s Zimbabwean Hip-Hop in London.
in: Desroches, Monique; Marie-Hélène Pichette; Claude Dauphin & Gordon E. Smith (dir.):
Territoires musicaux mis en scène.
Montréal, QC: Presses de l’Université de Montréal, 2011: 399-414.
Stapleton, Chris:
African Connections: London´s Hidden Music Scene.
In: Oliver, Paul (ed.):
Black Music in Britain.
Open University Press (Buckingham), 1990: 87-101.
Templeton, Ray:
Highlife Piccadilly. African Music on 45 rpm records in the UK, 1954-1981.
Musical Traditions, Article MT037, 19-05-1999 (Online).
USA / Etats-Unis / EUA
Hale, Thomas A.:
De Sotuma-Sere à New York City, l’itinéraire de jali Papa Bunka Susso, griot gambien.
Africultures (Paris), 2004/4 (n° 61): 86-95.
Kazadi wa Mukuna, [Pierre Cary]:
Creative Practice in African Music:
New Perspectives in the Scrutiny of Africanisms in Diaspora.
Black Music Research Journal (Chicago, Ill.), Vol. 17, No. 2, Fall 1997: 239-250.
Racanelli, David:
Diasporic Jeliya as a Collaborative Trade in New York City.
African Music (Grahamstown), Vol. 9, No. 1, 2011: 136-153.
Racanelli, David:
Guitar Playing and Representation in the Changing
Locations of New York City’s African Music Scene.
Ethnomusicology (Bloomington, Ind.), Vol. 58, No. 2, Spring/Summer 2014: 278-313.
Skinner, Ryan Thomas:
Determined Urbanites: Diasporic “Jeliya” in the 21st Century.
Mande Studies (Bloomington, Ind.), Vol. 6, 2004: 139-161.
Stewart, Gary:
Out of Africa—and Into America. Third World Music Explodes in the U.S.
San Francisco Chronicle, Datebook section, 15 March 1987: 39 & 42.
Canada
Collins, [Edmund] John:
Highlife in Toronto.
West Africa (London), 26 December 1988-8 January 1989: 2428-2429.
Stewart, Gary:
Toronto’s Afro-Fest 89.
The Beat (Los Angeles, Calif.), Vol. 8, No. 4, 1989: 18-21.
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