oreoluwa2013

/by

Oreoluwa, Kuponiyi Aderiyike:
Code-Switching in Contemporary Nigerian Hip Hop Songs.
M.A. University of Ghana (Legon), 2013 vi & 95 p.

CONTENTS

Declaration i
Dedication ii
Acknowledgements iii
Abstract iv
Table of contents v

Chapter 1
Introduction 1
1.1 Introduction 1
1.2 Statement of the problem 2
1.3 Purpose of study 3
1.4 Hip hop culture 4
1.5 Hip hop in Nigeria 6
1.6 Code switching in hip hop 7
1.7 Limitatations 11

Chapter 2
Literature review 12
2.1 Code-switching 12
2.2 Borrowing 19

Chapter 3
Theoretical framework and methodology 20
3.1 Theoretical framework 20
3.2 The markedness model 21
3.3 Methodology 23
   3.3.1 Selecting the sample 23
   3.3.2 Transcription 24
   3.3.3 Justification of the selected model 24
3.4 Background information on the selected artist 25
   3.4.1 D’banj 25
   3.4.2 9ice 26
   3.4.3 P Square 26
   3.4.4 Wande Coal 27
   3.4.5 Tiwa Savage 27

Chapter 4
Data analysis 28
4.1 Background information on the data 28
4.2 SONG 1 30
4.3 SONG 2 36
4.4 SONG 3 41
4.5 SONG 4 44
4.6 SONG 5 47

Chapter 5
Conclusion 50
5.1 Summary of major findings 50
5.2 Recommendations 51
5.3 Conclusion 51

References 52

Appendices 54

jhonel2018 mangin2013

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

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    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

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  • Johnson, John William:
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    ISBN 978-1-874-20981-2

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    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

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    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
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    Introduction 1

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    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

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    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
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    Index 309

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    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
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    ISBN 3-88609-213-5

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  • Sweeney, Philip:
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    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

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