musiyiwa2013

Musiyiwa, Mickias:
The Narrativization of Post-2000 Zimbabwe in the
Shona Popular Song-Genre: An Appraisal Approach.

Ph.D. University of Stellenbosch (Stellenbosch), 2013. xii & 413 p.

CONTENTS

Declaration ii
Abstract iii
Opsomming v
Acknowledgements vii
List of abbreviations and acronyms xii

Chapter One
 Introduction to the study
1.1 Introduction 1
1.2 Background to the study 1
1.3 Literature review 4
1.4 The Nature and purpose of the study 11
   1.4.1 Theoretical approach 11
   1.4.2 Research questions 14
1.5 Research methodology 14
1.6 Organization of the study 17

Chapter Two
The typology of the Shona popular song-genre
2.1 Introduction 18
2.2 Classification of songs 19
   2.2.1 Problems in Oral Literary
            Classification of Songs 20
2.3 The appraisal framework 22
2.4 A Genre-based typology of the shona
          popular songs 24
   2.4.1 The genre theory 25
   2.4.2 The multi-rhetoricality of popular songs 50
2.5 The intertextuality of the Shona popular song 51
   2.5.1 Forms of intertextuality in Shona 
            popular songs 53
   2.5.2 L+R format 54
   2.5.3 Song revivals 56
   2.5.4 Appropriation of other songs’ tunes 56
   2.5.5 Dialogical level 57
   2.5.6 Incorporative level 58
   2.5.7 Monologism 61
   2.5.8 Repetition 63
2.6 Conclusion 64

Chapter Three
The tripartite classification of Zimbabwean
popular songs into clusters

3.1 Introduction 65
3.2 The “small voices in history” and
       “small stories” frameworks 66
   3.2.1 Guha’s “small voices in history” framework 67
   3.2.2 Georgakopoulou’s “small stories” theory 70
3.3 The “rediscovery of the ordinary” theory 72
3.4 Key features of state hegemony in Zimbabwe 73
3.5 A tripartite classification of popular songs 
      into clusters 81
   3.5.1 Grand narrative songs 82
   3.5.2 Small voices/stories songs 82
   3.5.3 Songs of ordinary life 82
3.6 Factors shaping notions of grand and small
      voices songs 83
   3.6.1 Grand narrative song factors 84
   3.6.2 Small voices song factors 93
3.7 Conclusion 97

Chapter Four
GNS and SSS’ contestations over meanings
of land and history

4.1 Introduction 98
4.2 The themes of land and history 99
4.3 The Chimurenga grand narrative as experiential
       basis for land metaphors 100
4.4 Ivhu = vadzimu metaphor 103
   4.4.1 National vadzimu as guardians for all 112
   4.4.2 Land = Nhoroondo (History) metaphor 119
   4.4.3 Land = Ropa remagamba (Blood of fallen heroes) 124
4.5 Conclusion 134

Chapter Five
Identity construction as evaluation of political
behavior in SSS and GNS

5.1 Introduction 135
5.2 Mapping identity construction onto the appraisal
       theory 136
    5.2.1 Attitude’s dimensions of judgement and 
             appreciation 136
    5.2.2 Political and national identities 138
5.3 GNS songs and Zanu-PF identities of
      self-construction 140
    5.3.1 The identity of kurwira rusununguko 142
5.4 Countering Zanu-PF’S positive identities in SSS 156
   5.4.1 The mudzvanyiriri identity 158
   5.4.2 The vaurayi venyika (national destroyers)
             identity 160
   5.4.3 The identity of uori (corruption) 163
   5.4.4 The identity of jambanja (violence and
             lawlessness) 168
   5.4.5 Zanu-PF and the kuguma (eschatology)
            identity 175
5.5 Mutengesi identity as basis for opposition
      persecution  177
   5.5.1 The nationalist origins of the mutengesi
             identity 177
   5.5.2 State usage of mutengesi identity
            in post-2000 179
5.6 SSS and MDC identities of self-construction 187
   5.6.1 The opposition and the identity of bumbiro
             remutemo (constitutionalism) 188
   5.6.2 The rwendo rwechinja (journey of change)
             identity 191
   5.6.3 The MDC and the identity of economic 
             recovery 192
5.7 Conclusion 195

Chapter Six
The evaluation of ordinary life through social and
religious identities in sol

6.1 Introduction 196
6.2 Njabulo Ndebele’s the rediscovery of the 
      ordinary theory 196
6.3 Religious identities 201
   6.3.1 The mufudzi/muchengeti (shepherd/keeper)
             identity 204
   6.3.2 Mutendi (believer) identity and
             transcendentalist imagination 209
   6.3.3 Mutadzi identity as quest for 
             individual liberation 224
   6.3.4 The kuguma (escatology) identity as
             dramatic representation 230
6.4 Social identities 240
   6.4.1 The umai (motherhood) and ubaba 
             (fatherhood) identities 241
6.5 Conclusion 271

Chapter Seven
Conclusions and recommendations
7.1 Introduction 272
7.2 The relevance of the topic 272
7.3 The importance of a combinatorial
       theoretical scheme 274
7.4 Land and history meanings as contestable 279
7.5 Identity construction as evaluation of 
      political behaviour 281
7.6 Social and religious identities and the
       evaluation ordinary life 284
7.7 The larger significance of the study, gaps
       and recommendations 287

References 289

Appendix 317

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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