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Askew, Kelly M.:
As Plato Duly Warned: Music, Politics,
and Social Change in Coastal East Africa.

Anthropology Quarterly (Washington D.C.),
Vol. 76, No. 4, autumn 2003: 609‐637.

Daniels, Douglas Henry:
Taarab Clubs and Swhili Music Culture.
Social Identities (Abingdon), Vol. 2, Issue 3, 1996: 413-438.

Gathigi, George:
Inventing East African Hip-Hop:
Youth and Musical Convergence in East Africa.

in: Falola, Toyin & Tylor Fleming (eds.):
Music, Performance and African Identities.
Abingdon: Routledge, 2012: 35-48.

Graebner, Werner:
Wie wird man Musiker in Ostafrika? Biographien zeitgenössischer Musiker aus Kenya und Tanzania.
Musikalische Werdegänge: Beiträge zu einem Seminar des Arbeitskreises populärer Musik.
[3. ASPM Seminar], Rauischholzhausen, 22.-24. April 1988.
in: Rösing, Helmut (Herg.):
Beiträge zur Populärmusikforschung 5/6.
Hamburg: ASPM, 1988: 49-63.

Graebner, Werner:
The First 35 Years of Commercial Recording in East Africa, 1928-1963.
Processes of institutionalization (some preliminary research findings).
Research Paper. Institute of African Studies, University of Nairobi, 1989. 23 p.

Graebner, Werner:
Tarabu – Populäre Musik am Indischen Ozean.
in: Erlmann, Veit (Herg.): Populäre Musik in Afrika.
Veröffentlichungen des Museum für Völkerkunde.
Neue Folge 53. Abteilung Musikethnologie VIII.
Berlin: Museum für Völkerkunde, 1991: 181-200.

Graebner, Werner:
Music, Politics and the Media in East Africa.
in: Hennion, Antoine (dir.):
1789-1989, musique, histoire, démocratie, 3 vol.
Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet 1989.
Paris: Editions de la Maison des sciences de l’homme, 1992: 223-233.

Graebner, Werner:
Wape Vidonge Vyao: Taarab as a Vital Language in Urban East Africa.
in: Probst, Peter & Gerd Spittler (eds.):
Between Resistance and Expansion: Explorations of Local Vitality in Africa.
Beiträge zur Afrikaforschung, Band 18.
Münster: LIT Verlag, 2004: 247-272.

Graebner, Werner:
Tanzania & Kenya. Taarab: The Swahili Coastal Sound.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 408-417.

Harrev, Flemming:
Jambo Records and the Promotion of Popular Music in East Africa.
The Story of Otto Larsen and East African Records Ltd. 1952-1963.
in: Bender, Wolfgang (ed.): Perspectives on African Music.
Bayreuth African Studies Series (Bayreuth), No. 9, 1989: 103-137 (+ 13 photos).
PDF Download / Télécharger / Baixar 11.7 MB

Kadenge, Joe ‘Hyena’:
A look-in at the East African Music Scene.
Africa Music (London), No. 14, March-April 1983: 4-5.

Khamis, Said A. M.:
Re-defining Taarab in Relation to Local and Global Influences.
in: Beck, Rose Marie; Thomas Geider & Werner Graebner (ed.)
Afrikanistische Arbeitspapiere, Nr. 68. Swahili Forum (Köln), Vol. 8, 2001: 145-156.

Khamis, Said A. M.:
Wondering about Change: The Taarab Lyric and Global Openness.
Nordic Journal of African Studies (Helsinki) Vol. 11, No. 2, 2002: 198-205.

Khamis, Said A. M.:
Images of Love in the Swahili Taarab Lyrics: Local Aspects and Global Influence.
Nordic Journal of African Studies (Helsinki) Vol. 13, No.13, 2004: 30-64.

Khamis, Said A. M.:
Clash of Interests and Conceptualisation of Taarab in East Africa.
Swahili Forum (Leipzig), Vol. 12, 2005: 133-159.

Knappert, Jan:
Swahili Tarabu Songs.
Afrika und Übersee (Hamburg), Band 60, Nr. 1, 1977: 116-155.

Kubik, Gerhard:
Neo-Traditional Popular Music in East Africa since 1945.
Popular Music (Cambridge), Vol.  1, 1981: 83-104.

Lambert, H. E.:
The Beni Dance Songs.
Swahili (Dar es Salaam), Vol. 33, No. 1, 1962/1963: 18-21.

Lukalo, Fibian Kavulani:
Outliving Generations. Youth Traversing Borders through Popular Music in Everyday Urban Life in East Africa.
Cultural Studies (Abingdon), Vol. 22, Issue 2, 2008: 254–272.

Martin, Stephen H[arvey]:
Brass Bands and the Beni Phenomenon in Urban East Africa.
African Music (Grahamstown), Vol. 7, No. 1, 1991: 72-81.

Martin, Stephen H[arvey]:
Popular Music in Urban East Africa: From Historical Perspective to a Contemporary Hero. 
Black Music Research Journal (Chicago, Ill.), Vol. 11, No. 1, Spring 1991: 39-53.

Mlacha, Shaaban A. K.:
Women’s Image in Kiswahili Poetry and Taarab Songs.
in: Mbilinyi, Dorothy A. S. & Cuthbert K. Omari (eds.):
Gender Relations and Women’s Images in the Media.
Dar es Salaam: Dar es Salaam University Press, 1996: 207-223.

Morin, Matthew M.:
Music, Memory, and Economy: NGO Initiatives of East Africa’s Zilizopendwa Progenitors.
The World of Music, New Series (Berlin), Vol. 3, Issue 1, January 2014: 63-80.

Mosoti, Edwin:
Taarab or Songs of Abuse? Verbal Duels in East Africa.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 9, Issue 1, 2012: 13-34.

Mwangi, Evan:
Masculinity and Nationalism in East African Hip Hop Music.
Tydskrift Vir Letterkunde (Pretoria), Vol. 41, No. 2, 2004: 5-20.

Mwangi, Evan:
Sex, Music, and the City in a Globalized East Africa.
PMLA (New York, N.Y.), Vol. 122, No. 1, 2007: 321-324.

Ntarangwi, Mwenda:
Taarab as a Swahili Tradition.
Egerton Journal (Nakuru), Vol. 6, No. 3, 2002:  45-56.

Ntarangwi, Mwenda:
Hip-hop, Westernization and Gender in East Africa.
in: Njogu, Kimani & Hervé Maupeu (eds.):
Songs and Politics in Eastern Africa.
Dar es Salaam: Mkuki na Nyota Publishers /
Nairobi: l’Institute francais de recherche en Afrique (IFRA), 2007: 273-302.

Perullo, Alex:
Politics and Popular Song: Youth, Authority, and Popular Music in East Africa.
African Music (Grahamstown), Vol. 9, No. 1, 2011: 87-115.

Perullo, Alex & John Fenn:
Language Ideologies, Choices, and Practices in Eastern African Hip Hop.
in: Berger, Harris, M. & Michael Thomas Carroll (eds.):
Global Pop, Local Language.
Jackson, Miss.: University Press of Mississippi, 2003: 19-51.

Perullo, Alex & Andrew J. Eisenberg:
Musical Property Rights in Tanzania and Kenya after TRIPS.
in: Davis, Matthew & Debora Halbert (eds.):
The Sage Handbook of Intellectual Property.
London & Los Angeles, Calif.: Sage Publications, 2015: 148-164.

Ricard, Alain:
Chapitre 8 Du Taarab au rap.
Le kiswahili, une langue moderne.
Karthala (Paris), 2009: 127-140.

Ricard, Alain:
Le “taarab est comme le concert party…” – Reflexions comparatives.
Stichproben (Wien). Wiener Zeitschrift für kritische Afrikastudien, Nr. 14, 8. Jahrgang, 2008: 123-136.

Roberts, John Storm:
Songs the Swahili Sing.
Africa Report (Washington, D.C.), September-October 1973: 18 & 20-22.

Rosenberg, Aaron [Louis]:
Making the Case for Popular Songs in East Africa: Samba Mapangala and Shaaban Robert.
Research in African Litteratures (Austin, Tex.), Vol. 39, No. 3, 2008: 99-120.

Rosenberg, Aaron Louis:
“Sauti za Uhuru”? Women Singers and Self-Definition on the Coast of East Africa.
Dossier (London), Journal of Women Living Under Muslim Law, Nos. 32-33, 2014: 231-252.

Saleh, Seif Salim:
Historia na muundo wa taarab. [History and Structure of Taarab].
Lugha na Utamaduni (Mombasa), Toleo 1, 1988: 8-11.

Saleh, Seif Salim:
Historia na muundo wa taarab (Sehemu ya pili). [History and Structure of Taarab (Second Part)].
Lugha na Utamaduni (Mombasa), Toleo 2, 1988: 9-11 & 24.

Seago, Alex:
East African Popular Music.
African Music (Grahamstown), Vol.  Vol. 6, No. 4, 1987: 176-177.

Tracey, Hugh:
Recording Tour, May to November 1950 East Africa.
African Music Society Newsletter (Johannesburg),  Vol. 1, No. 4, June 1951: 38-51.

Traore, Flavia Aiello:
Taarab and Swahili Prose.
Swahili Forum (Leipzig), Vol. 8, 2001: 123-128.

van der Biesen, Ivan & Christiaan de Beukelaer:
Tourism and Imagining Musical Traditions on the East African Coast: Harmony and Disharmony.
The World of Music, New Series (Berlin), Vol. 3, Issue 1, January 2014: 133-154.

Vernon, Paul:
Feast of East. Delvings into the History of World Music Recording Touches Down in East Africa.
Folk Roots (London), No. 145 (Vol. 17, No. 1), July 1995: 26-27 & 29.

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

    ÍNDICE

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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