collins1994b
Collins, [Edmund] John: |
CONTENTS
Part One
The Ghanaian Concert Party and Highlife Music
Chapter 1
Introduction to the Concert Party 1-18
Chapter 2
The Concert Performance 19-58
Chapter 3
Life On The Road 59-90
Chapter 4
The Jaguar Jokers Background Story 91-109
Chapter 5
The Jaguar Jokerst Band Organisation 109-125
Chapter 6
Reflections on the Concert Party Genre by
some Members of the Jaguar Jokers 126-137
Chapter 7
The Jaguar Jokers and the Concert Party
Profession since the Mid-Seventies 135-150
Chapter 8
An Appendix of Concert Party Plays and Magical
Shows between 1923-1992 151-171
Chapter 9
Major Exploratory Themes from Participatory Experience
in the Ghanaian Popular Entertainment Field 172-188
Part Two
African Popular Entertainment at the Cross-Roads
Chapter 10
Traditional Continuities: Drama 190-206
Chapter 11
Traditional Continuities: Music 207-228
Chapter 12
Musical Change and Colonial Contact 229-249
Chapter 13
European Progress and Progressive Indigenisation 250-272
Chapter 14
The Modern and Traditional:
Conflicting or Compatible 273-288
Chapter 15
Heroes of the Cultural Cross Roads 289-310
Chapter 16
The Black Americas and Africa: Pre-War 311-331
Chapter 17
The Black Americas and Africa:
The Second World War and after 32-350
Chapter 18
Black Transatlantic Feedback 351-370
Chapter 19
City Life 371-398
Chapter 20
Class: Social Distance and Status Ranking 399-415
Chapter 21
Class: The Articulation or Masking of Class Consciousness 416-437
Chapter 22
The Age Gap 438-458
Chapter 23
Women on Stage 459-485
Chapter 24
Performance and Struggle 486-522
Coda 523-528
Footnotes (for Chapters 10 to 24) 529-577
Bibliography 78-607