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See as well / Voir aussi / Veja também “África del Oeste em geral– Artigos”
Arenas, Fernando:
Chapter 2 Cesária Évora and the
Globalization of Cape Verdean Music.
Lusophone Africa. Beyond Independence.
Minneapolis, Minn.: University of Minnesota Press, 2011: 45-102.
Cidra, Rui:
Produzindo a música de Cabo Verde na diáspora:
Redes transnacionais, world music e múltiplas formações crioulas.
in: Góis, Pedro (org.):
Comunidade(s)cabo-verdiana(s):
As múltiplas faces da inigração cabo-verdiana.
Lisboa: Presidéncia do Conselho de Ministeros / ACIDI, 2008: 105-125.
Cidra, Rui:
Politics of Memory, Ethics of Survival:
The Songs and Narratives of the Cape Verdean Diaspora in São Tomé.
Etnomusicology Forum (Abingdon), Vol. 24, Issue 3, 2015: 304-328.
Dias, Juliana Braz:
Cape Verde and Brazil Musical Connections.
Vibrant: Virtual Brazilian Anthropology (Brasília), Vol. 8, No.1, January/June 2011: 95-116.
Dias, Juliana Braz:
Popular Music in Cape Verde: Resistance or Conciliation?
in: Falola, Toyin & Tyler Fleming (eds.):
Music, Performance and African Identities.
New York, N.Y.: Routledge, 2012: 316-328.
Gonçalves, Carlos Filipe:
Kap-Vert Band.
in: Découverte des îles du Cap-Vert.
Paris: Ministèredela Coopèration et d’Action Culturelle /
Praia: Archives historiques nationales, 1998 : 163-191.
Graham, Ronnie:
Chapter 10 Guinea Bissau and Cape Verde.
Stern’s Guide to Contemporary African Music.
London: Zwan / Off the Record Press, 1988: 141-142.
Graham, Ronnie:
Chapter 17 Cape Verde.
The World of African Music. Stern’s Guide to Contemporary African Music. Volume 2.
Chicago, Ill.: Pluto Press: 1992: 95-96.
Hurley-Glowa, Susan:
Cape Verdeans in the Atlantic: The Formation of Kriolu Music and Dance Styles on Ship and in Port.
African Music (Grahamstown), Vol. 10, No. 1, 2015: 7-30.
Lima, António Germano:
A morna: síntese da espiritualidade do povo cabo-verdiano.
Africana (Lisboa), Año 2001, Número Extraordinario 6, 2001: 239-268.
Martin, Carla D.:
Music: An Exception to Creole Exceptionalism?
Cape Verdean National Identity and Creativity Post-Independence.
Social Dynamics (Cape Town), Vol. 42, Issue 1, 2016: 46-68.
Máximo, Susana & David Peterson:
Cape Verde: Music of Sweet Sorrow.
in: Broughton, Simon; Mark Ellingham & Richard Trillo (eds.):
World Music. The Rough Guide, Volume 1: Africa, Europe and the Middle East.
London: The Rough Guides, 1999: 448-457.
Monteiro, César Augusto:
Algumas dimensões da expressão musical cabo-verdiana na Área Metropolitane de Lisboa.
in: Góis, Pedro (org.):
Comunidade(s)cabo-verdiana(s): As múltiplas faces da inigração cabo-verdiana.
Lisboa: Presidéncia do Conselho de Ministeros / ACIDI, 2008: 127-136.
Monteiro, César [Augusto]:
Contribuição do Agrupamento «Os Tubarões» para a Mudança do Paradigma Musical Cabo-verdiano.
in: José Hopffer Almada (coord.):
O Ano Mágico de 2006: Olhares Retrospectivos sobre a História e a Cultura Cabo-verdianas.
Praia: Instituto Nacional do Livro, 2008: 765-809.
Monteiro, Joao M.:
From Coal Depot to Cesária’s Home: Mindelo at the Crossroads of the World.
in: Falola, Toyin and Steven J. Salm (eds.): Urbanization and African Cultures.
Durham, N.C.: Carolina Academic Press. 2005: 201-210.
Palmberg, Mai:
Expressing Cape Verde. Morna, Funaná and National Identity.
in: Palmberg, Mai & Annemette Kirkegaard (eds.):
Playing with Identities in Contemporary Music in Africa.
Uppsala: Nordiska Afrikainstitutet, 2002: 117-133.
Pardue, Derek:
“Cash or Body”: Lessons on Space and Language from Cape Verdean Rappers and Their Beefs.
Popular Music and Society (Abingdon), Vol. 39, Issue 3, 2016: 332-345.
Reis, Osvaldo dos; Susanna Máximo; David Peterson & Jon Lusk:
Cape Verde Music of Sweet Sorrow.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 62-73.
Sieber, R. Timothy:
Composing Lusophonia: Multiculturalism and National Identity in Lisbon’s 1998 Musical Scene.
Diaspora: A Journal of Transnational Studies (Toronto, ON), Vol. 11, No. 2, Fall 2002: 163-188.
Teixido, Sandrine:
Cesaria Evora. Des biographies aux autobiographies, un art vocal encore impensé.
Cahiers d’ethnomusicologie (Genève), vol. 25, 2012: 25-39.
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