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See as well / Voir aussi / Veja também “África del Oeste em geral– Artigos”

Arenas, Fernando:
Chapter 2 Cesária Évora and the
Globalization of Cape Verdean Music.

Lusophone Africa. Beyond Independence.
Minneapolis, Minn.: University of Minnesota Press, 2011: 45-102.

Cidra, Rui:
Produzindo a música de Cabo Verde na diáspora:
Redes transnacionais, world music e múltiplas formações crioulas.
in: Góis, Pedro (org.):
Comunidade(s)cabo-verdiana(s):
As múltiplas faces da inigração cabo-verdiana.
Lisboa: Presidéncia do Conselho de Ministeros / ACIDI, 2008: 105-125.

Cidra, Rui:
Politics of Memory, Ethics of Survival:
The Songs and Narratives of the Cape Verdean Diaspora in São Tomé.
Etnomusicology Forum (Abingdon), Vol. 24, Issue 3, 2015: 304-328.

Dias, Juliana Braz:
Cape Verde and Brazil Musical Connections.
Vibrant: Virtual Brazilian Anthropology (Brasília), Vol. 8, No.1, January/June 2011: 95-116.

Dias, Juliana Braz:
Popular Music in Cape Verde: Resistance or Conciliation?
in: Falola, Toyin & Tyler Fleming (eds.):
Music, Performance and African Identities.
New York, N.Y.: Routledge, 2012: 316-328.

Gonçalves, Carlos Filipe:
Kap-Vert Band.
in: Découverte des îles du Cap-Vert.
Paris: Ministèredela Coopèration  et d’Action Culturelle /
Praia: Archives historiques nationales, 1998 : 163-191.

Graham, Ronnie:
Chapter 10 Guinea Bissau and Cape Verde.
Stern’s Guide to Contemporary African Music.
London: Zwan / Off the Record Press, 1988: 141-142.

Graham, Ronnie:
Chapter 17 Cape Verde.
The World of African Music. Stern’s Guide to Contemporary African Music. Volume 2.
Chicago, Ill.: Pluto Press: 1992: 95-96.

Hurley-Glowa, Susan:
Cape Verdeans in the Atlantic: The Formation of Kriolu Music and Dance Styles on Ship and in Port.
African Music (Grahamstown), Vol. 10, No. 1, 2015: 7-30.

Lima, António Germano:
A morna: síntese da espiritualidade do povo cabo-verdiano.
Africana (Lisboa), Año 2001, Número Extraordinario 6, 2001: 239-268.

Martin, Carla D.:
Music: An Exception to Creole Exceptionalism?
Cape Verdean National Identity and Creativity Post-Independence.
Social Dynamics (Cape Town), Vol. 42, Issue 1, 2016: 46-68.

Máximo, Susana & David Peterson:
Cape Verde: Music of Sweet Sorrow.
in: Broughton, Simon; Mark Ellingham & Richard Trillo (eds.):
World Music. The Rough Guide, Volume 1: Africa, Europe and the Middle East.
London: The Rough Guides, 1999: 448-457.

Monteiro, César Augusto:
Algumas dimensões da expressão musical cabo-verdiana na Área Metropolitane de Lisboa.
in: Góis, Pedro (org.):
Comunidade(s)cabo-verdiana(s): As múltiplas faces da inigração cabo-verdiana.
Lisboa: Presidéncia do Conselho de Ministeros / ACIDI, 2008: 127-136.

Monteiro, César [Augusto]:
Contribuição do Agrupamento «Os Tubarões» para a Mudança do Paradigma Musical Cabo-verdiano.
in: José Hopffer Almada (coord.):
O Ano Mágico de 2006: Olhares Retrospectivos sobre a História e a Cultura Cabo-verdianas.
Praia: Instituto Nacional do Livro, 2008: 765-809.

Monteiro, Joao M.:
From Coal Depot to Cesária’s Home: Mindelo at the Crossroads of the World.
in: Falola, Toyin and Steven J. Salm (eds.): Urbanization and African Cultures.
Durham, N.C.: Carolina Academic Press. 2005: 201-210.

Palmberg, Mai:
Expressing Cape Verde. Morna, Funaná and National Identity.
in: Palmberg, Mai & Annemette Kirkegaard (eds.):
Playing with Identities in Contemporary Music in Africa.
Uppsala: Nordiska Afrikainstitutet, 2002: 117-133.

Pardue, Derek:
“Cash or Body”: Lessons on Space and Language from Cape Verdean Rappers and Their Beefs.
Popular Music and Society (Abingdon), Vol. 39, Issue 3, 2016: 332-345.

Reis, Osvaldo dos; Susanna Máximo; David Peterson & Jon Lusk:
Cape Verde Music of Sweet Sorrow.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 62-73.

Sieber, R. Timothy:
Composing Lusophonia: Multiculturalism and National Identity in Lisbon’s 1998 Musical Scene.
Diaspora: A Journal of Transnational Studies (Toronto, ON), Vol. 11, No. 2, Fall 2002: 163-188.

Teixido, Sandrine:
Cesaria Evora. Des biographies aux autobiographies, un art vocal encore impensé.
Cahiers d’ethnomusicologie (Genève), vol. 25, 2012: 25-39.

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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