alaja-browne1985

/by

Alaja-Browne, Afolabi:
Juju Music: A Study of its Social History and Style.
Ph.D.  University of Pittsburgh, 1985. 187 p.
ProQuest no. 8519449

CONTENTS

Acknowledgments vi
List of Table x
List of Figures xi

Introduction 1
Orientation of this Research 3
Context of the Study  7

Chapter 1
The Formative Stage 14
1.1 The Beginnings at Till Nelson Akamo Davies’s
       Motor Mechanic Workshop 14
1.2 The Origin of the Word Jùjú in Jùjú Music 25
1.3 Emergence, Acceptance and Early Growth 38

Chapter 2
The Developmental Stage 50
2.1 The Rise of Exponents from the School of
       Abdulrafiu Basatunde King 50
2.2 The Emergence and Contribution of Regional
       Exponents 66
2.3 The Rise of the Superstars 72

Chapter 3
The Era of the Superstars: The Nineteeen Seventies 89

Chapter 4
Style in Juju Music:
A Study of the Music of Abdulrafiu Babatunde King 108
4.1 The Social Context of Style in the Music of
       Tunde King 110
4.2 Stylistic Resources 112
4.3 Stylistic Analysis 127

Chapter 5
Summary and Conclusions 165

Appendix A
Discography of some Commercial Recordings Made by
Abdulrafiu Babatunde King in the Early 1950s.
Source: Nigerian Broadcasting Corporation 171

Appendix B
Additional Photographs of some Juju Bandleaders
in Nigeria. Source: Nigerian Newspapers and Magazines 172

Sources Consulted 177

ajirire&alabi1992 allen&veal2013

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    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

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    The North and West
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    Algeria 6
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    Mauritania 16
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    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
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    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
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