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Also see / Voir aussi / Veja também “West Africa general – Books”
Adjei, Georgina:
An Assessment of Highlife Music in
Promoting Ghana’s National Identity.
M.A. University of Ghana (Legon), 2016. viii & 91 p.
PDF Download / Télécharger / Baixar 4.27 MB
Adjetey, Adjei Moses:
Music Production and Preservation at
Ghana Broadcasting Corporation.
M.Phil. University of Ghana (Legon), 2015. v & 104 p.
PDF Download / Télécharger / Baixar 5.60 MB
Adom, Bertha Setor:
Faisal Helwani: A Study of his Contribution to the Music Business of Ghana.
Ph.D. University of Ghana (Legon), 1999.
Adum-Attah, K.:
Nana Ampadu: Master of Highlife Music.
M.Phil. University of Cape Coast, 1997.
Aidoo, Stephen:
Saxophone Solos in Ghanaian Highlife Music:
An Analytical Study of Tempos and the Ramblers International Bands.
MPhil Music. University of Ghana (Legon), 2014. ix & 211 p.
PDF Download / Télécharger / Baixar 5.04 MB
Akrong, Isaac Richard Nii Kwaku:
Hip Life Music: Re-Defining Ghanaian Culture (1990-2012).
Ph.D. York University (Toronto, ON), 2012. xi & 298 p.
PDF Download / Télécharger / Baixar 14.60 MB
Alleyne, Osei:
Dancehall Diaspora: Roots, Routes and Reggae Music in Ghana.
Ph.D. University of Pennsylvania (Philadelphia, Pa.), 2017. 384 p.
ProQuest no. 10635300
Amegatcher, Adelaide:
The Concert Parties: A Manifestation of Popular Drama in Ghana.
M.A. University of North Carolina at Chapel Hill, 1968. 89 p.
Amoah, N. Abena Dansowaa:
Ghanaian Female Performers of Highlife Music (1970-Present):
A Historical and Ethnographic Study.
Ph.D. Indiana University (Bloomington, Ind.), 2016. xxi & 201 p.
ProQuest no. 10144223
Ampofo, Seth:
The Life of Jerry Hanson and the Formation of
the Ramblers International Dance Band.
M.M. University of Ghana (Legon), 2011.
Arthur, Peter:
The Textuality of Contemporary Hiplife Lyrics.
Ph.D. University of Birmingham, 2013. 265 p.
PDF Download / Télécharger / Baixar 1.46 MB
Ash-Morgan, Nate:
The New Hip-life Beat: Rooted in Ga Drumming.
B.A. Wesleyan University (Middletown, Conn.). 2008. 38 p.
PDF Download / Télécharger / Baixar 466 KB
Boateng, Samuel:
Popular Music in Ghana:
Women and the Changing Perspectives on Gender and Sexuality.
M.A. Kent State University (Kent, Ohio), 2016. 119 p.
Contents – PDF Download / Télécharger / Baixar 9.15 MB
Brempong, Owusu:
Akan Highlife in Ghana: Songs of Cultural Transition. Part 1 & 2.
Ph.D. Indiana University, 1986. 357 & 712 p.
Contents
Coffie, M. M.:
Dance Band Highlife:
Analytical Study of Ebo Taylor, Stan Plange and Kodwo Donkor.
M.Phil. University of Ghana (Legon), 2012.
Cole, Catherine M.:
Ghanaian Popular Theater:
A Historical Ethnography of the Concert Party, 1895 to 1965.
Ph.D. Northwestern University, 1996. 310 p.
ProQuest no. 9714570
Collins, [Edmund] John:
The Ghanaian Concert Party: African Popular Entertainment at the Cross Roads.
Ph.D. State University of New York at Buffalo, 1994. 607 p.
Contents
Darkwa, Asante:
The New Musical Traditions in Ghana.
Ph.D. Wesleyan University, 1974. 269 p.
Contents
Gyan, Nana:
HipHop in Ghana.
M.A. University of Ghana, 1994.
Kaye, Andrew Laurence:
Koo Nimo and his Circle: A Ghanaian Musician in Ethnomusicological Perspective.
Ph.D. Columbia University, 1992. 526 p.
Contents
Kyere, Abena:
A Comparative Study of the Lives and Works of Selected
Ghanaian Female Musicians from 1980-2010.
M.Phil. University of Ghana (Legon), 2014. viii &144 p.
PDF Download / Télécharger / Baixar 2.07 MB
http://ugspace.ug.edu.gh/handle/123456789/5482
Matczynski, William:
Highlife and its Roots: Negotiating the Social, Cultural, and
Musical Continuities Between Popular and Traditional Music in Ghana.
Macalester College (Saint Paul, Minn,), Music Honors Projects. Paper 10, 2011. 67 p.
Contents – PDF Download / Télécharger / Baixar 1.41 MB
Nyarko, Isaac:
The Influence of Popular Music among the Youth of Ngleshie Amanfro, Accra.
M.Phil. University of Ghana (Legon), 2016. x & 114 p.
PDF Download / Télécharger / Baixar 7.60 MB
Obeng, Nana Adobea:
Ghanaian Popular Music and Socio-Political Commentary:
A Case Study of Barima Sidney.
M.Phil. University of Ghana (Legon), 2015. x & 110 p.
PDF Download / Télécharger / Baixar 1.82 MB
Oppong, Anna:
The use of English in Ghanaian Highlife Music.
B.A. University of Ghana (Legon), 1979
Reichel, Daniela:
Populäre Musik als Ausdruck gesellschaftlicher Veränderungsprozesse.
Highlife und Hiplife in Ghana seit dem Zweiten Weltkrieg.
Magisterarbeit. München: GRIN Verlag, 2008. 129 p.
Inhalt
Rentink, Sonja:
Kpanlogo. Conflict, Identity Crisis and Enjoyment in a Ga Drum Dance.
M.A. University of Amsterdam, 2003. 101 p.
Contents
Rumbolz, Robert Charles:
“A Vessel for Many Things”: Brass Bands in Ghana.
Ph.D. Wesleyan University (Middletown, Conn.), 2000. 444p.
Contents
Salm, Steven James:
“The Bukom Boys”: Subcultures and Identity Transformation in Accra, Ghana.
Ph.D. The University of Texas at Austin, 2003. xiv & 320 p.
Contents – PDF Download / Télécharger / Baixar 1 MB
Sunu Doe, E.:
Burger Highlife Music: A Cross- Cultural Phenomenon.
M.Phil. University of Ghana (Legon), 2011.
Unruh, Amee Jo:
Kpanlogo: A Detailed Description of One Arrangement of a West-African Music and Dance Genre.
M.M. Bowling Green State University (Bowling Green, Ohio), 2000. 228 p.
Wuaku, Hilarius Mawutor:
A Contextual Study of Brass Band Music within the Peki-Kpando Area of the Volta Region of Ghana.
Ph.D. University Of Ghana, 2015. xiv & 156 p.
PDF Download / Télécharger / Baixar 11.30 MB
Yamusah, Mohammed Sheriff:
A Critical Study of the Music Industry in Tamale.
M.Phil. University of Ghana (Legon), 2013. xi & 154 p.
PDF Download / Télécharger / Baixar 7.41 MB
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