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See as well / Voir aussi / Veja também “Afrique de l’Ouest en général – Articles”

Anonyme:
Création en Guinée d’une régie d’édition et d’exploitation du disque ‘Syliphone’.
Horoya (Conakry), 16 mai 1968: 2.

Cohen, Joshua:
Stages in Transition: Les Ballet Africains and Independence, 1950 to 1060.
Journal of Black Studies (London), Vol. 43, Issue 1, 2012: 11-48.

Counsel , Graeme:
Music in Guinea’s First Republic.
in: Jan Jansen (ed.):
Mande-Manding. Background Reading for
Ethnographic Research in the Region South of Bamako.
Leiden:  Leiden University Department of Cultural Anthropology and Development Sociology, 2004: 284-301.

Counsel , Graeme:
Popular Music and Politics in Sékou Touré’s Guinea.
Australasian Review of African Studies (Armidale, N.S.W.),
Vol. 26, No. 1, 2004: 26-42.

Counsel , Graeme:
Archival and Research Resources in Conakry, Guinea.
History in Africa: A Journal of Method (Cambridge), Vol. 36, 2009: 439-445.

Counsel , Graeme:
Digitising and Archiving Syliphone Recordings in Guinea.
Australasian Review of African Studies (Armidale, N.S.W.), Vol. 30, No. 1, 2009: 144–150.

Counsel , Graeme:
Music for a Coup – ‘Armée Guinéenne’. An Overview of Guinea’s Recent Political Turmoil.
Australasian Review of African Studies (Armidale, N.S.W.), Vol. 31, No. 2, 2010: 94-112.

Counsel , Graeme:
Conserving the Archives of a National Broadcaster.
Context (Melbourne), No. 37, 2012: 121–127.

Counsel, Graeme:
Music for a Revolution: The Sound Archives of Radio Télévision Guinée.
in: Kominko, Maja (ed.):
From Dust to Digital. Ten Years of the Endangered Archives Programme.
Cambridge: Open Book Publishers, 2015: xi-xiv & 547-586.

Counsel, Graeme:
Sound Archives in West Africa.
Baker, Sarah; Catherine Strong; Lauren Istvandity & Zelmarie Cantillon (eds):
The Routledge Companion to Popular Music History and Heritage.
London: Routledge, 2018: 367-375.

Dave, Nomi:
The Politics of Silence: Music, Violence and Protest in Guinea.
Ethnomusicology (Bloomington, Ind.), Vol. 58, Issue 1, Winter 2014: 1-29.

Dave, Nomi:
Music and the Myth of Universality: Sounding Human Rights and Capabilities.
Journal of Human Rights Practice (Oxford), Vol. 7, No. 1, 2015: 1-17.

Dave, Nomi:
Sifting through Truths in Guinean Music.
in: Kirkegaard, Annemette; Helmi Jarviluoma; Jan Sverre Knudsen & Jonas Otterbeck (eds.):
Researching Music Censorship.
Newcastle-upon-Tyne: Cambridge Scholars, 2017: 122-137.

Dave, Nomi:
Sexual Violence and the Politics of Forgiveness in Guinea: Musical Interventions.
in: Ndaliko, Chérie Rivers & Samuel M. Anderson (eds.):
The Art of Emergency: Aesthetics and Aid in African Crises.
New York, N.Y.: Oxford University Press, 2019: 145-172.

Durán, Lucy:
Music Created by Gods: The Art of the Mandinka Jalis of Mali and Guinea.
in: Broughton, Simon; Mark Ellingham, David Muddyman & Richard Trillo (eds.):
World Music. The Rough Guide.
London: The Rough Guides, 1994: 243-262.

Durán, Lucy:
Mali/Guinea Mande Music: West Africa’s Musical Powerhouse.
in: Broughton, Simon; Mark Ellingham & Richard Trillo (eds.):
World Music. The Rough Guide, Volume 1: Africa, Europe and the Middle East.
London: The Rough Guides, 1999: 539-562.

Elbadawi, Soeuf:
Sur le marché de la percussion : le cas guinéen. Rencontre avec François Kokeleare.
Africulture (Paris), n° 29, juin 2000: 53-56.

Graham, Ronnie:
Chapter 9 Guinea.
Stern’s Guide to Contemporary African Music.
London: Zwan / Off the Record Press, 1988: 132-140.

Graham, Ronnie:
Chapter 8 Guinea.
The World of African Music. Stern’s Guide to Contemporary African Music. Volume 2.
Chicago, Ill.: Pluto Press: 1992: 68-72.

Hashachar, Yair:
Playing the Backbeat in Conakry:
Miriam Makeba and the Cultural Politics of Sékou Touré’s Guinea, 1968–1986.
Social Dynamics (Cape Town), Vol. 43, Issue 2, 2017: 259-273.

Hashachar, Yair:
Guinea Unbound: Performing Pan-African Cultural Citizenship
Between Algiers 1969 and the Guinean National Festivals.
Interventions. International Journal of Postcolonial Studies (Abingdon), Open Access article 17 Aug 2018: 1-19.

Kaba, Lansiné:
The Cultural Revolution, Artistic Creativity, and Freedom of Expression in Guinea.
Journal of Modern African Studies (Cambridge), Vol. 14, Issue 2, 1976: 201-218.

Kaba, Lansiné & Eric Charry:
Mamaya: Renewal and Tradition in Maninnka Music of Kankan, Guinea (1935-45).
in: Monson, Ingrid (ed.):
The African Diaspora: A Musical Perspective.
New York, N.Y.: Garland, 2000 / London: Routledge, 2003: 187-206.

Lobeck, Katharina:
Guinea Move over Mali.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 136-152.

Niane, Djibril T.:
Some Revolutionary Songs of Guinea.
Présence africaine (Paris), n° 29, 1978: 101-115.

Okpaku, Joseph:
Chapter Les Ballets Africains Sont Beaux.
Guinea’s National Ensemble in San Francisco.
New African Litterature and the Arts, Vol. 2.
New York, N.Y.: Crowell, 1971: 203-208.

Posthumus, Bram:
Chapter 4 Praise and Protest: Inseparable – Music and Politics.
Mask, Music and Minerals.
London: C. Hurst& Co., 2016: 171-194.

Raout, Julien:
Mondialisation musicale et tourisme : le cas de la Guinée Conakry et du Maroc.
in: Miliani, Hadj & Lionel Obadia (dir.):
Art et transculturalité au Maghreb. Incidences et résistances.
Paris: Éditions des Archives Contemporaines, 2007: 77-86.

Raout Julien:
Au rythme du tourisme. Le monde transnational de la percussion guinéenne.
Cahiers d’études africaines (Paris), nᵒ 193-194, 2009: 175-201.

Rouget, Gilbert:
Les Ballets Africains de Keita Fodeba.
Présence africaine (Paris), n.s., nᵒ 7, 1956: 138-140.

Schachter, Ruth:
French Guinea’s RDA Folk Songs.
West African Review (Liverpool), Vol. 29, No. 371, 1958: 673, 675, 677 & 681.

Suzuki, Huroyuki:
Création d’une musique populaire dans le cadre de la Nation :
le cas de la Guinée sous le régime de Sékou Touré.
in: Kawada, Junzō  & Kenichi Tsukada (eds.):
Culture sonores d’Afrique III,
Hiroshima: Hiroshima City University, 2004:

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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