See as well / Voir aussi / Veja também “South Africa – Books”

Allen, Lara Victoria:
Pennywhistle Kwela: A Musical, Historical and Socio-Political Analysis.
M.M. University of Natal (Durban), 1993. [v] & 288 p.
PDF Download / Télécharger / Baixar 10.58 MB

Allen, Lara Victoria:
Representation, Gender and Women in Black Southern
African Popular Music, 1948-1960.
Ph.D. University of Cambridge, 2000. 275 p.
Full text unavailable. Only abstract online – Link / Lien / Ligação

Baxter, Lisa Mary:
History, Identity and Meaning, Cape Town’s Coon Carnival
in the 1960s and 1970s, Cape Town.
M.A. University of Cape Town, 1996. xiv & 225 p.
PDF Download / Télécharger / Baixar 11.30 MB
https://open.uct.ac.za/handle/11427/19684

Birkholtz, Kristel:
Wired for Sound: An Investigation into South African Live Music
Performance and the Johannesburg Live Music Scene.
M.M. University of the Witwatersrand (Johannesburg), 2009. viii & 219 p.
PDF Download / Télécharger / Baixar 1.22 MB

Bruce, Emily:
The Business of Live Music in South Africa and the Jazz Musician.
M.M. University of Cape Town, 2013. 82 p.
PDF Download / Télécharger / Baixar 1.23 MB

Butete, Netsayi:
The Jazz Divas.
An Analysis of the Musical Careers of Six New Brighton Vocalists.
M.M. Rhodes University (Grahamstown), 2011. x & 195 p. & 6 audio files
PDF Download / Télécharger / Baixar 24.50 MB

Byerly, Ingrid Bianca:
The Music Indaba: Music as Mirror, Mediator and Prophet in
the South African Transition from Apartheid to Democracy.
Ph.D. Duke University (Durham, N.C.), 1996. 338 p.
ProQuest no. 9628771

Chimba, Musonda Mabuza:
The Role of Rap Performance in Reinforcing or Challenging Participants’
Perceptions of ‘Race’ in Post-Apartheid South Africa, Durban.
M.A. University of KwaZulu-Natal (Durban), 2008. 74 p.
PDF Download / Télécharger / Baixar 0.97 MB

Chrispo, Caleb Okumu:
Tradition, Identity, Performance: Black South African Popular Music on SABC Television.
D.Litt. et Phil. University of the Witwatersrand (Johannesburg), 2003.
Reprint
Saarbrücken: LAP Lambert Academic Publishing, 2010. 328 p.

Coetzer, Briét Louise:
A Business Model for the Digital Distribution of Music in the South African Context.
M.M. University of Pretoria, 2009. xii & 152 p.
PDF Download / Télécharger / Baixar 3.55 MB

Cohen, Dror:
The Role of Rap/Hip Hop Music in the Meaning and Maintenance of
Identity in South African Youth.
M.A. University of the Witswatersrand (Johannesburg), 2008. 92 p.
PDF Download / Télécharger / Baixar 708 KB

Cole Kai-Lewis, Abimbola Naomi:
The Hard Cashless Society: Millennial Economics and Street Hop in Johannesburg.
Ph.D. University of California (Los Angeles, Calif.), 2016. 262 p.
NB. This item is embargoed until 18/10/2018

Coplan, David Bellin:
The Urbanization of African Performing Arts in South Africa.
Ph.D. Indiana University (Bloomington, Ind.), 1980. 482 p.
Contents

Dalamba, Lindelwa:
Remixing the Rainbow: House Music and the Construction of the Present.
M.M. Rhodes University (Grahamstown), 2003.

Dalamba, Lindelwa:
Writing against Exile: A Chronotopic Reading of the Autobiographies
of Miriam Makeba, Joe Mogotsi, and Hugh Masekela.
M.A. University of KwaZulu-Natal (Durban), 2006. [v] & 158 p.
PDF Download / Télécharger / Baixar 1.90 MB

Davies, Nollene J.:
A Study of the Guitar Styles in Zulu Maskanda Music.
M.M. University of Natal (Durban), 1992.

De Villiers, William Murray:
Aspects of the South African Music Industry: An Analytical Perspective.
M.M. University of Pretoria, 2006. xiii & 98 p.
PDF Download / Télécharger / Baixar 1.22 MB

Dlamini, Sazi Stephen:
Township Music: The Performance and Compositional
Approaches of Three Neotraditional Musicians in Durban.
M.M. University of Natal (Durban), 1998. vi & 183 p.
PDF Download / Télécharger / Baixar  171 MB

Dlamini, Sazi Stephen:
The South African Blue Notes: Bebop, Mbaqanga, Apartheid and
the Exiling of a Musical Imagination.
Ph.D.  University of KwaZulu-Natal (Durban), 2009. xv & 477 p.
PDF Download / Télécharger / Baixar 301 MB

Donne, Raffaella Delle:
Mapping the Beat, Beating the Map: The Religious Work of Hip Hop,
Reggae and Kwaito in South Africa.
M.R. University of Cape Town, 2003. 109 p.
PDF Download / Télécharger / Baixar 3.93 MB

Drewett, Michael:
An Analysis of the Censorship of Popular Music within the Context of
Cultural Struggle in South Africa during the 1980s.
Ph.D. Rhodes University (Grahamstown), 2004. xvi & 359 p.
PDF Download / Télécharger / Baixar 29.30 MB

Durbach, David Justin:
A Study of the Linkages between Popular Music and
Politics in South Africa under Apartheid in the 1980s.
M.A. University of South Africa (Pretoria), 2015. viii & 268 p.
PDF Download / Télécharger / Baixar 1.82 MB

Fleming, Tyler David:
“King Kong, Bigger Than Cape Town”.
A History of a South African Musical.
Ph.D. The University of Texas at Austin, 2009. ix & 374 p.
PDF Download / Télécharger / Baixar 1.63 MB

Galane, Sello Edwin:
The Music of Philip Tabane.
An Historical Analytical Study of Malombo Music of South Africa.
D.M. University of Pretoria, 2009. xiii & 255 p.
PDF Download / Télécharger / Baixar 7.78 MB

Gaulier, Armelle:
Emprunt musical et créolisation chez les populations coloured
du Cap (Afrique du Sud): le cas des chants « nederlandsliedjies ».
Mémoire. Université de Paris 8 Saint-Denis. 2009. 95 p.

Gitonga, Priscilla Nyawira:
The Contribution of Hip Hop to the Construction of Personal
Identities of South African Female Late Adolescents.
Ph.D. Nelson Mandela Metropolitan University (Port Elizabeth), 2012. xiv & 198 p.
PDF Download / Télécharger / Baixar 1.90 MB

Goosen, U.:
The Music of Erroll Cuddumbey (b. 1950):
A Socio-Historical Profile of a Port Elizabeth Jazz Artist.
M.M. University of Port Elizabeth, 1999.

Greer, Jonathan David:
Paul Simon’s Graceland and its Social and Political Statements on Apartheid in South Africa.
M.M. Baylor University (Waco, Tex.), 2006. v & 68 p.
PDF Download / Télécharger / Baixar 984 KB

Gross, Anna Jennifer:
“Rap for abokhokho nelokishi nabantu bonke…”
Language Choice in Hop Hop Music from KwaZulu-Natal: A Sociolinguistic Approach.
M.A. University of KwaZulu-Natal (Durban). 2007. [vii] & 68 p.
PDF Download / Télécharger / Baixar 3.69 MB

Haupt, Adam:
Rap and the Articulation of Resistance: An Exploration of Subversive Cultural
Production during the Early 90’s, with Particular Reference to Prophets of da City.
M.A. University of Western Cape (Cape Town), 1995. 88 p.
PDF Download / Télécharger / Baixar 2.76 MB

Herholdt-Powell, Ilse-Louise:
The Small Independent Recording Studio in South Africa.
M.M. University of the Witwatersrand (Johannesburg), 2007. xiv & 131 p.
PDF Download / Télécharger / Baixar 7.37 MB

Hope, Stuart:
An Investigation of the Effect that the Availability of Legitimate Channels
for Acquiring Digital Music has on Piracy in South Africa.
M.Com. University of Cape Town, 2014. 192 p.
PDF Download / Télécharger / Baixar 2.99 MB

Howard, Colin:
The “No-Persons”: An Investigation into Aspects of Secular Popular Music in Cape Town.
M.M. Goldsmiths’ College, University of London, 1994.

Jackson, Melveen Beth:
Indian South African Popular Music, the Broadcast Media, and the Record Industry, 1920-1983.
Ph.D. University of Natal (Durban), 1999. [viii] & 348 p.
PDF Download / Télécharger / Baixar 16.80 MB

Jansen Van Rensburg, Claudia Elizabeth:
Institutional Manifestations of Music Censorship and Surveillance in
Apartheid South Africa with Specific Reference to the SABC from 1974 to 1996.
M.M. Stellenbosch University, 2013. xii & 157 p.
PDF Download / Télécharger / Baixar  2.87 MB

Jeffrey, Ian:
The Sharpetown Swingsters: Their Will to Survive.
B.A. University of the Witswatersrand (Braamfontein), 1985.
Development Studies Group, Dissertation Series, No. 6, 1985. 118 p.

Jeppie, M. Shamil:
Aspects of Popular Culture and Class Expression in Inner Cape Town, circa 1939-1959.
M.A. University of Cape Town, 1990. [vi] & 175 p.
PDF Download / Télécharger / Baixar 3.58 MB

Johannes, Shaun:
Bassists of iKapa (the Cape).
A brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and
Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of
Cape Town’s most prolific bassists, Spencer Mbadu and Gary Kriel.
M.M. University of Cape Town, 2010. 127 p.
PDF Download / Télécharger / Baixar 695 KB

Kane Lo, Sheba:
People’s Poet: Mzwakhe Mbuli and the Power of the Poet in
the Liberation Struggle and in the ‘New’ South Africa.
Ph.D. Howard University (Washington D. C.), 2009. 238 p.
ProQuest no. 3350433

Kruger, Jaco Hentie:
A Cultural Analysis of Venda Guitar Songs.
Ph.D. Rhodes University (Grahamstown), 1993. xiv & 527 p.
PDF Download / Télécharger / Baixar 21.00 MB

Layne, Valmont:
A History of Dance and Jazz Band Performance in the Western Cape in the Post-1945 Era.
M.A. University of Cape Town, 1995. [iv] & 184 p.
PDF Download / Télécharger / Baixar 8.58 MB

Livermon, Xavier O’Neal:
Kwaito Bodies in African Diaspora Space:
The Politics of Popular Music in Post-Apartheid South Africa.
Ph.D. University of California (Berkeley, Calif.), 2006. xxii & 266 p.
ProQuest no. 3253968

Lunn, Helen:
Antecedents of the Music and Popular Culture of the African Post-1976 Generation.
M.A. University of the Witwatersrand (Johannesburg), 1986.

Madalane, Ignatia Cynthia:
Ximatsatsa: Exploring Genre in Contemporary Tsonga Popular Music.
M.A., University of the Witwatersrand (Johannesburg), 2011. viii & 131 p.
PDF Download / Télécharger / Baixar 130 KB & 1.02 MB
http://wiredspace.wits.ac.za/handle/10539/11543

Maduna, Mvuyo E.:
Elastic Vernac:
The (In)Significance of Indigenous Languages in South African Rap Music.
M.A. University of the Witwatersrand (Johannesburg), 2009. viii & 79 p.
PDF Download / Télécharger / Baixar 304 KB

Matthews, Robert Eric:
Generic Music Style Preferences of Urban South African Adolescents:
A Follow-Up Study Including Additional Genres of Hip-Hop, House,
Kwaito, Metal and Rhythm&Blues.
M.M. University of Pretoria, 2011. viii & 195 p.
PDF Download / Télécharger / Baixar 4.59 MB

Meintjes, Louise:
Mediating Difference: Producing Mbaqanga Music in a South African Studio.
Ph.D. The University of Texas at Austin, 1997. 399 p.
ProQuest no. 9802958

Moelwyn-Hughes, Ceri:
Women, Gender and Identity in Popular Music-Making in Gauteng, 1994 – 2012.
M.M. University of the Witwatersrand (Johannesburg), 2013. x & 177 p.
PDF Download / Télécharger / Baixar 1.24 MB

Mohr, Claudia:
Music to Move the Masses.
Protest Music of the 1980s as a Facilitator for Social Change in South Africa.
M.M. University of Cape Town, 2014.109 p.
PDF Download / Télécharger / Baixar 3.39 MB

Ndlovu, Caesar Maxwell Jeffrey:
Religion, Tradition and Custom in a Zulu Male Vocal Idiom.
Ph.D. Rhodes University (Grahamstown), 1996. xii & 316 p.
PDF Download / Télécharger / Baixar 10.10 MB

Nhlapo, Phindile Joseph:
Maskanda: The Zulu Strolling Musicians.
M.M. University of the Witwatersrand (Johannesburg), 1998. x & 159 p.
PDF Download / Télécharger / Baixar 25.90 MB

Nkabinde, Thulasizwe:
Indigenous Features Inherent in African Popular Music of South Africa.
M.M. University of Zululand (Richards Bay), 1997. [xi] & 133 p.
PDF Download / Télécharger / Baixar 4.03 MB

Nkala, Dumisani Nomagugu:
Towards a Model for Digital Distribution and
Value Capture in the South African Music Industry.
M.B.A. University of Pretoria, 2012. viii & 169 p.
PDF Download / Télécharger / Baixar 1.82 MB

Ntaka, Mfundo Goodwill:
Some Performance in Umbhaqanga Music: A Study in Tradition and Change.
M.M. University of Zululand (Richards Bay), 1997. v & 85 p.
PDF Download / Télécharger / Baixar 16.61 MB

Ntaka, Mfundo Goodwill:
Music as Culture, Music in Culture:
An Analytical Study of the History and Cultural Context of Mbaqanga Music in South Africa.
Ph.D. University of Zululand (Richards Bay), 2007. 324 p.

Olsen, Kathryn:
Politics, Production and Process: Discourses on Tradition in Contemporary Maskanda.
M.A. University of Natal (Durban), 2000. ii & 215 p.
PDF Download / Télécharger / Baixar 12.70 MB

Pienaar, Cilnette:
Using the Business Model Canvas to explore how
Independent South African Musicians do Music-as-Business.
Ph. M. University of Stellenbosch, 2016. x & 102 p.
PDF Download / Télécharger / Baixar 34.20 MB

Polak, Fiona Margaret:
Copyright and Digital Music Collections in South Africa.
M.I.S. University of KwaZulu-Natal (Pietermaritzburg), 2009. xix & 243 p.
PDF Download / Télécharger / Baixar 2.75 MB

Pyper, Brett:
“You can’t listen alone”: Jazz and Sociality in a Transitioning South Africa.
Ph.D., New York University, 2014. 264 p.
PDF Download / Télécharger / Baixar 2.95 MB

Ramanna, Nishlyn:
Jazz as Discourse: A Contextualized Account of Temporary Jazz
in Post-Apartheid Durban and Johannesburg.
Ph.D. University of KwaZulu-Natal (Durban), 2005. viii & 270 p.
PDF Download / Télécharger / Baixar 13.70 MB

Robertson, Mary:
Claiming Sounds, Constructing Selves.
The Racial and Social Imaginaries of South African Popular Music.
M.A. University of KwaZulu-Natal (Durban), 2005. [iii] & 191 p.
PDF Download / Télécharger / Baixar 9.69 MB

Roubertie, Lorraine:
Sheer Sound, un acteur culturel important dans la resurgence
du jazz sud-africain depuis la chute de l’apartheid.
Mémoire. Université de Paris 8 Saint Denis, 2006. 96 p.

Roubertie, Lorraine:
La transmission du jazz en Afrique du Sud : penser l’héritage d’un enseignement
inégalitaire dans le contexte post-apartheid : l’exemple du Western Cape.
Thèse. Université de Paris 8 Saint-Denis, 2012. 591 p.
Num. national de thèse: 2012PA083549

Scheckter, Jonathan:
A Holistic Approach to Consumption Analysis in the Popular Music Market.
M.Com. Rhodes University (Grahamstown), 2006. vi & 210 p.
PDF Download / Télécharger / Baixar 1.41 MB

Sofika, Dumisa:
Subjectivity and Forms of Resistance: The Construction of Resistance
through Discourse and Embodied Discursive Practices in Hip Hop.
M.A. University of KwaZulu-Natal (Pietermaritzburg), 2012. 106 p.
PDF Download / Télécharger / Baixar 912 KB

Steingo, Gavin:
After Apartheid: Kwaito Music and the Aesthetics of Freedom.
Ph.D. University of Pennsylvania (Philadelphia, Penn.), 2010. 283 p.
ProQuest no. 3429190

Stewart, Lynette:
Black South African Urban Music Styles: The Ideological Concepts and
Beliefs Surrounding their Developement 1930-1960.
Ph.D. University of Pretoria, 2000. viii &  405 p.
PDF Download / Télécharger / Baixar 6.79 MB

Steyn, Martha Magdalena:
A Supply Chain Model for the South African Recording Industry.
DBM. University of Pretoria, 2005. xiv & 227 p.
PDF Download / Télécharger / Baixar 764 KB

Szymczak, Collete:
Music as a Cultural Weapon in the Life of Jonas Gwangwa.
M.M. University of Witwatersrand (Johannesburg), 2004. 159 p.

Thomas, Harold Jeff:
Ingoma Dancers and Their Response to Town:
A Study of Ingoma Dance Troupes among Zulu Migrant Workers in Durban.
M.A. University of Natal (Durban), 1988.

van der Meulen, Lindy:
From Rock’n’Roll to Hard Core Punk:
An Introduction to Rock Music in Durban, 1963-1985.
M.M. University of Natal (Durban), 1995. [vi] & 186 p.
PDF Download / Télécharger / Baixar 10.60 MB

van Niekerk, Heather:
Performing the Township: Pantsula for Life.
M.A. Rhodes University (Grahamstown), 2017. iv & 129 p.
PDF Download / Télécharger / Baixar 1.83 MB

van Schalkwyk, Anastasia:
The Voice of Protest: Urban Black Women, Song and Resistance in the 1980s.
M.M. University of Kwa-Zulu Natal (Durban), 1994. [vi] & 155 p.
PDF Download / Télécharger / Baixar 7.08 MB

Veeran, Naresh Denny:
The Orchestral Tradition amongst Indian South Africans in Durban between 1935 and 1970.
M.M. University of Natal (Durban), 1996. viii & 120 p.
PDF Download / Télécharger / Baixar 4.68 MB

Veeran, Naresh Denny:
“Orchestral Music Was the Music of the Working Class”: Indian Popular Music,
Performance Practices and Identity among Indian South Africans in Durban, 1930 – 1970.
Ph.D. University of Natal (Durban), 1999. xv & 372 p.
PDF Download / Télécharger / Baixar 8.05 MB

Versola, A. Mariela:
Jazz & Apartheid: An Analysis of the Life and Music of Hugh Masekela.
M.M. William Paterson University (Wayne, N.J.), 2018 ix & 88 p.
PDF Download / Télécharger / Baixar 3.00 MB

Vilakazi, Sandisiwe:
The Representation of Kwaito in the Sunday Times between 1994 and 2001.
M.A. University of the Witwatersrand (Johannesburg), 2012.  60 p.
PDF Download / Télécharger / Baixar 412 KB

Watkins, Lee William:
Tracking the Narrative: The Poetics of Identity in Rap Music and Hip-Hop Culture in Cape Town.
M.A. University of Natal (Durban), 2000. 162 p.
PDF Download / Télécharger / Baixar 4,94 MB

Wilken, Mandy Lee:
The Interplay of Music and Text in Selected Rap Compositions in Contemporary Durban.
M.M. University of KwaZulu-Natal (Durban), 2009. vi & 118 p.
PDF Download / Télécharger / Baixar 896 KB

Xaluva, Nomfundo:
An Analysis of the Musical Style of Miriam Makeba.
M.M. University of Cape Town, 2009. xii & 80 p.
PDF Download / Télécharger / Baixar 4.69 MB

Xulu, Musa Khulekani:
The Re-emergence of amahubo Song Style and Ideas in Some Modern Zulu Musical Styles.
Ph.D.  University of Natal (Durban), 1992. [xiv] & 520 p.
PDF Download / Télécharger / Baixar 9.91 MB