kaye1992

/by

Kaye, Andrew Laurence:
Koo Nimo and his Circle: A Ghanaian Musician in Ethnomusicological Perspective.
Ph.D. Columbia University, 1992. 526 p.
ProQuest no. 9221168

CONTENTS

Introduction
Questions and research procedures 1

Chapter 1
The ethnomusicological setting: The musical heritage of Ghana to the time of Koo Nimo’s childhood 13

Chapter 2
Childhood, youth, and formative musical experiences, 1931-1954 65

Chapter 3
Defining a career in science, and in music, 1954-1957 93

Chapter 4
Family, work, and music, 1957-1966 120

Chapter 5
Maturity and recognition, 1966-1978 156

Chapter 6
Musical activism and a widening renown, 1979-1990 207

Chapter 7
Koo Nimo’s musical repertory in analytic overview 243
Part I:    Instruments and sonorities 244
Part II:   Rhythm 266
Part III:  Harmony 292
Part IV: Melody 317
Part V:  Lyrics 342
Part VI: Performance  421

Chapter 8
Conclusion  485

Bibliography 504
 
Appendix I
Koo Nimo’s recordings (a partial listing) 522
Appendix II
Films or television programs in which Koo Nimo
appears (a partial listing) 526

feld2012 mazzoleni-owusu&coester2012

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    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

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    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
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