mangena-chitando&muwait2016

/by

Mangena, Fainos, Ezra Chitando & Itai Muwait (eds.):
Sounds of Life. Music, Identity and Politics in Zimbabwe.
Newcastle upon Tyne: Cambridge Scholars Publishing, 2016. xviii & 294 p.
ISBN 978-1-4438-8677-2

CONTENTS

Acknowledgements x

Introduction
Fainos Mangena, Ezra Chitando & Itai Muwati
Navigating the Interstices of Music, Identity and
Politics in Zimbabwe xi

Part I: Music and Gender

Chapter One
Ezra Chitando
Zvakaoma Kuva Munhu WeMurume (It is tough to be a Man):
Selected Zimbabwean Musicians on the Burdens of Masculinity 2

Chapter Two
Charity Manyeruke
Opportunities and Challenges of Female Musicians in Zimbabwe 19

Chapter Three
Tapiwa Praise Mapuranga
Gospel Music in Zimbabwe: Selected Women’s Voices 34

Chapter Four
Anna Chitando
Towards Loving Gender Relations:
Oliver Mtukudzi’s Wagona Fani 50

Chapter Five
Fred Zindi
Zimbabwean Women in Music: A Catalogue 66

Chapter Six
Fainos Mangena
 ‘John Rawls in Zimbabwe’:
A Reflection on Leonard Zhakata’s Call for Distributive Justice 80

[Part II: Music and Politics]

Chapter Seven
Ngonidzashe Muwonwa
 “Threatened Nation, Unfinished Nation”:
Discourses of Nation in Contemporary Zimbabwean Music 98

Chapter Eight
Godfrey Museka, Darmarris Kaguda and Onias Matumbu
Sounds of “Death”: The Adaptation of Madzviti-Muchongoyo Music in Silencing Dissenting Voices in Chipinge (Manicaland-Zimbabwe, 2002-2008) 114

Chapter Nine
Kudakwashe Shane Sambo, Nehemiah Chivandikwa and Kelvin Chikonzo
 “When Propaganda Boomerangs”:
The Case of Third Chimurenga Music Visuals 127

Chapter Ten
Oswell Hapanyengwi-Chemhuru
Music as a Contested Terrain in the Dynamics of Politics in Zimbabwe145

Chapter Eleven
Samuel Ravengai
Chimurenga Liberation Songs and Dances as Sites of Struggle to Counter Rhodesian Discourse: A Postcolonial Perspective 165

Chapter Twelve
Kelvin Chikonzo, Joel Nyimai and Kudakwashe Shane Sambo
 ‘Violations’ of The Chimurenga Genre in the Music of the Mbare Chimurenga Choir 182

Part III: Gospel Music, the Urban Grooves and Politics

Chapter Thirteen
Pedzisai Mashiri and Zvinashe Mamvura
“You shall know them by their names”:
A Sociolinguistic Approach to Gospel Music Groups’ Nomenclature in the Shona Society of Zimbabwe 196

Chapter Fourteen
Bridget Chinouriri
The Politicisation of Gospel Music in Zimbabwe’s Crisis Years, 2000-2010 213

Chapter Fifteen
Francis Machingura
The Urban Grooves as a Music Genre for Zimbabwean Youths:
An Analysis 232

Part IV: Music and Identity

Chapter Sixteen
Zifikile Gambahaya and Itai Muwati
Voices from Below: Ethnicity and Marginality in Lovemore Majaivana’s Album, “Isono Sami” 248

Chapter Seventeen
Fainos Mangena
Music, Hunhu/Ubuntu and Identity in Zimbabwe:
Unpacking Leonard Zhakata and Oliver Mtukudzi’s Messages 264

Chapter Eighteen 
Lickel Ndebele and Progress Dube
Music and Ethnicity in “a Primitive Society”:
A Case Study of Ndebele Wedding Songs 279

Contributors 288

makwenda2013 pongweni1982

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

    ÍNDICE

    Replace “Portuguese template – click Clone & Edit” (the popup name) with the common name for the content file and jpg file  (e.g. “mortaigne1997”)

    Insert name of author, title and place of publication in the text box.
    Text colour red. Title in bold. ISBN number in black and 10 px.

    Right side column:
    Button Text: Índice
    Button Title: Clique aqui

    Class to Execute Popup: Insert “Shortcode” popuppress id number

    Picture:
    Click on picture – and then click on “Remove”
    Place curser in front of “SUMÁRIO”

    Click on “Add Media” and select jpg file. Insert.
    Align: Left
    Image CSS class: map-mobile
    Image Margins: Set “Bottom” value i.e. 500
    Insert text from content file. Edit text and save. 

    Adjust  Bottom value if necessary and Publish pup-up
     Copy “Shortcode” including square brackets e.g. Índice and inset and replace it for “Sumário” in the book list file.

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

    Replace “English template – click Clone & Edit” (the popup name) with the common name for the Word contents file and the jpg file  (e.g. “mortaigne1997”)

    Insert name of author, title and place of publication in the text box.
    Text colour red. Title in bold. ISBN number in black and 10 px.

    Right side column:
    Button Text: Contents
    Button Title: Click here

    Class to Execute Popup: Insert “Shortcode” popuppress id number

    Picture:
    Click on picture – and then click on “Remove”
    Place curser in front of “CONTENTS”

    Click on “Add Media” and select jpg file. Insert.
    Align: Left
    Image CSS class: map-mobile
    Image Margins: Set “Bottom” value i.e. 500
    Insert text from content file. Edit text and save. 

    Adjust  Bottom value if necessary and Publish pup-up
    Copy “Shortcode” including square brackets e.g. Índice and inset and replace it for “Contents” in the page with book list file.

  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

    bender1985INHALT (Button Type)

    Klick hier (Button Title)

    Class to Execute Popup (shortcode id number)

    Picture:

    Align “Left”

    map-mobile

    Image Margins – Bottom

  • Insert title etc. here
    ISBN number

    TABLE DES MATIÈRESafropop1995

    Table des matières (Button Text)

    Cliquez ici (Button Title)

    Class to Execute Popup (insert Shortcode popuppress id number)

    Picture:

    Click on picture “Edit” and set/insert:

    “Align” Left

    “Image CSS class” map-mobile

    Image Margins – “Bottom” (set value i.e. 500)

  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

    Click here to open pop-up

    Click here

    Cliquez ici pour ouvrir la fenêtre pop-up

    Cliquez ici

    Clique aqui para abrir o pop-up
    Clique aqui

    Klick hier