collins1996b

/by

Collins, [Edmund] John:
Highlife Time  (Second revised edition).
Accra: Anamsesem Publications, 1996. xxi & 295 p.
ISBN 9988-552-02-05

CONTENTS

Introduction [vii-xxi]

Section One
Palmwine Highlife, Guitar Bands and Concert Parties
Chapter 1
Kwaa Mensah and Sam:
The Grand Old Men of the Palmwine Guitar 1
Chapter 2
The Yaa Amponsah Story 7
Chapter 3
The Concert Party Musician E. K. Nyame 11
Chapter 4
The Falsetto Highlife Singer Kwabena Okai (Okine) 17
Chapter 5
Popular Theatre: The Jaguar Jokers Concert Party 19
Chapter 6
The Nigerian Musical Clown Ajax Bukana:
Ghana’s State Comedian 27
Chapter 7
Nana Ampadu (African Brothers),
Pat Thomas and A. B. Crentsil 33
Chapter 8
The Adom Professionals:
The Blind Concert Band of Ghana 37

Section Two
Ghanaian Highlife Dance Bands and their Musicians
Chapter 9
E. T. Mensah: The King Of Dance Band Highlife 43
Chapter 10
The Tempos Band’s Travels in West Africa 47
Chapter 11
King Bruce and The Black Beats 59
Chapter 12
The Benin Republic’s Ignace de Souza and
his Black Santiagos in Ghana 63
Chapter 13
Stan Plange of the Broadway and Uhuru’s Dance Bands 69
Chapter 14
Osibisa: From Dance-Band Highlife to Afro-Rock 77
Chapter 15
Kofi Aywor: From Highlife to High-Tension Funk 83
Chapter 16
Gyedu Blay-Ambulley Blends Highlife and Pop 87
Chapter 17
Sammy Odoh: Champion of Ghanaian Musicians  91

Section Three
Some Interactions between Highlife and New Folk Music
Chapter 18
Goombay, Gome and Asiko 97
Chapter 19
Akan Konkoma and Ewe Borborbor 101
Chapter 20
The Simpa Music of Dagbon 105
Chapter 21
The Ga Kpanlogo 109

Section Four
Back to the Roots
Chapter 22
The Traditional Musical Background 113
Chapter 23
Koo Nimo: Ghana’s Homeric Bard of Folk Highlife Guitar 123
Chapter 24
Kofi Ghanaba:
From Highlife and Jazz to the African Heritage 131
Chapter 25
Drum Communion:
Kofi Ghanaba, Bayo Martins and Remi Kabaka 137
Chapter 26
Wulomei and the Ga ‘Cultural Group’ Explosion 141
Chapter 27
Kwesi Asare:
Ghana’s Foreign Ambassador of Ritual Drumming 145

Section Five
Outside Influence and Resulting Musical Fusions
Chapter 28
Louis Armstrong in Ghana 151
Chapter 29
Pop Music and its Impact on Ghana 156
Chapter 30
Soul to Soul, FESTAC, PANAFEST and the Dubois Centre 163
Chapter 31
Reggae, Afro-Reggae and Alpha Blondy 169

Section Six
Women On Stage and the Gospel Highlife Explosion
Chapter 32
Women Enter the Ghanaian Popular Music Field 177
Chapter 33
Problems Faced by a Concert Party Actress 181
Chapter 34
The Gospel Highlife of the Christo Asafo Church 185

Section Seven
Nigerian Highlife, Juju Music, Afrobeat and other Popular Music Styles
Chapter 35
Yoruba Juju Music, Apala and Fuji 191
Chapter 36
Nigerian Highlife and the Makossa of Neighbouring Cameroon 197
Chapter 37
The Bendel State Highlife of Sir Victor Uwaifo 201
Chapter 38
Fela Anikulapo-Kuti:
Nigeria’s Controversial Afrobeat King 205
Chapter 39
Segun Bucknor and the Nigerian Pop Scene 213
Chapter 40
The Ozzidi, Afro-Reggae and Afro-Disco of Sonny Okosun 219

Section Eight
The Popular Music of Sierra Leone and Liberia
Chapter 41
Maringa and the Popular Music of Sierra Leone 227
Chapter 42
The Sierra Leone Producer Akie Deen and his Disco-Maringas and Discolypso 233
Chapter 43
Pop Profiles of Liberia 237

Section Nine
The Music Business
Chapter 44
The West African Recording and Music Business 245
Chapter 45
The Ghanaian and Nigerian Music Unions 251
Chapter 46
Essiebons Productions:
The Roots to Fruits of Ghanaian Music 257
Chapter 47
‘F’ Promotions, the Napoleon Club and Hedzolleh 261
Chapter 48
King Bruce’s Views on the Popular Music Business 271
Chapter 49
African Feelings Productions:
Pan Africanist Ghanaian Popular Music 277
Chapter 50
The Bokoor Sounds Music Company 281
Chapter 51
Highlife, Computer and the ‘Highlife Imagination’ 289

collins1994a counsel2009

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    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
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    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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    Preface to the first edition xv
    Preface to the 1996 edition xxiii

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    The Historical Development of Modern Oral Poetry 17

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    The Modem Poem: Heello A to Heello B 82

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    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
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    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

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    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
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    Section Africa 1-81
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    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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