See as well / Voir aussi / Veja também “ Afrique de l’Ouest en général – Articles”

Amico, Marta:
La résistance des Touaregs au prisme de la World Music.
Cahiers d’études africaines (Paris), nᵒ 224, 2016: 821-844.

Amico, Marta :
Sounding the Ethnic, Shaping the Nation : Music and the Politics of Belonging from Colonial Myth to Cultural Peacekeeping in Mali.
in: Ndaliko, Chérie Rivers & Samuel M. Anderson (eds.):
The Art of Emergency: Aesthetics and Aid in African Crises.
New York, N.Y.: Oxford University Press, 2019: 173-202.

Amkoullel L’enfant Peulh:
Malian Hip Hop: Social Engagement through Music.
Le Hip Hop malien ou l’engagement social à travers l’art.
in: Clark, Msia Kibona & Mickie Mwanzia Koster (eds.):
Hip Hop and Social Change in Africa.
Lanham, Md.: Lexington Books, 2014: 65-67 & 266-268.

Amoros, Luis Gimenez:
I Play Wassoulou, Jeli, Songhay and Tuareg Music:
Adama Drame in Postcolonial Mali, Bimusical or Multimusical?
El oído pensante (Buenos Aires), Vol. 2, No., 2, 2014: 1-17.

Arnoldi, Mary Jo:
Youth Festivals and Museums: The Cultural Policies of Public Memory in Postcolonial Mali.
Africa Today Bloomington, Ind.), Vol. 52, No. 4, 2006: 55-76.

Arnqvist, Maria & Stig-Magnus Thorsén:
Music Industry in Burkina Faso and Mali – The Case of Seydoni Production.
Interview with Richard Traore (Burkina Faso).
in: Thorsén, Stig-Magnus (ed.):
Sound of Change. Social and Political Features of Music in Africa.
Stockholm: SIDA Studies No. 12, 2004: 107-119.

Barlet, Olivier:
Mali K7 : les pirates ont la peau dure.
Africulture (Paris), n° 29, juin 2000: 47-48.

Camara, Brahima; Graeme Counsel & Jan Jansen:
YouTube in Academic Teaching:
A Multimedia Documentation of Siramori Diabate’s Song ‘Nanyuman’.
in: Merolla, Daniela & Mark Turin (eds.):
Searching for Sharing: Heritage and Multimedia in Africa.
Cambridge: Open Book Publishers, 2017: 81-108.

Camara, Brahima & Jan Jansen:
A Heroic Performance by Siramori Diabate of Mali.
in: Hale, Thomas & Aissata Sidikou (eds.):
Women’s Songs from West Africa.
Bloomington, Ind.: Indiana University Press, 2013: 136–151.

Cheick Mahamadou, Chérif Keita:
Jaliya in the Modern World: A Tribute to Banzumana Sissoko and Massa Makan Diabaté.
Ufahamu. Journal of the African Activist Association (Los Angeles, Calif.), Vol. 17, No. 1, 1988: 57-68.
Reprint
in: Conrad, David C. and Barbara E. Frank (eds.):
Status and Identity in West Africa: Nyamakalaw of Mande.
Bloomington, Ind.: Indiana University Press, 1995: 182-196.

Counsel , Graeme:
Cultural Policy and Music in Mali.
Africa Quarterly (New Delhi), Vol. 43, No. 3, January 2003: 36-51.

Counsel , Graeme:
The return of Mali’s National Arts Festival.
in: Jan Jansen (ed.):
Mande-Manding. Background Reading for Ethnographic Research in the Region South of Bamako.
Leiden: Leiden University Department of Cultural Anthropology and Development Sociology, 2004: 302-306.

Counsel , Graeme; Brahima Camara & Jan Jansen:
YouTube in Academic Teaching:
A Multimedia Documentation of Siramori Diabate’s song ‘Nanyuman’.
in: Merolla, Daniela & Mark Turin (eds.):
Searching for Sharing: Heritage and Multimedia in Africa.
Cambridge: Open Book Publishers, 2017: 81-108.

Counsel , Graeme; Brahima Camara & Jan Jansen:
Sex, Drugs and Female Agency:
Why Siramori Diabaté’s Song ‘Nanyuman’ Was such a Success in Mali and Guinea.
Journal of West African History (East Lansing, Mich.), Vol. 4, Issue 1, 2018: 57-74.

Cutter, Charles H.:
The Politics of Music in Mali.
African Arts (Los Angeles, Calif.), Vol. 1, No. 3, Spring 1968: 38-39 & 74-77.

Diawara, Manthia:
The Sixties in Bamako: Malick Sidibé and James Brown.
in: Elam Jr., Harry J[ustin] & Kennell Jackson (eds.):
Black Cultural Traffic: Crossroads in Global Performance and Popular Culture.
Ann Arbor, Mich.: University of Michigan Press, 2005: 242-265.

Djebbari, Elina:
Musique, patrimoine, identité : le Ballet national du Mali.
in: Desroches, Monique; Marie-Hélène Pichette; Claude Dauphin & Gordon E. Smith (dir.):
Territoires musicaux mis en scène.
Montréal, QC: Presses de l’Université de Montréal, 2011: 195-208.

Djebbari , Élina:
La Biennale artistique et culturelle du Mali :
la mise en scène d’une culture nationale, de l’indépendance à aujourd’hui.
in: Fléchet, Anaïs; Pascale Goetschel; Patricia Hidiroglou; Sophie Jacotot; Caroline Moine & Julie Verlaine:
Une histoire des festivals XXe-XXIe siècle.
Paris: Éditions de la Sorbonne, 2013: 291-302.

Djebbari, Élina:
Guerre froide, jeux politiques et circulations musicales entre Cuba et l’Afrique de l’Ouest.
Las Maravillas de Mali à Cuba et la Orquesta Aragón en Afrique.
Afrique contemporaine (Paris), Nᵒ 254, 2015: 21-36.

Durán, Lucy:
Birds of Wassulu: Freedom of Expression and Expressions of
Freedom in the Popular Music of Southern Mali.
British Journal of Ethnomusicology (London), Vol. 4, 1995: 101-134.

Durán, Lucy:
Jelimusow: The Superwomen of Malian Music.
in: Furniss, Graham und Liz Gunner (eds.):
Power, Marginality, and African Oral Literature.
Cambridge: Cambridge University Press, 1995: 197-210.

Durán, Lucy:
Women, Music, and the “Mystique” of Hunters in Mali.
in: Monson, Ingrid (ed.):
The African Diaspora: A Musical Perspective.
New York, N.Y Garland, 2000 / London: Routledge, 2003: 136-186.

Durán, Lucy:
Mali Gold Dust by the River.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 219-238.

Durán, Lucy:
Ngaraya: Women and Musical Mastery in Mali.
Bulletin of the School of Oriental and African Studies (London), Vol. 70, Issue 3, 2007: 569–602.

Durán, Lucy:
POYI! Bamana jeli Music, Mali and the Blues.
Journal of African Cultural Studies (Abingdon), Vol. 25, Issue 2, 2013: 211-246.

Durán, Lucy:
Growing into Music in Mali –Perspectives on Informal Learning in West Africa.
in: Economidou, Natassa & Mary Stakelum (eds.):
European Perspectives on Music Education, Vol. 4.
Every Learner Counts: Democracy and Inclusion in Music Education.
Innsbruck: Helbling Verlag, 2015: 49-64.

Durán, Lucy:
“Soliyo” (Calling the Horses): Song and Memory in Mande Music (Mali).
in: Pease, Rowan & Rachel Harris (eds.):
Pieces of the Musical World: The Study of Music in Culture.
Abingdon: Taylor & Francis, 2015: 27-44.

Durán, Lucy:
‘An Jèra Cèla’ (We Share a Husband): Song as Social Comment on Polygamy in Southern Mali.
Mande Studies (Bloomington, Ind.), Vol. 19, 2017: 169-202.

Durán, Lucy & Marta Amico:
Grandir en musique chez les jelis du Mande (Mali). Un entretien avec Lucy Durán.
Cahiers d’ethnomusicologie (Paris), Vol. 31, 2018: 269-286.

Enkerli, Alexandre:
Yoro Sidibe, griot des chasseurs du Mali.
Africultures (Paris), 2004/4 (n° 61): 37-47.

Graham, Ronnie:
Chapter 8 Mali.
Stern’s Guide to Contemporary African Music.
London: Zwan / Off the Record Press, 1988: 125-131.

Graham, Ronnie:
Chapter 7 Mali.
The World of African Music. Stern’s Guide to Contemporary African Music. Volume 2.
Chicago, Ill.: Pluto Press: 1992: 59-67.

Jacquey, Marie-Clotilde:
Etre griot aujour’hui : entretien avec Massa Makan Diabaté.
Notre Librairie (Paris), nᵒ 75-76, juillet-octobre 1984: 114-119.

Jansen, Jan:
‘Elle Connaît Tout le Mande’ — A Tribute to the Griotte Siramori Diabaté.
Research in African Literatures (Austin, Tex.), Vol. 27, No. 4, 1996: 198–216.

Keita, Cheick M[ahamadou] Chérif:
Jeliya in the Modern World: A Tribute to Bazumana Sissoko and Massa Makan Diabaté.
Ufahamu. Journal of the African Activist Association (Los Angeles, Calif.), Vol. 17, No. 1, 1988: 57-68.
Reprint
in: Conrad, David C. & Barbara E. Frank (eds.):
Status and Identity in West Africa: Nyamakalaw of Mande.
Bloomington, Ind.: Indiana University Press, 1995: 182-196.

Keita, Cheick M[ahamadou] Chérif:
A Praise-son for the Father: Family Identity in Salif Keïta’s Music.
in: Jansen, Jan & Clemens Zobel (eds.):
The Younger Brother in Mande Society: Kinship and Politics in West Africa.
Leiden: Research School of the Centre of Non-Western Studies (CNWS), University of Leiden, 1996: 97-104.

Künzler, Daniel:
Rapping Against the Lack of Change: Rap music in Mali and Burkina Faso.
in: Soucier, P[aul] Khalil (ed.):
Native Tongues. An African Hip-Hop Reader.
Trenton, N.J.: Africa World Press, 2011: 23-50.

Maxwell, Heather [A.]:
Divas of the Wassoulou Sound:
Transformations in the Matrix of Cultural Production, Globalization, and Identity.
Consumption Markets and Culture (Abingdon), Vol. 6, Issue 1, 2003: 43-63.

Maxwell, Heather A.:
Of Youth-Harps and Songbirds : The Sweet Music of Wasulu.
African Music (Grahamstown), Vol. 8, No. 2, 2008: 26-55.

Melville, Caspar:
Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright.
Journal of Popular World Music (Sheffield), Vol. 4, No. 1, 2017: 10-44.

Sangaré, Fatou:
Griots et griottes : de Bamako à Paris.
Africultures (Paris), 2004/4 (n° 61): 62-65.

Sangaré, Fatou:
Mah Damba, djelimusso nyuma, la sublime griotte.
Africultures (Paris), 2004/4 (n° 61): 69-71.

Schulz, Dorothea [Elisabeth]:
Praise without Enchantment: Griots, Broadcast Media, and the Politics of Tradition in Mali.
Africa Today (Bloomington, Ind.), Vol. 44, No. 4, October -December, 1997: 443-464.

Schulz, Dorothea [Elisabeth]:
Morals of Praise: Broadcast Media and the Commoditization of Jeli Praise Performance in Mali.
Research in Economic Anthropology (Greenwich, Conn.), Vol. 19, 1998: 117-132.

Schulz, Dorothea E[lisabeth]:
Pricey Publicity, Refutable Reputations. “Jeliw” and the Economics of Honour in Mali.
Paideuma. Mitteilungen zur Kulturkunde (Frankfurt am Main), Band 45, 1999: 275-292.

Schulz, Dorothea [Elisabeth]:
Music Videos and the Effeminate Vices of Urban Culture in Mali.
Africa. Journal of the International African Institute (London), Vol. 71, No. 3, 2001: 345-372.

Schulz, Dorothea E[lisabeth]:
“The World is made by Talk”.
Female Fans, Popular Music, and New Forms of Public Sociality in Urban Mali.
Cahiers d’études africaines (Paris), 2002/4 (nᵒ 168): 797-830.

Schulz, Dorothea E[lisabeth]:
Mapping Cosmopolitan Identities: Rap Music and Male Youth Culture in Mali.
in: Charry, Eric (ed.):
Hip Hop Africa. New African Music in a Globalizing World.
Bloomington, Ind.: Indiana University Press, 2012: 129-146.

Skinner, Ryan Thomas:
Artists, Music Piracy, and the Crisis of Political Subjectivity in Contemporary Mali.
Anthropological Quarterly (Washington, D.C.), Vol. 85, No. 3, 2012: 723–754.

Skinner, Ryan Thomas:
Cultural Politics in the Post-Colony: Music, Nationalism and Statism in Mali, 1964–75.
Africa. Journal of the International African Institute (London), Vol.  82, No. 4, 2012: 511–534.

Skinner, Ryan Thomas:
An Afropolitan muse.
Research in African Literatures (Bloomington, Ind.), Vol. 46, No. 2, Summer 2015: 15-31.