turino2000
Turino, Thomas: |
CONTENTS
Acknowledgments ix
Part One
Critical Foundations
Introduction 3
1 Social Identities and Indigenous Musical Practices 31
Part Two
Colonialism and the Rise of Urban Popular Music
2 Indigenous Music and Dance in Mbare Township, 1930-1960 63
3 The Settler-State and Indigenous Music during the Federation Years 93
4 The African Middle Class: Concerts, Cultural Discourse, and All That Jazz 119
Part Three
Musical Nationalism
5 Music, Emotion, and Cultural Nationalism, 1958-1963 161
6 Musical Nationalism and Chimurenga Songs of the 1970s 190
Part Four
Guitar Bands and Cosmopolitan Youth Culture
7 On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s 223
8 Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands 262
Part Five
Globalization Begins at Home
9 Nationalism, Cosmopolitanism, and Popular Music after 1980 311
Notes 355
References and Bibliography 377
Discography 391
Index 393