waterman1990a&b

/by

Waterman, Christopher A[llen]:
Jùjú: A Social History and Ethnography of an African popular Music.
Chicago, Ill.: University of Chicago Press, 1990. 277 p. & audio cassette
ISBN 0-226-87465-6 / Audio cassette: University of Chicago Press, P1990

CONTENTS

Acknowledgments ix
Technical Notes xi

1 Introduction 1
2 Sákárà, Asíkò, Highlife, and Palmwine:
   Lagosian Popular Music between the World Wars 27
3 Early Jùjú Music (1932-1948) 55
4 The Development of Modem Jùjú (1948-1982) 82
5 The Social Organization and Contexts of Jùjú
   Performance in Ibadan 148
6 The Aesthetics and Social Dynamics of Jùjú Performance
   at the Yoruba Àríyá 180
7 Jùjú Music and Inequality in Modem Yoruba Society 213

Appendix
Roster of Ibadan-Based Jùjú and Fúji Bands  229
Notes  231
Glossary of Yoruba Terms  243
Bibliography  247
Index  263

AUDIO CASSETTE
Announcements and talking drum by Adebisi Adeleke.

SIDE A

 1. “The Late Adeiabu.”
     Haruna lsola and his Apala Group (1958).
     Decca WA.3034
     Apala music. Song text pp. 20-22 Cited p. 85.
 2. “I. K. Dawodu” (excerpt).
     Yusufu Olatunji and his Sákárà Group (early 1960s).
     Badejo BBAF.1016.
     Sákárà band with móló (3-stringed plucked lute).
     Cited p. 37.
 3. Title unknown (excerpt).
     Sákárà group (probably Abibus Oluwa) (ca. 1936).
     Parlophone P0.503 (?).
      Sákárà band with gòjé (1-stringed fiddle). Cited pp. 37-38.
 4. Title unknown.
     Calabar Brass Band (ca. 1936).
     Parlophone PO.5??.
      African colonial brass band style. Cited p. 43.
 5. “Abonsa.”
     Jolly Orchestra (ca. 1936).
     Parlophone PO.531.
     Lagos palmwine group playing variant of Akan highlife
     song “Yaa Amponsah.” Cited p. 49.
 6. “Wallace Johnson” (excerpt).
     Jolly Orchestra (ca. 1936).
     Parlophone PO.570.
     Lagos paimwine group with “Hawaiian” guitar. Cited p. 50.
  7. “Orin Asape Eko.” lrewolede Denge (1937).
     His Master’s Voice J.Z.3/OAB.5.
     Yoruba palmwine music. Song text pp. 50-52.
  8. “Aronke Macaulay.”
     Tunde King and his Group (1936).
     Parlophone PO.508 (B.72142-1).
    Early jùjú music. Song text and musical transcription
     pp. 56-57 (figure 3.1). Transcription of banjo intro-
     duction p. 61 (figure 3.5).
 9. “Ojo Davies” (excerpt).
     Ayinde Bakare and his Group (1937).
     His Master’s Voice J117 (OAB.76).
     Early jùjú music. Transcription of banjo introduction
     p. 62 (figure 3.6).
10. “Abasi Olubadan” (excerpt).
     Ojo Babajide and his Group (1936).
     Parlophone PO.501.
     Early jùjú music from lbadan. Transcription of banjo
     introduction p. 63 (figure 3.7).
11. “Association” (excerpt).
     Tunde King and his Group (1936). Parlophone PO.500.
     Early jùjú music with violin and dulcetone. 
     Song text pp. 70-72. Cited pp. 235-36.
12. “Faji” (excerpt).
     Tunde King and his Group (1936). Parlophone PO.576.
     Islamicized early jùjú. Cited p. 74.
13.”Jubrilla Atanda” (excerpt).
     Ayinde Bakare and his Group (early 1950s).
     His Master’s Voice JZ.5810.
     Postwar jùjú style with amplified guitar. Cited p. 84.
14.”Ba Mi Gbowo Mi” (excerpt).
     Adeolu Akinsanya and his Rio Lindo Orchestra (early
     1950s). Decca WA.1930.
     Agidigbo/Mámbò music. Cited p. 85.
15. “Egan Mi Ko Ye O” (excerpt).
     C. A. Balogun and his Abalabi Dandies (late 1950s).
     Philips P82751.2.
     Ijesa substyle of jùjú. Cited p. 95.
16. “Saibu” (excerpt).
     Rafiu Bankole and his Group (mid-1950s).
     Decca WA.1519.
     Lagos substyle of jùjú. Cited p. 96.
17. “Pòtò-Pòtò.” J. 0. Arabs and his Rhythm Blues (1957).
      Philips 82011.2.
      Toy Motion. Song text pp. 98-99.
18. “Òrò Ré Rèpètè” (excerpt).
      J. O. Oyeshiku and his Rainbow Quintette (1958).
      Philips 82059.1.
      Toy Motion. Song text pp. 99- 100.

SIDE B

 19. “Salome.”
       I. K. Dairo and the Blue Spots (1962).
       Decca NWA.5080.
       The first modem jùjú superstar. Song text pp. 105-7.
20. “C Wúrò L’ojó.”
      I. K. Dairo and the Blue Spots (1968).
      Air check, Radio O-Y-0, lbadan (1982).
      Song text pp. 107-10.
21. “Yaya Mumuni” (excerpt).
      Tunde Nightingale and his Band (mid-1960s).
      His Master’s Voice 45-NH 151.
      Dairo’s competitor, “The Bird that Sings at Night.”
      Cited p. 112.
22.”Christiana” (excerpt).
     Dele Ojo and his Star Brothers Band (mid-1960s).
     Philips PF 383 321.
     Jùjú-highilfe blend. Cited on p. 115.
23. “Olowo Laye Mo” (excerpt).
     Ebenezer Obey and his International Brothers Band
     (late 1960s). Rereleased on Decca WAPS.432.
     Song text pp. 120-21.
24. “E Sa Ma Miliki” (excerpt).
      Ebenezer Obey and his Internationl Brothers Band
      (1970). Rereleased on Decca WAPS.436.
      Song text pp. 121-26.
25. “Austerity” (excerpt).
      Chief Commander Ebenezer Obey and his
      Inter-Reformers Band (1982). Obey/Decca WAPS 548.
      Song text pp. 128-32.
26. “Wá Woyàn” (excerpt).
     Sunny Ade and his Green Spots Band (1970).
     African Songs, Ltd. 97B.
     Song text p. 133.
27. “Synchro System Movement” (excerpt).
      King Sunny Ade and his African Beats (1976).
      African Songs AS26.
      Rhythm section patterns p. 134. Song text pp. 135-39.
28. “Ja Fun Mi (excerpt).
       King Sunny Ade and his African Beats (1982).
      Island Records ILPS 9712.
      Song text pp. 141-44.
29. Uncle Toye Ajagun and his Olumo Soundmakers.
      Live performance of jùjú music at a Muslim funeral in
      Ogbomoso (excerpt).
      Song text and transcriptions pp. 197-212.

oreoluwa2012 arnaud2008

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

    ÍNDICE

    Replace “Portuguese template – click Clone & Edit” (the popup name) with the common name for the content file and jpg file  (e.g. “mortaigne1997”)

    Insert name of author, title and place of publication in the text box.
    Text colour red. Title in bold. ISBN number in black and 10 px.

    Right side column:
    Button Text: Índice
    Button Title: Clique aqui

    Class to Execute Popup: Insert “Shortcode” popuppress id number

    Picture:
    Click on picture – and then click on “Remove”
    Place curser in front of “SUMÁRIO”

    Click on “Add Media” and select jpg file. Insert.
    Align: Left
    Image CSS class: map-mobile
    Image Margins: Set “Bottom” value i.e. 500
    Insert text from content file. Edit text and save. 

    Adjust  Bottom value if necessary and Publish pup-up
     Copy “Shortcode” including square brackets e.g. Índice and inset and replace it for “Sumário” in the book list file.

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

    CONTENTS

    Replace “English template – click Clone & Edit” (the popup name) with the common name for the Word contents file and the jpg file  (e.g. “mortaigne1997”)

    Insert name of author, title and place of publication in the text box.
    Text colour red. Title in bold. ISBN number in black and 10 px.

    Right side column:
    Button Text: Contents
    Button Title: Click here

    Class to Execute Popup: Insert “Shortcode” popuppress id number

    Picture:
    Click on picture – and then click on “Remove”
    Place curser in front of “CONTENTS”

    Click on “Add Media” and select jpg file. Insert.
    Align: Left
    Image CSS class: map-mobile
    Image Margins: Set “Bottom” value i.e. 500
    Insert text from content file. Edit text and save. 

    Adjust  Bottom value if necessary and Publish pup-up
    Copy “Shortcode” including square brackets e.g. Índice and inset and replace it for “Contents” in the page with book list file.

  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

    bender1985INHALT (Button Type)

    Klick hier (Button Title)

    Class to Execute Popup (shortcode id number)

    Picture:

    Align “Left”

    map-mobile

    Image Margins – Bottom

  • Insert title etc. here
    ISBN number

    TABLE DES MATIÈRESafropop1995

    Table des matières (Button Text)

    Cliquez ici (Button Title)

    Class to Execute Popup (insert Shortcode popuppress id number)

    Picture:

    Click on picture “Edit” and set/insert:

    “Align” Left

    “Image CSS class” map-mobile

    Image Margins – “Bottom” (set value i.e. 500)

  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

    Click here to open pop-up

    Click here

    Cliquez ici pour ouvrir la fenêtre pop-up

    Cliquez ici

    Clique aqui para abrir o pop-up
    Clique aqui

    Klick hier