makunganya2015
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Makunganya, Abraham: |
CONTENTS
Declaration i
Certificate of Supervision ii
Acknowledgements iii
Dedications iv
Abstract v
Chapter 1
Introduction
1.1 Introduction 1
1.2 Background to the study 1
1.3 Statement of the problem 4
1.4 Aim 5
1.5 Objectives 5
1.6 Assumptions 5
1.7 Research questions 6
1.8 Significance of the study 6
1.9 Delimitations 7
1.10 Limitations 7
1.11 Definition of terms 7
1.12 Conclusion 9
Chapter 2
Literature review
2.0 Introduction 10
2.1 Biography of Paul Matavire 10
2.2 The effect of gender construct as a source
of Music lyrical content 12
2.3 Images of women in popular music 14
2.4 Women and popular music at international level 15
2.4 Mysogyn in Rap/Hip Hop music 16
2.6 Women and popular music at regional level 17
2.7 Women and popular music in Zimbabwe 18
2.8 Observations on women and popular music in Zimbabwe 19
2.9 Summary20
Chapter 3
Methodology
3.1 Introduction 22
3.2 Research Design 22
3.3 Theoretical Framework 23
3.4 Population 24
3.5 Sampling 24
3.6 Stratified random sampling 25
3.7 Methods of collecting data 25
3.8 Data presentation and analysis 27
3.9 Qualitative context analysis 28
3.10 Conclusion 29
Chapter 4
Presentation, analysis and interpretation of data findings
4.1 Introduction 30
4.2 Do you like listening to Matavire’s love songs? 30
4.3 Songs that Matavire is remembered for 31
4.4 The issues raised in the two selected songs 32
4.5 Who initiates the “Love Talk” in the episodes? 33
4.6 How are women is depicted in Matavire’s two songs 4
4.7 Lessons drawn from the songs 35
4.8 Discussion of findings 38
4.9 The role of musicians in redressing gender imbalances 39
4.10 Conclusion 40
Chapter 5
Summary, Conclusions and Recommendations
5.1 Introduction 42
5.2 Summary 42
5.3 Conclusions drawn 43
5.4 Recommendations 43
5.5 Conclusion 44
References 45
Appendix 1: Questionnaire 47
Appendix 2: Interview Schedule 50
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