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See as well / Voir aussi / Veja também “East Africa general -Articles”

Bender, Wolfgang:
Initial  Research into the Life and Work of Tessema Eshete:
The First Etiopian Singer to Record Commercially.
in: Uhlig, Siegbert (ed.): Proceedings of the XVth International
Conference of Ethiopian Studies Hamburg, July 20-25, 2003.
Äthiopistische Forschungen, Band 65.
Wiesbaden: Harrassowitz, 2006: 403-408.

Cleret, M. & W. Holland:
Mulatu of Ethiopia. Ethiopia’s Most Famous Musician Left the
Imperial Plateau Only to Return with a Musical Revolution.
Waxpoetics – Hip-Hop, Funk and Soul (Los Angeles, Calif.). No. 14, Fall 2005: 85-94.

Falceto, Francis:
Ethiopian Groove – Welcome to the Land of Wax and Gold.
in: Kimberlin, Cynthia Tse (ed.):
Music of Many Cultures.
Berkeley, Calif.: University of California Press, 1980: 232-252.

Falceto, Francis:
Another Ethiopia.
A Look at Ethiopia’s Best Kept Secret, its Modern Music.
Folk Roots (London), No. 62, August 1988: 25 & 27.

Falceto, Francis:
Un siècle de musique moderne en Éthiopie (précédé d’une hypothèse baroque).
Cahiers d’études africaines (Paris), 2002/4 (nᵒ 168): 711-738.

Falceto, Francis:
Ethiopia Land of Wax and Gold.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 108-116.

Falceto, Francis:
Splendeurs et misères de la musique éthiopienne (1955-2005).
in: Prunier, Gérard (dir.):
L’Ethiopie contemporaine.
Paris: Karthala, 2007: 349-368.

Graham, Ronnie:
Chapter 30 Ethiopia.
Stern’s Guide to Contemporary African Music.
London: Zwan / Off the Record Press, 1988: 252-253.

Graham, Ronnie:
Chapter 30 Ethiopia.
The World of African Music. Stern’s Guide to Contemporary African Music. Volume 2.
Chicago, Ill.: Pluto Press: 1992: 166-169.

Kassaye, Woube:
An Overview of Recording and Distribution of Music in Ethiopia.
in: Fukui, Katsuyoshi; Eisei Kurimoto & Masayoshi Shigeta (eds.):
Ethiopia in Broader Perspective. Papers of the 13th International Conference of Ethiopian Studies, Vol. 3.
Kyoto: Shokado Book Sellers, 1997: 89-95.

Kaufman, Kay:
Ethiopian Musical Invention in Diaspora: A Tale of Three Musicians.
Diaspora: A Journal of Transnational Studies (Toronto, ON) Vol. 15, Nos. 2/3, Fall/Winter 2006: 303-320.

Kebede, Ashenafi:
Zemenawi muzika: Modern Trends in Traditional Secular Music of Ethiopia.
The Black Perspective in Music (Cambria Heights, N.Y.); Vol. 4, No. 3, Fall 1976: 289-301.

Kebede, Ashenafi:
Musical Innovation and Acculturation in Ethiopian Culture.
African Urban Studies (East Lansing, Mich.), New Series, No. 6, Winter 1979-1980: 77-88.

Kimberlin, Cynthia Tse:
Traditions and Transformations in Ethiopian Music: Event as a Catalyst for Change.
in: Zewde, Bahru; Richard Pankhurst & Teddese Beyene (eds.):
Proceedings of the 11th International Conference of Ethiopian Studies, Vol. 2.
Addis Ababa: Institute of Ethiopian Studies, 1994: 643-652.

Kimberlin, Cynthia Tse:
Four Contemporary Ethiopian Composers and their Music:
Asnakech Worku, Nuria Ahmed Shami Kalid aka. Shamitu, Ezra Abate Iman, and Ashenafi Kebede.
in: Fukui, Katsuyoshi; EiseiKurimoto & Masayoshi Shigeta  (eds.):
Ethiopia in Broader Perspective. Papers of the 13th International Conference of Ethiopian Studies, Vol. 3.
Kyoto:  Shokado Book Sellers, 1997: 96-117

Kimberlin, Cynthia Tse:
‘Women, Music, and ‘Chains of the Mind’: Eritrea and the Tigray Region of Ethiopia, 1972–93.
in: Moisala, Pirkko & Beverley Diamond (eds.):
Music and Gender, Edited by:
Urbana, Ill.: University of Illinois Press, 2000: 239–265.

Kimberlin, Cynthia Tse:
Orchestra Ethiopia 1963-1975: Halim El-Dabh, Catalyst for Music Innovation and Preservation.
in: Omojola, Bode and George Dor (eds.):
Multiple Interpretations of Dynamics of Creativity and Knowledge in African Music Traditions.
A Festschrift in Honor of Akin Euba on the Occasion of His 70th Birthday.
Point Richmond, Calif.: Music Research Institute Press, 2005: 187-210.

Lulseged, Eyayu:
Social, Economic and Political Discontent in Ethiopia as Reflected in Contemporary Amharic Songs (mid 1950s-mid 1970s).
Journal of Ethiopian Studies (Addis Ababa), Vol. 27, No. 2, 1994: 21-43.

Mekonnen, Danny A.:
Ethio-Groove on the World Stage: Music, Mobility, Mediation.
Callaloo (College Station, Tex.), Vol. 33, No. 1, 2010: 299-313.

Qashu, Leila:
Staged Public Music Performances of the Oromo of Ethiopia.
in: Desroches, Monique; Marie-Hélène Pichette; Claude Dauphin & Gordon E. Smith (dir.):
Territoires musicaux mis en scène.
Montréal, QC: Presses de l’Université de Montréal, 2011: 75-92

Shelemay, Kay Kaufman:
Traveling Music: Mulatu Astatke and the Genesis of Ethiopian Jazz.
in: Bohlman, Philip V. & Goffredo Plastino (eds.):
Jazz Worlds/World Jazz.
Chicago, Ill. & London: The University of Chicago Press, 2016: 239-257.

Simeneh, Betreyohannes:
Scholarship on Ethiopian Music: Past, Present and Future Prospects.
African Study Monographs (Kyoto), Supplementary Issue 41, 2010: 19-34.

Teffera, Timkehet:
New Waves in Music Arrangements and Instrumental Preferences:
Synthesis between Tradition and ‘Modernism’ Observed in Ethiopian Music.
Studia Instrumentorum Musicae Popularis – New Series (Münster), Vol. 5, 2017: 431-444.

Thomas, A.:
Ethio Jazzman: Aulatu Astatke.
Straight No Chaser (London), Vol. 2, No. 39, Spring 2006: 46-48.

Webster-Kogen, Ilana:
Engendering Homeland: Migration, Diaspora and Feminism in Ethiopian Music.
Journal of African Cultural Studies (Abingdon), Vol. 25, Issue 2, 2013: 183-196.

Zegeye, Abebe:
Mulatu Astatke, Ethio-Jazz Maestro.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 4, Issue 1, 2007 129-151.

Page created 10/08/2018 © afrobib.com – update 22/10/2018

  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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