|
Matczynski, William: |
CONTENTS
Chapter One
Introduction 1
Chapter Two
Musical Continuities between Popular and Traditional Music 19
Chapter Three
Highlife Texts 32
Anansesem, Storytelling and Guitar-Band Highlife
Chapter Four
Fusion Music and Experimentalism 46
Traditional Music as Resource
Conclusion 55
Appendix
Highlife Photographs 57
Listening List 64
Bibliography 65
|
Mortaigne, Veronique: |
ÍNDICE
Replace “Portuguese template – click Clone & Edit” (the popup name) with the common name for the content file and jpg file (e.g. “mortaigne1997”)
Insert name of author, title and place of publication in the text box.
Text colour red. Title in bold. ISBN number in black and 10 px.
Right side column:
Button Text: Índice
Button Title: Clique aqui
Class to Execute Popup: Insert “Shortcode” popuppress id number
Picture:
Click on picture – and then click on “Remove”
Place curser in front of “SUMÁRIO”
Click on “Add Media” and select jpg file. Insert.
Align: Left
Image CSS class: map-mobile
Image Margins: Set “Bottom” value i.e. 500
Insert text from content file. Edit text and save.
Adjust Bottom value if necessary and Publish pup-up
Copy “Shortcode” including square brackets e.g. Índice and inset and replace it for “Sumário” in the book list file.
|
Mortaigne, Veronique: |
CONTENTS
Replace “English template – click Clone & Edit” (the popup name) with the common name for the Word contents file and the jpg file (e.g. “mortaigne1997”)
Insert name of author, title and place of publication in the text box.
Text colour red. Title in bold. ISBN number in black and 10 px.
Right side column:
Button Text: Contents
Button Title: Click here
Class to Execute Popup: Insert “Shortcode” popuppress id number
Picture:
Click on picture – and then click on “Remove”
Place curser in front of “CONTENTS”
Click on “Add Media” and select jpg file. Insert.
Align: Left
Image CSS class: map-mobile
Image Margins: Set “Bottom” value i.e. 500
Insert text from content file. Edit text and save.
Adjust Bottom value if necessary and Publish pup-up
Copy “Shortcode” including square brackets e.g. Índice and inset and replace it for “Contents” in the page with book list file.
|
Johnson, John William: |
CONTENTS
Foreword to the first edition by B. W. Andrzejewski ix
Foreword to the 1996 edition by Abdilahi Qarshi xi
Preface to the first edition xv
Preface to the 1996 edition xxiii
1. Introduction
The social context 1
The Nature of Traditional Pastoralist Poetry 12
The Historical Development of Modern Oral Poetry 17
2. The Family of Miniature Genres
The Nature of the Family of Miniature Genres 27
The Poetry of the Miniature Family 32
3. The emergence of the Belwo
The Historical Background 49
The Belwo is Born 53
The Poetry of the Belwo 59
4. The Heello: Period One
The Metamorphosis: Belwo to Heello A 75
The Modem Poem: Heello A to Heello B 82
5. The Heello: Period Two
The Historical Background 95
The Poetry of the Second Period 103
6. The Heello: Period Three
The Historical Background 117
The Poetry of the Third Period 146
7. Characteristics of the Heello: All Periods
Themes Common to All Periods 175
Structural Characteristics and
Development Common to All Periods 190
The Impact of Media on Modern Poetry 208
8. Conclusion
The Inheritance of the Heello 215
Forces Behind the Success and Development of Modern Poetry 216
|
Collins, [Edmund] John: |
CONTENTS
Foreword by Banning Eyre ix
Introduction 1
Part 1 Early Days
1 The Birth of Afrobeat 27
2 Joe Mensah Remembers 41
3 Fela in Ghana 49
4 Stan Plange Remembers 29
Part 2 Confrontation
5 Kalakuta is Born 67
6 “JB” Talks about Fela 73
7 The Kalakuta Republic 81
8 The Black President 114
9 Amsterdam and After 125
Part 3 Retrospect
10 Mac Tontoh on Fela 139
11 Frank Talk about Fela 152
12 Obiba Plays It Again 165
13 Smart Binete Sorts It Out 174
14 Anku Checks Out the Beat 178
15 Nana Danso Orchestrates 183
16 Some Early Afro-Fusion Pioneers 197
17 Interview with Fela 204
18 Afterthoughts and Updates 209
19. Felabrations at Home and Abroad 238
Chronology 259
Notes 269
Selected Bibliography 281
Discography 285
Appendix A: “Shuffering and Shmiling” Score 303
Index 309
|
Erlmann, Veit (ed.): |
INHALT (Button Type)
Klick hier (Button Title)
Class to Execute Popup (shortcode id number)
Picture:
Align “Left”
map-mobile
Image Margins – Bottom
|
Insert title etc. here |
TABLE DES MATIÈRES
Table des matières (Button Text)
Cliquez ici (Button Title)
Class to Execute Popup (insert Shortcode popuppress id number)
Picture:
Click on picture “Edit” and set/insert:
“Align” Left
“Image CSS class” map-mobile
Image Margins – “Bottom” (set value i.e. 500)
|
Sweeney, Philip: |
CONTENTS
AFRICA
The North and West
Introduction: Peter Gabriel 1
Libya 3
Tunisia 5
Algeria 6
Morocco 13
Mauritania 16
Senegal 17
Mali 20
Guinea 26
Guinea-Bissau 29
Cape Verde 29
Sierra Leone 31
Côte d’Ivoire 32
Ghana 34
Togo and Benin 36
Nigeria 37
Central Africa, The South and East
Introduction: Manu Dibango 42
Cameroon 44
Zaire 49
Congo 56
Gabon 56
Angola 57
Zambia 58
Mozambique 59
Zimbabwe 60
South Africa 65
Madagascar 70
Mauritius and Reunion 71
Tanzania and Zanzibar 72
Kenya 74
Uganda 76
Burundi 76
Ethiopia 77
Sudan 79
