linford2016

/by

Linford, Scott Valois:
Interweaving Worlds: Jola Music and Relational Identity in Senegambia and Beyond.
Ph.D. University of California (Los Angeles, Calif.), 2016. xx & 366 p.

CONTENTS

Table of Figures viii
Table of Audio Examples xi
Glossary xii
Table of Jola Instruments xv
Acknowledgements xvi
Vita xix

Introduction
Village Planétaire 1
Theoretical Perspectives 11
Literature Review 27
Maps 47

Chapter 1
Jola Culture and History 49
Environment and Culture 54
History 67

Chapter 2
The Ekonting in Culture and History 86
History and Scholarship 88
Physical Features, Construction, and Decoration 95
Playing Technique and Scale 104
The Ekonting Among Other West African Lutes 105
Relationship to the American Banjo 109
Ekonting Players, Transmission, and Status 111
Performance Contexts 114
Ekonting Music 118
Conclusions 124

Chapter 3
Narrative Identity and the Ekonting 126
Ethnicity, Difference, and Narrative Identity 127
Adama Sambou: You Won’t Find Another
Ekonting Player Like Me 131
The Ekonting at the MFDC Festival for Peace 140
The Akonting Center for Senegambian Folk Music 152
Conclusions 164

Chapter 4
Gender, Generation, and Migration at the Alamaan Festival 167
Scholarship on Music and Gender 169
Intersecting Gender, Generation, and Migration 175
The 2015 Niaganane Alamaan 184
Conclusions 215

Chapter 5
Jola Sounds in Senegalese Pop 218
Orchestre Baobab: We Don’t Play Salsa, We Play Salad 220
Touré Kunda: You Belong to the World, Stay Who You Are 234
Xalam: Transporting a Whole Culture and Civilization 252
Conclusions 259

Chapter 6
Jolas Making Pop 261
Orchestre Casamance and the New Casamance Band:
Citizens of the World 262
Groupe Fogny: Between Troupe and Orchestre 269
Joël Maligny Bassene: You Always Return Home at Night 284
Jean Bosco Goudiaby: We Speak Many Languages 296
Conclusions 213

Chapter 7
Conclusions 314

Notes 319
References 333
Discography 365

mbaye2011 saibou2016

  • Mortaigne, Veronique:
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    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

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    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

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  • Johnson, John William:
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    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

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    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
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    4 Stan Plange Remembers 29

    Part 2 Confrontation
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    Neue Folge 53. Abteilung Musikethnologie VIII.
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    ISBN 3-88609-213-5

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  • Sweeney, Philip:
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    Section Africa 1-81
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    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
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    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
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