salm2003

/by

Salm, Steven James:
“The Bukom Boys”:
Subcultures and Identity Transformation in Accra, Ghana.
Ph.D. The University of Texas at Austin, 2003. xiv & 320 p.
ProQuest no. 3118070

CONTENTS

Chapter One
Constructs in the History of Subcultural Youth 1
Locating Youth: What Are Youth Subcultures? 5
Youth and Youth Subcultures as a Topic of Scholarly Enquiry 13
Popular Culture, Urban History, and Subcultural Representation 20

Chapter Two
“All Roads Lead to Accra”:
 Changing Worldviews among Urbanites 40
The Changing Face of Accra in the Early Colonial
Era, 1877-1918 44
Becoming a “Colonial” City: The Struggle for Cultural
Space, 1918-1939 48
The Second World War and Its Aftermath 60
Globalizing Influences during the Second World War 71
Conclusion 80

Chapter Three
Crisis and Isolation: The “Invention of Youth” 83
Population and Immigration in the Post-War Era 85
Urban Social Problems: Housing, Economics, and
Unemployment 92
Social Protest 104
Education and (Un)Employment 109
The Problem of the School Leavers 116
Conclusion 123

Chapter Four
Cultural Images and Icons: Technological Changes
and Youth Cultural Expressions in the 1950s 127
Media and Technology 128
Hanging around the Cinema 144
The Changing Cultural Scene: Class and Generational
Divides in Popular Culture Expression 151
Changing Modes of Dress: Zoot Suits and Youth Identity 153
Entertainment and Nightlife in the 1950s: Elite Culture 160
“Mainstream” Urban Culture 164
Underclass Youth and Accra Nightlife 169
Americanization and “Scrap Band Mania” 175
Conclusion 183

Chapter Five
“Rain or Shine We Gonna’ Rock!” 187
Subcultural Formation 190
New Diversions 203
Public Expressions of Rock ‘n’ Roll Culture 208
Localizing Dance Styles: Class and Generational Conflict 217
Mainstream Twisting 226
Soul to Soul 230
Conclusion: Shifting Identities in Youth Subcultural
Expressions 232

Chapter Six
Modernizing Traditions: “My Own Form of Highlife” 239
The Origins and Spread of Kpanlogo 244
Underclass Youth as Cultural Brokers 253
The Struggle for Control of Popular Expression 263
Transforming Identities and Creating Opportunities 271
Conclusion: Modernizing Tradition 276

Chapter Seven
Conclusion: The Transformation of Youth 279
The Invention of Youth: The Second World War and the
Roots of a Youth Class 280
The Search for Meaning: New Cultural Expressions in
the 1950s 282
Transformed Identities: Subcultural Expressions in the
Early Independence Era 284
Continuity and Change in Youth Expressions 287
Accra Subcultures: A Quest for Modernity 291

Bibliography 293
Vita 320

reichel2008 sackey1989

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

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    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

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    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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