tchebwa2012

/by

Tchebwa, Antoine Manda :
L’Afrique en musique. Tome 4. Contexte urbain.
Paris : L’Harmattan 2012. 345 pp.
ISBN 978-2-296-96409-9   

TABLE DES MATIÈRES

Préface 11

Propos liminaire 13
Temps nouveaux, choix nouveaux 14
Face à l’assaut du show-biz 15
Par-delà l’érosion des temps 17

Première partie
Recomposition des espaces musicaux africains 21

Chapitre 1
L’espace musical arabo-andalou 23
        EGYPTE 27
        ALGERIE 33
        TUNISIE 39
        MAROC 42
        LIBYE 50

Chapitre 2
L’espace musical soudano-sahélien 53
2.1. Aire culturelle mandingue 53
        2.1.1. Le bala au temps de Soumaworo Kanté 54
        2.1.2. La kora vient du Kaabu 56
2.2. La musique et l’univers de la chasse 57
        2.2.1. L’idéologie sacrée des chasseurs 57
        2.2.2. Les croyances wassoulounké 60
        2.2.3. Une communaute de transhumance 61
2.3. Par-delà les sociétés de chasseurs 62
2.4. A travers les dunes du Sahara 63
2.5. Entre les anses du Golfe du Bénin 64
        2.5.1. Chez les Yorubas du Nigeria 65
        2.5.2. Le cas des Haoussas 66
        2.5.3. Dans l’espace Igbo 66
        2.5.4. Un heritage musical et organologique pluriel 67
2.6. Le traits dominants des musiques contemporaines de
l’Afrique de l’ouest 68
        BENIN 71
        MAURITANIE 75
        NIGERIA 82
        NIGER 88
        GHANA 93
        GUINEE BISSAU 98
        GAMBIE 102
        SENEGAL 107
        COTE D’IVOIRE 113
        SIERRA LEONE 123
        LIBERIA 126
        TOGO 128
        MALI 131
        GUINEE (CONAKRY) 137
        BURKINA FASO 146

Chapitre 3
L’espace musical bantou-pygmoïde 151
3.1. Au cœur de la grande forêt de l’Afrique centrale, les Pygmées 151
3.2. Dans les méandres des Bantous 153
        3.2.1. L’épicentre congolais 155
        3.2.2. Le filon camerounais 157
        3.2.3. Entre les grands Lacs et les savanes du centre 159
        GABON 161
        BURUNDI 166
        RWANDA 170
        CAMEROUN 177
        GUINEE-EQUATORIALE 184
        CENTRAFRIQUE 187
        REPUBLIQUE DEMOCRATIQUE DU CONGO 192
        TCHAD 200
        CONGO-BRAZZAVILLE 203

Chapitre 4
L’espace musical nilo-arabo-bantou 207
        TANZANIE 211
        ETHIOPIE 216
        KENYA 225
        OUGANDA 229
        DJIBOUTI 232
        SOUDAN 235

Chapitre 5
L’espace musical insulaire Créole 239
5.1. Héritage serf 239
5.2. La morna ou le chant du vague à l’âme 241

1. Océan Atlantique 247
        CAP-VERT 247
        SAO TOME e PRINCIPE 251

2. Océan Indien 253
        COMORES (Les) 253
        MAYOTTE 257
        MADAGASCAR 259
        LA REUNION 263
        ILE MAURICE 267
        SEYCHELLES (Les) 271

Chapitre 6
L’espace musical austral 275
        AFRIQUE DU SUD 278
        ZAMBIE 289
        ZIMBABWE 292
        ANGOLA 298
        MOZAMBIQUE 305
        MALAWI 309

Chapttre 7
Imaginaires en dialogue 313
7.1. Fertilisation croisée 313
7.2. Approche humanitaire 319
7.3. « Braconner » pour enrichir l’Autre 320

Conclusion 321

Bibliographie selective 325

tchebwa2005a tchebwa2005b

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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