shain2018
Shain, Richard M.: |
CONTENTS
Acknowledgments xi
Note on Spelling of Senegalese Names xvii
Introduction
Sound Track for a Black Atlantic xix
One
Kora(son): Africa and Afro-Cuban Music 1
Two
Havana/Paris/Dakar: Itineraries of Afro-Cuban Music 14
Three
Son and Sociality: Afro-Cuban Music, Gender, and Cultural Citizenship, 1950s-1960s 33
Four
From Sabor to Sabar: The Rise of Senegalese Afro-Cuban Orchestras, 1960s-1970s 57
Five
ReSONances Senegalaises: Authenticity, Cosmopolitanism, and the Rise of Salsa Mbalax, 1980s-1990s 92
Six
“Music Has No Borders”: The Global Marketing of a Local Musical Tradition, 1990s-2006 116
Conclusion
Making Waves 143
Notes 149
Glossary 187
List of Interviews 189
Bibliography 191
Discography 203
Index 207