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Arnaud, Gérald :
Le pays qui chante ses fables.
Africultures (Paris), 2004/3 (n° 60): 107-114.

Awondo,  Patrick & Jean-Marcellin Manga:
« Devenir rappeur engagé » : l’émergence
controversée du rap dans l’espace public camerounais.
Politique africaine (Paris), 2016/1 (n° 141): 123-145.

Awouma, Joseph:
La tradition de la danse chez les bulu (Sud-Cameroun).
Abbia (Yaoundé), n° 24, janvier-avril 1970: 119-140.

Azonga, Tikum Mbah:
Cameroon’s Latest Craze. [Marcel Tjahe].
West Africa (London), 17 November 1986: 2433-2434.

Barka, Bana & Harouna Barka:
Les festivals au Cameroun et leurs enjeux identitaires et politiques :
Festik (2000) et Festat (2003).
in: Fléchet, Anaïs; Pascale Goetschel; Patricia Hidiroglou;
Sophie Jacotot; Caroline Moine & Julie Verlaine (dir.):
Une histoire des festivals XXe-XXIe siècle.
Paris : Éditions de la Sorbonne, 2013: 187-201.

Brunner, Anja:
Local Cosmopolitan Bikutsi – Encountering Cameroonian
Pop Music in Yaoundé and the Challenge of Similarity.
Norient Academic Online Journal 1/2012.
Shortened Version
in: Beyer, Theresa  & Thomas Burkhalter (Hrsg.):
Out of the Absurdity of Life. Globale Musik.
Bern: Norient / Traversion, 2012: 84-101.

Brunner, Anja:
Xylophone Music on Electric Guitars: Beti Popular Music in the 1970s.
in: Gruppe, Gerd (Hrsg.):
Grazer Beiträge zur Ethnomusikologie (Graz), Band 25.
Aachen: Shaker Verlag, 2013: 147-166.

Brunner, Anja:
Anne-Marie Nzié’s song ‘Liberté’:
On Popular Music and the Post-Colonial State in Cameroon.
African Music (Grahamstown), Vol. 9, No. 3, 2013: 40-58.

Brunner, Anja:
Bikutsi von Frauen. Weibliche Strategien im Kameruner popmusikalischen Feld.
in: Brunner, Anja; Cornelia Gruber & August Schmidhofer (eds.):
Transgressions of a Musical Kind.
Festschrift on the Occasion of Regine Allgayer-Kaufmann’s 65th Birthday.
Aachen: Shaker Verlag, 2015: 249–265.

Brunner, Anja:
Bikutsi: Kameruner Popmusik abseits der Weltmusik.
in: Leggewie, Claus & Erik Meyer (Herg.):
Globale Pop. Das Buch zur Weltmusik.
Stuttgart: J. B. Metzler Verlag, 2017: 366-372.

Brunner, Anja:
Popular Music and the Young Postcolonial State of Cameroon, 1960-1980.
Popular Music and Society (Abingdon), Vol. 40, Issue 1, 2017: 37-48.

Doumbe-Moulongo, Maurice:
Tete Ekombo: une oeuvre musicale de Lobe Bebe Bell, de Douala.
Abbia (Yaoundé), No. 17/18, juin-septembre 1967: 187-196.

Doumbe-Moulongo, Maurice:
Musique et danse chez le Douala.
Abbia (Yaoundé), n° 22, mai-août 1969: 89-108.

Eno-Belinga, Martin [Samuel]:
Musique traditionelle et musique moderne au Cameroun.
Bulletin of the Committee on Urgent Anthropological and Ethnological Research (London), No. 11, 1969: 83-90.

Essono, Louis-Martin Onguene:
La démocratie en chansons : les bikut-si du Cameroun.
Politique africaine (Paris), n° 64, décembre 1996: 52-61.

Graham, Ronnie:
Chapter 17 Cameroon. 
Stern’s Guide to Contemporary African Music.
London: Zwan / Off the Record Press, 1988: 163-181.

Graham, Ronnie:
Chapter 18 Cameroon. 
The World of African Music. Stern’s Guide to Contemporary African Music. Volume 2.
Chicago, Ill.: Pluto Press: 1992: 97-104.

Kala-Lobe, Henri:
Music in Cameroun.
West Africa (London), 8 November 1982: 2881-2883.

Kingue, Michel Doo:
L’apport de l’Afrique dans la musique de jazz.
Abbia (Yaoundé), n° 3, septembre 1963: 133-140.

Künzler, Daniel:
Intergenerational Relations and Cameroonian Rap Music:
This Country Kills the Young People.
in: Gomez-Perez, Muriel & Marie Nathalie Leblanc (dir.):
L’Afrique des générations. Entre tensions et négociations.
Paris: Karthala, 2012: 765-800.

Lambert, Fernando:
Francis Bebey, homme de la parole et du rythme.
Notre Librairie (Paris), n° 154, avril-juin 2004: 20-26.

Manga, Lionel:
Musique et politique au Cameroun. Chronique d’une stérilisation larvée.
Enjeux (Yaoundé), n° 20, juillet-septembre 2004: 14-18.

Mbassi, Bernard:
Le dialogisme du bikutsi : un langage entre Dionysos et Agon.
Revue camerounaise de Sociologie et Anthropologie (Yaoundé), vol. 2, n° 1, juin 2005: 387-412.

Mefe, Tony:
Des vedettes d’une musique qui dérange.
Africultures (Paris), 2004/3 (n° 60): 100-103.

Mefe, Tony:
Financement de la culture au Cameroun : s
outien aux actions, absence d’infrastructures.
Africultures (Paris), 2004/3 (n° 60): 19-25.

Mefe, Tony:
La danse camerounaise d’hier à aujourd’hui.
Africultures (Paris), 2004/3 (n° 60): 131-137.

Nitcheu, Gervais:
Cameroun : rap cherche messie.
Africultures (Paris), n° 21, octobre 1999: 32-35.

Nga Ndongo, Valentin:
La chanson camerounaise.
Notre librairie (Paris), n° 99, octobre-décembre 1989: 86-90.

Ngo Nlend, Nadeige Laure:
Voix féminines de la chanson au Cameroun: émergence et reconnaisance artistique.
in: Mudimbe, V[alentin] Y. (ed.):
Contemporary African Cultural Productions.
Dakar: CODESRIA, 2012: 177-196.

Nkolo, Jean-Victor, Graeme Ewens & Alain Marius Mouafo Wemba:
Cameroon The Awakening Lions.
in: Broughton, Simon; Mark Ellingham & Jon Lusk (eds.):
The Rough Guide to World Music. Volume 1: Africa and the Middle East.
London: The Rough Guides, 2006: 52-61.

Nyamnjoh, Francis B. & Jude Fokwang:
Politics and Music in Cameroon.
in:  Gros, Jean-Germain (ed.):
Cameroon: Politics and Society in Critical Perspectives.
Lanham, Md.: University Press of America, 2003: 185-209.

Nyamnjoh, Francis B. & Jude Fokwang:
Entertaining Repression: Music and Politics in Postcolonial Cameroon.
African Affairs (Oxford), Vol. 104, Issue 415, April 2005: 251-274.

Owona Nguini, Mathias Eric:
La controverse bikutsi-makossa :
musique, politique et affinités régionales au Cameroun (1990-1994).
L’Afrique politique (Bordeaux), 1995: 267-276.

Owono-Kouma, Auguste:
La musique comme ingrédient sexuel : le cas du bikut-si.
in: Mbarga, Jean-Claude (dir.):
Manuel d’ingrédients culturels camerounais.
Paris: L’Harmattan, 2011: 183-206.

Rathnaw, Dennis [M.]:
Strategic Minstrelsy: Les Têtes Brulées and the Claim for Black Modernism.
in: Falola, Toyin & Steven J. Salm (eds.): Urbanization and African Cultures.
Durham, N.C.: Carolina Academic Press. 2005: 185-199.

Rathnaw, Dennis M.:
The Eroticization of Bikutsi:
Reclaiming Female Space through Popular Music and Media.
African Music (Grahamstown), Vol. 8, No. 4, 2010: 48-68.

Sone, Mirabeau Enongene:
Lapiro de Mbanaga and Political Vision in Contemporary Cameroon.
The International Journal of Language, Society and Culture (Mashhad), Vol. 27, 2009: 18-26.

Sone, Mirabeau Enongene & Ngade Ivo Ntiege Mesumbe:
Moralising Female Identity in Cameroon in the 1990s:
Female Prostitution and the Song “You gu Cry”.
Muziki (Pretoria), Journal of Music Research in Africa, Vol. 11, Issue 2, 2014: 103-115.

Zinga, Valentin Siméon:
Esquisse d’une esthétique de la ruse politique :
Analyse de l’apologie de la « première dame » dans le bikutsi du Cameroun.
Enjeux (Yaoundé), n° 20, juillet-septembre 2004: 19-25.

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Mortaigne, Veronique:
    Cesaria Evora. La voix du Cap-Vert.
    Arles: Actes Sud, 1997. 203 p.
    ISBN 2-7427-1152-X 

    afropop1995

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  • Johnson, John William:
    ‘Heelloy’. Modern Poetry and Songs of the Somalis.
    London: HAAN Publishing, 1998. xxiii & 241 p.
    ISBN 978-1-874-20981-2

    CONTENTS

    Foreword to the first edition by B. W. Andrzejewski ix
    Foreword to the 1996 edition by Abdilahi Qarshi xi
    Preface to the first edition xv
    Preface to the 1996 edition xxiii

    1. Introduction
    The social context 1
    The Nature of Traditional Pastoralist Poetry 12
    The Historical Development of Modern Oral Poetry 17

    2. The Family of Miniature Genres
    The Nature of the Family of Miniature Genres 27
    The Poetry of the Miniature Family 32

    3. The emergence of the Belwo
    The Historical Background 49
    The Belwo is Born 53
    The Poetry of the Belwo 59

    4. The Heello: Period One
    The Metamorphosis: Belwo to Heello A 75
    The Modem Poem: Heello A to Heello B 82

    5. The Heello: Period Two
    The Historical Background 95
    The Poetry of the Second Period 103

    6. The Heello: Period Three
    The Historical Background 117
    The Poetry of the Third Period 146

    7. Characteristics of the Heello: All Periods
    Themes Common to All Periods 175
    Structural Characteristics and
    Development Common to All Periods 190
    The Impact of Media on Modern Poetry 208

    8. Conclusion
    The Inheritance of the Heello 215
    Forces Behind the Success and Development of Modern Poetry 216

  • Collins, [Edmund] John:
    Fela. Kalakuta Notes. 2nd edition
    Middletown, Conn.: Wesleyan University Press, 2015.  xii & 326 p.
    ISBN 978-0-8195-7539-5 (paper) 978-0-8195-7540-1 (ebook)

    CONTENTS

    Foreword by Banning Eyre ix
    Introduction 1

    Part 1 Early Days
    1 The Birth of Afrobeat 27
    2 Joe Mensah Remembers 41
    3 Fela in Ghana 49
    4 Stan Plange Remembers 29

    Part 2 Confrontation
    5 Kalakuta is Born 67
    6 “JB” Talks about Fela 73
    7 The Kalakuta Republic 81
    8 The Black President 114
    9 Amsterdam and After 125

    Part 3 Retrospect
    10 Mac Tontoh on Fela 139
    11 Frank Talk about Fela 152
    12 Obiba Plays It Again 165
    13 Smart Binete Sorts It Out 174
    14 Anku Checks Out the Beat 178
    15 Nana Danso Orchestrates 183
    16 Some Early Afro-Fusion Pioneers 197
    17 Interview with Fela 204
    18 Afterthoughts and Updates 209
    19. Felabrations at Home and Abroad 238

    Chronology 259
    Notes 269
    Selected Bibliography 281
    Discography 285
    Appendix A: “Shuffering and Shmiling” Score 303
    Index 309

  • Erlmann, Veit (ed.):
    Populäre Musik in Afrika.
    Veröffentlichungen des Museum für Völkerkunde.
    Neue Folge 53. Abteilung Musikethnologie VIII.
    Berlin: Museum für Völkerkunde, 1991. 312 pp. & 2 CDs.
    ISBN 3-88609-213-5

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  • Sweeney, Philip:
    Directory of World Music. A Guide to Performers and their Music.
    With Contributions from Peter Gabriel, Andy Kershaw, Giberto Gil [&] Manu Dibango.
    London: Virgin Books, 1991. 262 p.
    Section Africa 1-81
    ISBN 0-86369-378-4

    sweeney1991CONTENTS

    AFRICA

    The North and West
    Introduction: Peter Gabriel 1
    Libya 3
    Tunisia 5
    Algeria 6
    Morocco 13
    Mauritania 16
    Senegal 17
    Mali 20
    Guinea 26
    Guinea-Bissau 29
    Cape Verde 29
    Sierra Leone 31
    Côte d’Ivoire 32
    Ghana 34
    Togo and Benin 36
    Nigeria 37

    Central Africa, The South and East
    Introduction: Manu Dibango 42
    Cameroon 44
    Zaire 49
    Congo 56
    Gabon 56
    Angola 57
    Zambia 58
    Mozambique 59
    Zimbabwe 60
    South Africa 65
    Madagascar 70
    Mauritius and Reunion 71
    Tanzania and Zanzibar 72
    Kenya 74
    Uganda 76
    Burundi 76
    Ethiopia 77
    Sudan 79

  • Lee, Hélène:
    Rockers d’Afrique. Stars et légendes du rock mandinque.
    Paris: Albin Michel, 1988. 223 pp.
    ISBN 2-226-03 139-1 

    TABLE DE MATIÈRESafropop1995

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