adedeji 2010

/by

Adédèjì, Adewale:
Yoruba Culture and Its Influence on the Development of Modern Popular Music in Nigeria.
Ph.D. The University of Sheffield, 2010. 288 p.

CONTENTS

Abstract 1
Dedication 2
Acknowledgements 3
List of Figures 8

 

Chapter One
Introduction 10
1:1 Background to Study 12
1:2 The Beginning 14
1:3 Aim and Purpose of Research 17
1:4 Scope of Study 18
1:5 Research Questions 19
1:6 Research Methodology 20
1:7 Fieldwork Experience 21
1:8 Preview of Chapters 24

Chapter Two
Definition of Concepts and Theoretical Framework 27
2:1 Introduction 27
2:2 Popular Music, Language, Culture and The Issue of Identity 27
2:3 Nigerian Music: Between ‘Popular’/ ‘Contemporary‘ and 
      ‘Traditional‘ / ‘Folk’ 38

Chapter Three
An Introduction to Nigeria and the Yorùbá People 44
3:1 Introduction 44
3:2 Nigeria: A Short Profile 44
3:3 The Yorùbá people: Historical Background 55
3:4 The Yorùbá Arts and Cultural Worldview 59
3:5 Lagos City and The Evolution of Nigeria‘s Urban 
      Popular Culture 60
3:6 Conclusions: Nigeria‘s Urban Popular Culture and
       The Yoruba influence 74

Chapter Four
Nigeria: What Manner of Music? 75
4:1 Introduction 75
4:2 Nigerian Popular Music: An Overview 75
4:3 Nigerian Popular Music: 
      The Nation and Process of Emergence 79
4:4 Styles of Popular Music in Nigeria 82
4:5 The Nigerian Popular Music and the Underlying 
       Yorùbá Influence 102
4:6 Conclusion 111

Chapter Five
The Nigerian Hip Hop Scene and the ‘Afro Hip Hop’ Identity 112
5:1 Introduction 112
5:2 Origin of Hip Hop 112
5:3 Background to Nigeria‘s Hip Hop 116
5:4 Hip Hop, ‘The Street‘ and The Nigerian Experience 122
5:5 Nigeria‘s Afro Hip Hop: Style and Peculiarities 130
5:6 Major Themes in Nigeria‘s Afro Hip Hop 139
5:7 Afro Hip Hop: Why Yorùbá is the Preferred Medium
       of Communication 153
5:8 Conclusion 167

Chapter Six
‘Ruggedy Baba’: An Afro Hip Hop Case Study 169
6:1 Introduction 169
6:2 Ruggedman: Artist Profile 170
6:3 ‘Ruggedy Baba‘ – Lyrics and Translation 172
6:4 The Yorùbá Influence n ‘Ruggedy Baba‘ 176
6:5 ‘Ruggedy Baba‘ and The Negotiation of Nigerian Identity 180
6:6 Backgrounds to Popular Music Video and The Nigerian 
      Experience 185
6:7 ‘Ruggedy Baba‘: Video Analysis 192
6:8 Conclusion and Chapter Summary 207

Chapter Seven
Hip Hop, Fújì and the Use of Yorùbá Culture in Preventing Popular Music Homogenization 210
7:1 Introduction: Hip Hop and Fújì; The Synergy 210
7:2 Hip Hop and Fújì: Yorùbá Connection, Influences 
      and Similarities 211
7:3 Hip Hop, Fújì and the Idea of Fusion‘ and ‘Crossover‘ 220
7:4 Hip Hop and Fújì in Relation to Globalization and 
      Hybridization 238
7:5 Conclusion 243

Chapter Eight
The Nigerian Music Industry: Challenges and Possibilities 244
8:1 Introduction 244
8:2 The Nigerian Music industry: An Overview 245
8:3 Exit of Major Recording Labels 251
8:4 The Challenges 254
8:5 Possibilities and Recommendations 262
8:6 Conclusion 263

Summary and Conclusions 265

References 268

Appendix: Accompanying CDs 288

rosselot2001 ademowo1993

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

    ÍNDICE

    Replace “Portuguese template – click Clone & Edit” (the popup name) with the common name for the content file and jpg file  (e.g. “mortaigne1997”)

    Insert name of author, title and place of publication in the text box.
    Text colour red. Title in bold. ISBN number in black and 10 px.

    Right side column:
    Button Text: Índice
    Button Title: Clique aqui

    Class to Execute Popup: Insert “Shortcode” popuppress id number

    Picture:
    Click on picture – and then click on “Remove”
    Place curser in front of “SUMÁRIO”

    Click on “Add Media” and select jpg file. Insert.
    Align: Left
    Image CSS class: map-mobile
    Image Margins: Set “Bottom” value i.e. 500
    Insert text from content file. Edit text and save. 

    Adjust  Bottom value if necessary and Publish pup-up
     Copy “Shortcode” including square brackets e.g. Índice and inset and replace it for “Sumário” in the book list file.

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

    Replace “English template – click Clone & Edit” (the popup name) with the common name for the Word contents file and the jpg file  (e.g. “mortaigne1997”)

    Insert name of author, title and place of publication in the text box.
    Text colour red. Title in bold. ISBN number in black and 10 px.

    Right side column:
    Button Text: Contents
    Button Title: Click here

    Class to Execute Popup: Insert “Shortcode” popuppress id number

    Picture:
    Click on picture – and then click on “Remove”
    Place curser in front of “CONTENTS”

    Click on “Add Media” and select jpg file. Insert.
    Align: Left
    Image CSS class: map-mobile
    Image Margins: Set “Bottom” value i.e. 500
    Insert text from content file. Edit text and save. 

    Adjust  Bottom value if necessary and Publish pup-up
    Copy “Shortcode” including square brackets e.g. Índice and inset and replace it for “Contents” in the page with book list file.

  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

    bender1985INHALT (Button Type)

    Klick hier (Button Title)

    Class to Execute Popup (shortcode id number)

    Picture:

    Align “Left”

    map-mobile

    Image Margins – Bottom

  • Insert title etc. here
    ISBN number

    TABLE DES MATIÈRESafropop1995

    Table des matières (Button Text)

    Cliquez ici (Button Title)

    Class to Execute Popup (insert Shortcode popuppress id number)

    Picture:

    Click on picture “Edit” and set/insert:

    “Align” Left

    “Image CSS class” map-mobile

    Image Margins – “Bottom” (set value i.e. 500)

  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

    Click here to open pop-up

    Click here

    Cliquez ici pour ouvrir la fenêtre pop-up

    Cliquez ici

    Clique aqui para abrir o pop-up
    Clique aqui

    Klick hier