teko2011

Teko, Henri Tedongmo :
La piraterie musicale au Cameroun.
Une analyse socio-économique du marché illégal des œuvres musicales.

Saarbrücken : Éditions universitaires européennes, 2011. 84 p.
ISBN 978-613-1-58896-9

TABLE DES MATIÈRES

Dédicace 1
Remerciements 2

Introduction 5

Chapitre 1
La lutte contre la contrefaçon et la piraterie musicales  au Cameroun 13
1- Les dispositions légales d’organisation etde gestion des œuvres musicales au Cameroun 14
1-1- Le Droit d’auteur 14
1-2- Les Droits voisins 16
2- Les procédures de coercition en cas de violation du droit d’auteur et des droits voisins 17
2-1-La qualification du délit 17
2-2- Les sanctions 19
3- La pertinence des dispositions légales d’organisation et de gestion des œuvres musicales 20
4- Les acteurs engagés dans la lutte contre la contrefaçon et la piraterie musicales 22
4-1- Le Ministère de la culture (MINCULT) 22
4-1-1- Les Mesures 22
4-1-2- Les stratégies 23
4-2- Les organismes de gestion collective 24
4-2-1- Le Comité Musical de Lutte Contre la Piraterie (CMLCP) 26
5- La pertinence des stratégies des acteurs engagés dans la lutte contre la contrefaçon et la piraterie musicales 28

Chapitre 2
Les contrefacteurs 30
1- Les fournisseurs 30
2- Les éditeurs 32
3- Les distributeurs 34
4- Les vendeurs 35

Chapitre 3
L’économie du marché illegal des œuvres musicales 38
1- Le couple produit-marché  38
1-1- La segmentation stratégique 39
1-2- La formation des prix 39
2- Le Mécanisme de l’offre 41
2-1- Les coûts de production 41
2-2- L’évolution des ventes 43
2-3- Le Positionnement 48
3- Le Mécanisme de la demande 49
3-1-La Clientèle 49
3-2- La distribution 51

Chapitre 4
Les mecanismes fonctionnels du marché illegal des œuvres musicales 54
1- Les dynamiques identitaires 54
2- Fonction urbaine 56
3- Fonctions sociale et économique 59

Conclusion 66
Bibliographie 73
Annexes 77

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.

    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.

    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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