day2017

/by

Day, Julia G.:
“Cause this is Africa”: Contesting Visual, Sonic, and Performed Representations
of Africa in Paris, Montreal, and the 2010 South African World Cup.
Ph.D. University of Washington (Seattle, Wash.), 2017. xi & 218 p.

CONTENTS

Abstract iii
Table of Contents vi
Preface ix

Chapter One
Introduction 1
Representation and Scholarship on Africa 3
Representation and Ethnomusicology 4
African Popular Music 6
Afropolitanism and the World in Movement 8
Diaspora, Transnationalism, and Cosmopolitanism 11
Overview of the Sites 15
Sound as a Site of Representation 15
Paris, France 17
Montreal, Canada 22
Methods 26
Overview of the Chapters 29

Chapter Two
Making Space and Facilitating Contact Zones in
Five Paris Museums 32
Contact Zones and Space as Practiced Place 33
Reifying Place and Representing Africa:
Musée du Quai Branly 37
Museum Events that Facilitate Space-making 44
Reclaiming a Colonial Site:
La Cité Nationale de l’Histoire de l’Immigration 45
Resisting Negative Representation:
Banlieue is Beautiful 50
Rejecting Power Through Nostalgia:
Le Petit Musée de la Françafrique 56
Music and Performance at Museums as Process:
The Great Black Music Exhibit and the African Remix
Concert Series at Cité de la Musique 59
Conclusion 72

Chapter Three
Representing an Elite Afropolitan Paris
through Coupé-Décalé 74
Ivorian Politics and Music since 1960 76
Coupé-Décalé and the Myth of an African Paris 81
“Sagacité,” Douk Saga and the Jet Set (2003) 83
“Voilà String,” Meiway (2004) 89
“Gbinchin Pintin,” DJ Arafat (2014) 95
Afropolitan Space in the City of Lights 102
Mapping African Venues in Paris 104
Conclusion 109

Chapter Four
Performing Future Québécois Identities at
the Festival International Nuits d’Afrique 111
Music Festivals as Sites of Cultural Production and
Québécois Interculturalism 114
Performing Past Heritage: Music, Festivals, and Identity
in Quebec 119
Performing Future Identities: Interculturalism and Festival
International Nuits d’Afrique 125
Asserting Interculturalism through Performances of
African Music 129
Les Lions Noirs: Performing a Shared Québécois
Cultural Identity 130
Doussou Koulibaly: Performing Gender Equality 132
Gokh-Bi System: Balancing Heritage of the Past with
Innovation for the Present 136
Black Bazar: Celebrating African Immigrants 139
Conclusion 142

Chapter Five
Representing Africa Sonically through the Mbube Topid 144
Semiotics, Topic Theory, and the Mbube Topic 147
About the Transcriptions 152
“Mbube”: From Song to Genre to Topic 154
Solomon Linda’s Original Evening Birds 155
Paul Simon and Graceland 159
The Mbube Topic Normalized: Disney’s The Lion King 164
“Wavin’ Flag (Celebration Mix)” Performed by K’Naan 167
“Waka Waka (This Time for Africa)” Performed by Shakira 176
From “Zangelewa” to “Waka Waka” 178

Conclusion 197

Epilogue 199

Bibliography 201
Discography 213

Appendix A 214
Appendix B 217

samus2013 berna&betote1991

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

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    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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