mutonya2013
Maina wa Mũtonya: |
CONTENTS
Dedication iii
About the Author vii
Acknowledgements ix
Preface xi
Chapter One
Introduction 1
Chapter Two
The Politics of Everyday Life in Select Gĩkũyũ Popular Music
(1990-2000) 26
Chapter Three
Praise and Protest: Music and Contesting Patriotisms in
Postcolonial Kenya 51
Chapter Four
Joseph Kamarũ’s Music: Cutting with Words, not Swords 70
Chapter Five
‘Touch What You Don’t Have’: Mũgithi, One-Man Guitar and
Urban Identities 95
Chapter Six
Mũgithi Performance: Popular Music, Stereotypes and
Ethnic Identity 118
Conclusion
Music and Society: The Consummate Marriage 140
Postscript
Jane Nyambura (Queen Jane) 1965- 2010 148
Bibliography 155