gunderson&barz2000

/by

Gunderson, Frank & Gregory Barz (eds.):
Mashindano! Competitive Music Performance in East Africa.
Dar es Salaam: Mkuki na Nyota Publishers, 2000. 468 p.
ISBN 9976-973-829

CONTENTS

Map of East Africa viii
Contributors ix

Terence Ranger
Foreword  1

Part 1: Introduction

1. Frank Gunderson
    “Kifungua Kinywa” or Opening the Contest with Chai 7

Part 2: Significant Rivals and Scandals

2. Kelly M. Askew
    Following in the Tracks of Beni: The Diffusion of the Tanga Taarab Tradition 21
3. Janet Topp Fargion
    “Hot Kabisa!” The Mpasho Phenomenon and Taarab in Zanzibar 39
4. Mwenda Ntarangwi
    Malumbano or Matukano: Competition, Confrontation, and (De)
    Construction of Masculinity in the Taarab of Maulidi and Bhalo 55
5. Siri Lange
    Muungano and TOT: Rivals on the Urban Cultural Scene 67
6. Joseph L. Mbele
    Gindu Nkima: A Sukuma Heroine 87

Part 3: Rites of Passage

7. Peter Pels
    Kizungu Rhythms: Luguru Christianity as Ngoma 101
8. Laura Fair
    Identity, Difference, and Dance:
    Female Initiation in Zanzibar, 1890 to 1930 143

Part 4: Community and Identity

 9. E. Kezilahabi
     Ngoma Competitions in Traditional Bakerebe Society 175
10. James Ellison
      Competitive Dance and Social Identity:
      Converging Histories in Southwest Tanzania 199
11. Frowin Paul Nyoni
      The Social Significance of Mganda-wa-Kinkachi Dance
      Contests Among the Matengo 233
12. Elise Johansen
      Makonde Mask Dance: Performing Identity 255
13. Peter Cooke & Okaka Opio Dokotum
      Ngoma Competitions in Northern Uganda 271
14. Peter Jan Haas & Thomas Gesthuizen
      Ndani ya Bongo: KiSwahili Rap Keeping it Real 279
15. Werner Graebner
      Ngoma ya Ukae: Competition Social Structure in Tanzanian
      Dance Music Songs 295

Part 5: Historical Imaginings

16. Lisa Gilman
      Putting Colonialism into Perspective: Cultural History and
      the Case of Malipenga Ngoma in Malawi 319
17. Rebecca Gearhart
      Rama Maulidi: A Competitive Ritual Ngoma in Lamu 347
18. Stephen Hill
      Mchezo Umelala [“The Dance has Slept”]: Competition,
      Modernity, and Economics in Umatengo, Tanzania 367
19. Gregory F. Barz
      Politics of Remembering: Performing History(-ies) in Youth
      Kwaya Competitions in Dar Es Salaam, Tanzania 379
20. Frank Gunderson
      Witchcraft, Witcraft and Musical Warfare: The Rise of the Bagiika-
      Bagaalu Music Competitions in Sukumaland, Tanzania 407

Part 6: Epilogue

21. Gregory F. Barz
      Tamati: Music Competition and Community Formation 421

Works Cited 429
Index 447

graebner1984 kimani&maupeu2007

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

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    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

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    The Poetry of the Belwo 59

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    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

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    Foreword by Banning Eyre ix
    Introduction 1

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    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
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    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

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    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
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    Selected Bibliography 281
    Discography 285
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    Index 309

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    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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