braun2014

Braun, Lesley Nicole:
Dancing Double Binds: Feminine Virtue and Women’s Work in Kinshasa.
Thèse. Université de Montréal, 2014. 328 p.

CONTENTS

Abstract i
Acknowledgements x
List of Figures viii
Dedication ix

Introduction 1
Feminist Scholarship 5
Sexuality and Gift Economy 8
Women and Work 10
The Body 12
Performance and Gender 14
Plan of Dissertation 17

Chapter 1
A Brief History of Women in the City 21
Christianity in the Léopoldville 22
From the Congo Independent State to the Belgian Congo 24
Urbanization and Gender Relations 27
La Femme Libre and L’Évolué 31
Muses for a New Urban Popular Culture 35
La Kinoiserie & Nganda Love 39
Authenticité and the Female Body 47
Débrouillardisme 49
Pentecostalism in Kinshasa 51

Chapter 2
Methodology / Research site 55
Ethnicity 57
Research Site 59
Research Periods 59
Initial Points of Contact 61
Research Participants 66
Performative Contexts 76

Chapter 3
“Everything Depends on Where She is Dancing” 80
Importance of Dance in Kinshasa 83
How do Women Learn to Dance 84
Women and Performance 89
Popular Concerts and Venues 90
Wakes/matangas 94
Parcelle Parties 100
End-of-School Parties 104
Nightclubs 109
Dance Politics and Dance in Church 111
Conclusion 114

Chapter 4
A Virtuous Performance 117
Married vs. Single 123
Performing Virtue Through Symbols 128
Conclusion 146

Chapter 5
Temptress: Mixed Messages/Double Binds 148
Gift Economy, Love, Débrouillardisme 150
Transactional Sex 152
Débrouillardisme & Moral Contradictions 161
Temptress: Female Motifs/Mami Wata 163
Living Alone 176
Conclusion: The Trickiness of Female Virtue & Débrouillardisme 178

Chapter 6
Center Stage but at the Margins 182
Setting the Stage 182
In the Shadow of the Ndumba 184
Parental Concerns 190
Moral Plays on Dancing 195
Bound to Men: Relationships of Power and Opportunity 206
In the Hot Seat: Television Interview with Blanche Neige 211
Conclusion 227

Chapter 7
Working Women in Public 230
Male Solicitation 233
“It’s the Law”: Gender Inequality 235
The Many Transactions of Mamas Cambistes 244
In the Public Eye, in the Public’s Gaze: Female Journalists 248
A Woman in Politics 250
Miss Coulibaly 252
Conclusion 255

Chapter 8
Trading Virtue for Virtuosity 257
Visibility: Performing on Television 260
Male Gaze 265
Dancing the Paradox: The Marginal Position of the Danseuse 279
Bottom Power 281
Conclusion 284

Bibliography 289
Appendix 313

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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