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Chirambo, Reuben Makayiko:
“Mzimuwa Soldier”:
Contemporary Popular Music and Politics in Malawi.
in: Englund, Harri (ed.):
A Democracy of Chameleons. Politics and Culture in the New Malawi.
Uppsala: Nordic Africa Institute/Blantyre: Christian Literature Association
in Malawi (CLAIM/MABUKU), Kachere Book No. 14, 2002: 103-122.

Chirambo, Reuben M[akayiko]:
Traditional and Popular Music, Hegemonic
Power and Censorship in Malawi: 1964-1994.
in: Drewett, Michael & Martin Cloonan (eds.):
Popular Music Censorship in Africa.
Aldershot: Ashgate, 2006: 109-126.

Chirambo, Reuben [Makayiko]:
Corruption, Tribalism and Democracy:
Coded Messages in Wambali Mkandawire’s Popular Songs in Malawi.
Critical Arts.South-North Cultural and Media Studies (Abingdon), Vol. 23, No. 1, 2009: 42-63.

Chirwa, Wiseman Chijere:
Dancing towards Dictatorship: Political Songs and Popular Culture in Malawi.
Nordic Journal of African Studies (Helsinki), Vol. 10, No. 1, 2001: 1-27.

Djenda, Maurice:
Moderne Musik in Malawi: Stile, Instrumente und Musiker.
Afrika Heute (Bonn), Nr. 15, 15. August 1968: 217-218.

Fenn [III], John [Bennett] & Alex Perullo:
Language Choice and Hip Hop in Tanzania and Malawi.
Popular Music and Society (Abigdon), Vol. 24, Issue 3, 2000: 73-93.

Fenn [III], John [Bennett]:
Style, Message, and Meaning in Malawian Youth Rap and Ragga Performances.
in: Charry, Eric (ed.):
Hip Hop Africa. New African Music in a Globalizing World.
Bloomington, Ind.: Indiana University Press, 2012: 109-125.

Gilman, Lisa:
Putting Colonialism into Perspective:
Cultural History and the Case of Malipenga Ngoma in Malawi.
in: Gunderson, Frank & Gregory Barz (eds.):
Mashindano! Competitive Music Performance in East Africa.
Dar es Salaam: Mkuki na Nyota Publishers, 2000: 321-345.

Gilman, Lisa & John [Bennett] Fenn [III]:
Dance, Gender, and Popular Music in Malawi: The Case of Rap and Raga.
Popular Music (Cambridge), Vol. 25, No. 3, 2006: 369-381.

Gulliver, Pamela:
Dancing Clubs of the Nyasa.
Tanganyika Notes and Records (Dar es Salaam), No. 41, 1955: 58-59.

Kalua, Fetson:
Reading the Changing Face of Identity in Malawian Music.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 11, Issue 1, 2014: 43-49.

Kamlongera, Chris:
A Species of Pantomime to be deprecated: The Case Against Beni in Colonial Malawi.
Research Paper. University of Malawi, Zomba, 1987.

Katundu, K. Wongani:
Black Paseli: His Place in Early Popular Malawian Music.
in: Strumpf, Mitchel & Kondwani Phwandaphwanda (eds.):
Readings in Malawian Music: A Collection of Previously Published Articles on Malawian Music.
Zomba: Zomba Music Society, 1993: 53-54.

Kubik, Gerhard:
Die Verarbeitung von Kwela, Jazz und Pop in der modernen Musik von Malawi.
Jazzforschung / Jazz Research (Graz), Nr. 4/3 , 1971/1972: 51-115.

Kubik, Gerhard:
Daniel Kachamba’s Solo Guitar Music.
Notes on the Sound Films E 2136 and E 2137,
Encyclopaedia Cinematographica, Göttingen.
Jazzforschung / Jazz Research (Graz), Nr. 8, 1976: 159-195.

Kubik, Gerhard:
Donald Kachamba’s Kwela Music.
Society of Malawi Journal (Blantyre), Vol. 32, No. 2, July 1979: 45-59.

Kubik, Gerhard:
Daniel Kachamba’s Montage Recordings: Aspects of Urban Music History in Malawi.
African Urban Studies (East Lansing, Mich.), New Series, No. 6, Winter 1979-1980: 89-112.

Kubik, Gerhard assisted by Moya Aliya Malamusi, Lidiya Malamusi & Donald Kachamba:
Chapter Genre Study II: Kwela Flute Jive Music – A Traditional Music for Partners.
Malawian Music: A Framework for Analysis.
Zomba: The Centre for Social Research & The Department of Fine and Performing Arts,
University of Malawi, 1987: 17-29.

Kubik, Gerhard:
The Southern African Periphery: Banjo Traditions in Zambia and Malawi.
The World of Music (Berlin), Vol. 31, No. 1, 1989: 3-30.

Kubik, Gerhard:
Donald Kachamba’s Kwela Music: Malawi Twist.
in: Strumpf, Mitchel & Kondwani Phwandaphwanda (eds.):
Readings in Malawian Music: A Collection of Previously Published Articles on Malawian Music.
Zomba: Zomba Music Society, 1993: 55-65.

Kubik, Gerhard:
Chapter IX Genealogy of a Malawian Musical Family:
Daniel J. Kachamba (1947-1987) and his Associates.
Theory of African Music, Vol. 2.
Chicago, Ill. & London: The University of Chicago Press, 2010: 211-274.

Lwanda, John [Lloyd]:
Malawi Sounds Afroma!
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 211-218.

Lwanda, John [Lloyd]:
Music Advocacy, the Media and the Malawi Political Public Sphere, 1958–2007.
Journal of African Media Studies (Bristol), Vol. 1, Issue 1, October 2008: 135-154.

Lwanda, John Lloyd:
The History of Popular Music in Malawi, 1891 to 2007: A Preliminary Communication.
The Society of Malawi Journal (Blantyre), Vol. 61, No. 1, 2008: 26-40.

Lwanda, John Lloyd:
Computers, Culture and Music: The History of the Recording Industry in Malawi.
The Society of Malawi Journal (Blantyre), Vol. 66, No. 1, 2013: 23-42.

Malamusi, Moya Aliya:
Rise and Development of a Chileka Guitar Style in the 1950s.
in: Schmidhofer, August & Dietrich Schüller (Hrsg.):
For Gerhard Kubik: Festschrift.
Frankfurt am Main: Peter Lang Verlag, 1994: 7-72.

Malamusi, Moya Aliya:
Stringed Instrument Traditions in Southern Malawi.
African Music (Grahamstown), Vol. 7, No. 3, 1996: 60-66.

Mphande, Lupenga & Ikechukwu Okafor Newsum:
Popular Music, Appropriation, and the Circular Culture of
Labor Migration in Southern Africa: The Case of South Africa and Malawi.
in: Adjaye, Joseph K. & Adrienne R. Andrews (eds.):
Language, Rhythm, and Sound: Black Popular Cultures into the Twenty-first Century.
Pittsburgh, Penn.: University of Pittsburgh Press, 1997: 241-258.

Mwale, Cuthert:
Malipenga Dance in Nkhata Day District.
Research Paper. University of Malawi, Zomba, 1973.

Nurse, George T.:
Popular Songs and National Identity in Malawi.
African Music (Roodepoort), Vol. 3, No.  3, 1964: 101-106.

Ranger, T[erence] O.:
Chapter The Asssimilation of Beni under other Names.
Dance and Society in Eastern Africa 1890-1970. The Beni Ngoma.
London: Heinemann, 1975: 115-123.

Seebode, Jochen:
Malipenga, Samba, Rap & Reggae. Anmerkungen zu Jugendkulturen in Malawi.
Sozialanthropologische Arbeitspapiere der Freie Universität Berlin,
Schwerpunkt Sozialanthropologie, Nr. 81. Berlin, 1999. 26 p.

Seebode, Jochen:
Popular Music and Young Male Audiences in Contemporary Malawi.
in: Charry, Eric (ed.):
Hip Hop Africa. New African Music in a Globalizing World.
Bloomington, Ind.: Indiana University Press, 2012: 234-257.

Strumpf, Mitchell:
Some Music Traditions of Malawi.
African Music (Grahamstown), Vol. 7, No. 4, 1999: 110-121.

Page created 13/08/2018 © afrobib.com – update 22/10/2018

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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