sichinga2008

/by

Sichinga, Willy Geas:
Some Social and Literary Aspects in Zambian Popular Music:
The Case of Serenje Kalindula Band.
M.A. University of Zambia (Lusaka), 2008. x & 100 p.

CONTENTS

Dedication ii
Copyright notice
Author’s declaration
Approval certificate
Acknowledgement vi
Abstract vii
Table of contents ix

Chapter 1
Introduction
1.1 General 1
1.2 Statement of purpose 1
1.3 History of the Lala 3
1.4 Definition of terms 4
1.5 Justification 4
1.6 Methodology 5
1.7 Theoretical framework 6

Chapter 2
Literature review
2.1 General 9
2.2 Popular music 9
2.3 Development of popular music in Zambia 11
2.4 Kalindula as a popular music 17

Chapter 3 
The social aspects of Serenje Kalindula popular music 
3.1 General 20
3.2 Social functions of popular music 21
   3.2.1 Sociopolitical context 25
   3.2.2 Socioeconomic context 29
   3.2.3 Sociocultural context 32
   3.2.4 Music and dance 39

Chapter 4
Some literary aspects of Serenje Kalindula popular music
4.1 General 42
4.2 Songs as poems 42
4.3The poetic nature of Serenje Kalindula popular genre 44
   4.3.1 Form 44
   4.3.2 Style 45
   4.3.3 Sound 46
      4.3.3.1 Emotive sounds 47
      4.3.3.2 Onomatopoeia 48
   4.3.4 Repetition 49
      4.3.4.1 Anaphoric repetition 51
      4.3.4.2 Incremental repetition 51
   4.3.4.3Parellelism 52
   4.3.5 Language 53
      4.3.5.1 Language borrowing 53
      4.3.5.2 Euphony 54
      4.3.5.3 Allusions 54
   4.3.6 Imagery 55
   4.3.7 Figure of speech 57
      4.3.7.1 Metaphor 57
      4.3.7.2 Simile 58
      4.3.7.3 Irony 59
      4.3.7.4 Metonymy 59

Chapter 5  
Conclusion
5.1 General  61
5.2 Summary 61
5.3 Recommendations 65

Bibliography 68

Appendix A
(i) Serenje Kalindula song texts (Lala/Bemba) 75
(ii) Serenje Kalindula song texts (English translation) 88
Appendix B
Interview schedule for surviving/founder member of the band 100

nsanta-kalimukwa2005 brusila-donner&winquist1992

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