boateng2016

/by

Boateng, Samuel:
Popular Music in Ghana:
Women and the Changing Perspectives on Gender and Sexuality.
MA thesis. Kent State University, 2016. 119 p.
ProQuest no. 10169069

CONTENTS

List of Figures v
Acknowledgements vi

Chapter 1
Introduction: Statement of Research Problem 1
A Brief History of Ghanaian Popular Music: From Colonial Brass Bands to
Post-Independent Highlife Bands 2
Ghanaian Popular Music: Late 20th Century and Early 21st Century 16

Chapter 2
Conceptualizing the Study: Sex, Sexuality, and Gender 22
Socio-Cultural Implications of Gender in Ghana 23
Song Text in Ghanaian Popular Music 27
Signs, Icons, and Symbols 30
Images of Women Presented by Male Popular Musicians 32

Chapter 3
Women’s Roles and Status in Ghanaian Popular Music:
Cultural, Historical, and Contemporary Perspectives 45
Feminism, Sexuality and Women’s Bodies 53

Chapter 4
Analysis of Selected Songs and Music Videos 64
Songs About: Motherhood, Social Expectations of Women, and Women’s Roles 65
Songs About: Romantic Relationships and Women Empowerment (or Authority) 75
Songs About: Sexuality and Women’s Bodies 84

Chapter 5
Conclusion and other Remarks 106

Appendix and References
Appendix 108
Bibliography 109
Online Sources (Discography; Videos; Other Relevant Websites) 115

darkwa1974 feld2012

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    Nigeria 37

    Central Africa, The South and East
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    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
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    Kenya 74
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