kpmg2014

KPMG:
A Comprehensive Study of the Music Sector in Ghana. Final Report.
Accra: KPMG Ghana, 2014. 290 p.

CONTENTS

1 Executive Summary 11
1.1 Introduction 11
1.2 Country Profile 11
1.3 The Creative Industries in Ghana 11
1.4 Music Sector Overview 12
1.5 Market Characteristics 12
1.6 Regional and Local Sector Dynamics 13
1.7 Regulatory Framework 13
1.8 Economic Value Analysis 13
1.9 Social Contribution 15
1.10 Industry Infrastructure 16
1.11 International Dynamics 17
1.12 Linkage with other Sectors 17
1.13 SWOT Analysis 17
1.14 Recommendations 18
1.15 Conclusion 19

2 Introduction 20
2.1 Project Background 20
2.2 Objectives 20
2.3 Scope of Work 20
2.4 Justification 21
2.5 Methodology 22
   2.5.1 Sources of Data 22
   2.5.2 Sampling Techniques 24
2.6 Limitations 24
2.7 Conclusion 24

3 Country Profile 26
3.1 Introduction 26
3.2 Political Environment 26
3.3 Economic Environment 27
3.4 Social Dynamics 29
3.5 Technological Factors 31
3.6 Country Outlook 31
3.7 Conclusion 32

4 The Creative Industry in Ghana 33
4.1 Overview 33
4.2 Characteristics of the Creative Industry in Ghana 34
4.2.1 Overview 34
4.3 Conclusion 36

5 Music Sector Overview 37
5.1 Historical Perspective 37
   5.1.1 Overview 37
   5.1.2 Music Genres 37
5.2 Industry Oversight 42
5.3 Professional Organizations 45
   5.3.1 Creators Associations 45
   5.3.2 Producers Associations 46
   5.3.3 Collective Management Organization (CMO) 47
5.4 Current State of the Sector – Challenges and Opportunities 48
5.5 Porter‘s Five Forces Model 48
5.6 Conclusion 49

6 Market Characteristics 51
6.1 Overview of Music Value Chain 51
6.1.1 Typical Music Value Chain around the World 51
6.1.2 Music Value Chain in Ghana 52
6.2 Volume of production by Type 75
6.3 Conclusion 78

7 Regional and Local Sector Dynamics 79
7.1 Regional Features of the Sector 79
7.2 Conclusion 93

8 Regulatory Framework 94
8.1 Review of Regulations 94
8.2 Review of Policy Documents 97

9 Economic Value Analysis 101
9.1 Introduction 101
9.2 Employment Characteristics 101
   9.2.1 Size of the Sector 101
   9.2.2 Characteristics of Employment 103
9.3 Value of Sector (Revenue Sources and Estimation) 124
   9.3.1 Framework for Analysis 124
   9.3.2 Domestic Revenue Estimation 126
9.4 Contribution to GDP 131
9.4.1 Summary of GDP 131

10 Social Characteristics & Contribution 132
10.1 Social characteristics of the sector 132
10.1.1 Creators 132
10.1.2 Business Category 133
10.2 Overview 141
10.3 Sociological aspects of music 141
10.4 Benefits of music 141
10.5 Social groups and events 142
   10.5.1 Social circles in Ghana 142
   10.5.2 Choral groups 142
   10.5.3 Traditional/folkloric bands 145
   10.5.4 Public bands 148

11 Industry Infrastructure 150
11.1 Introduction 150
11.2 Training Institutions 150
   11.2.1 Educational Institutions 150
   11.2.2 Capacity Building Institutions 153
11.3 Manufacturers 155
   11.3.1 Local Instrument Manufacturers 155
   11.3.2 Audio/Visuals 158
11.4 Digital Music Downloads 159
11.5 Event organisers and Venues 160
   11.5.1 Data analysis – Event organisers 162
   11.5.2 Data analysis – Venue operators 163

12 International Dynamics 166
12.1 Ghanaian music abroad 166
   12.1.1 Live performances 166
   12.1.2 International awards 166
   12.1.3 Operational base of music distributors 167
12.2 Exposure of tourists to Ghanaian music 167
12.3 Volume of Exports 170

13 Linkage with other Sectors 172
13.1 Music as a subject – Musicology 172
13.2 Music as an art – Applied Musicology 172
   13.2.1 Film 173
   13.2.2 Theatre art 173
   13.2.3 Fashion 174
   13.2.4 Medicine & therapy 175

14 SWOT Analyses 177
14.1 Introduction 177
14.2 Strengths 178
14.3 Weaknesses 178
14.4 Opportunities 184
14.5 Threats 184
14.6 Conclusion 185

15 Recommendations 186
15.1 Observations and Recommendations 186

16 Conclusion 191
16.1 Objectives 191
16.2 Methodology 191
16.3 Findings 191
16.4 Observations and Recommendations 192

17 Appendices 193
17.1 Appendix A – Details of Educational Institutions 193
17.2 Appendix B – Questionnaires administered for the survey 198
17.3 Appendix C – Names of some sensational Ghanaian music professionals,
        music archives and the impact of colonialism 274
17.4 Appendix D – Ghanaian population according to age groups and regions 276
17.5 Appendix E – Categories and sub-categories of the Music Industry 278
17.6 Committee Members 288
17.6.1 Oversight Committee Members 288
17.6.2 Technical Committee Members 288

18 Bibliography 290

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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