CONTENTS

Introduction 1
Table of Entries 4 [see below] 
Annotation 5
Index of Authors 45 

————————————

Table of Entries 

Section – Area Entry – Number of entries
  
1. General Nos. 1-30

2. East Africa 
Kenya Nos. 31-38
South Sudan Nos. 39-41
Tanzania Nos. 42-46
Uganda Nos. 47-50

3. South Africa 
Swaziland Nos. 51-54
Union of South Africa and 
South West Africa Nos. 55-69

4. Central Africa 
Malawi (Formerly Nyasaland) Nos. 70-74
Southern Rhodesia Nos. 75-76
Zambia (Formerly Northern Rhodesia) Nos. 77-85

5. West Africa Nos. 86-89
Cameroons Nos. 90-91
Ghana Nos. 92-109
Nigeria Nos. 110-131
Sierra Leone No. 132

CONTENTS

Introduction
List of Countries

1. General 1
Encyclopedias and Dictionaries 2
History and Prehistory 2
Tribal music (general) 2
Classification 3

2. Africa (general) 4

3. African music geographically arranged 7

4. Musical Instruments 36
4a. General 36
4b. Geographically arranged 37
4c. Instrument types: 42
4c. (1) Idiophones (including certain Pot Drums;
      excluding Xylophones, Lithophones, Sansas 
      and Slit-drums) 42
4c. (2) Xylophones 43
4c. (3) Lithophones 44
4c. (4) Sansas 44
4c. (5) Slit-drums and membrane drums 44
4c. (6) Friction drums and Kazoos 48
4c. (7) Chordophones 48
4c. (8) Aerophones (excluding Whirling Aerophones) 50
4c. (9) Whirling Aerophones 51

5. Dance 52
(a) General 52
(b) Dance geographically arranged 52

6.
[a] Catalogues 60
[b] Bibliographies, parts 1 and 2 62
[c] Periodicals 66
[d] Abbreviations 71

7. Indexes 74
Index of authors 74
Geographical and ethnic index 82

CONTENTS

Acknowledgments vii
Introduction ix

1. Cultural History and the Arts 1

2. Ethnomusicology 19

3. African Traditional Music 27
General Works 27
Country and Regional Studies 61
West Africa 61
Central Africa 141
Southern Africa 173
East Africa 207

4. African Popular Music 241
General Works 241
Country and Regional Studies 249
West Africa 249
Central Africa 265
Southern Africa 271
East Africa 285
Individual Musicians 289

5. African Art Music 377
General Works 377
Individual Composers and Instrumentalists 379

6. African Church Music 387

Appendix I Reference Works 391
Appendix II Archives and Research Centers 407
Appendix III Selected Discography 423

Ethnic Group Index 435
Subject Index 441
Artist Index 451
Author Index 459

CONTENTS

Preface to the first edition v
Preface to the second edition v
Preface to the third edition vii

Introduction to ethnomusicology 1
Training possibilities for ethnomusicologists 67
Bibliography 79
Illustrations 217

Index of subjects 235
Index of regions and peoples the music
of which has been studied and/or recorded 247
Index of authors, collectors and musicians 269
Index of periodicals and of some publications
containing articles by various authors 293

CONTENTS
Supplement to the Third Edition of Ethnomusicology

Preface v
Training possibilities for ethnomusicologists 1
Selection of L.P.-records of authentic ethnic music issued in 1958 5

Bibliography 8
Illustrations 65-72 25

Index of subjects 27
Index of peoples and regions the music of which has been studied and/or recorded 30
Index of authors, collectors and musicians 34
Index of periodicals 39
Addenda et Corrigenda in the 3rd edition of ‘Ethnomusicology’ 42

CONTENTS

Acknowledgements ix
Introduction xi
User’s Guide xvii

Bibliography A-Z 1

Author Index 341

Subject Index 359

CONTENTS

Foreword v
Preface vii
Introduction xv
List of Periodicals and Serials xvii
Key to Symbols xxvi

Bibliography 1

Author Index 45
Index of Tribal Names 50
Index of Linguistic Areas 54

CONTENTS

I   Native Music in Africa Generally 19

II  Native Musical Instruments in Africa Generally 24

III Native Music and Musical Instruments in Africa:
Specific Countries
1 Somaliland 27
2 Abyssinia 28
3 Anglo-Egyptian Sudan 29
4 Oubangui-Chari – Tchad 31
5 West Africa 32
6 French Sudan & Niger Colony 33
7 Portuguese Guinea & Liberia 35
8 Senegal 36
9 French Guinea, Upper Volta & Ivory Coast 37
10 Togo 39
11 Dahomey 40
12 Sierra Leone 41
13 Gold Coast & Ashanti 42
14 Nigeria 44
15 Cameroons 47
16 Gabon & Middle Congo 49
17 Fernando Po & Rio Muni 51
18 Belgian Congo 51
19 Ruanda – Urundi 58
20 Uganda 59
21 Kenya 61
22 Tanganyika 63
23 Nyasaland 66
24 Zanzibar 67
25 Portuguese East Africa 68
26 Angola 69
27 South West Africa 71
28 Rhodesia, North & South 73
29 Union of South Africa, including Protectorates:
       a South Africa generally 75
       b Bushmen & Hottentots 77
       c Zulu – Xhosa 81
       d Shoto – Chuana 83
30 Madagascar 85

IV African Survivals in the New World
1 Negro Music in the United States 86
2 Negro Music in the West Indies:
    a Jamaica 90
    b Cuba 91
    c Other islands 91
3 Negro Music in South America:
    a Bush Negroes 93
    b Latin American States 94

V African Music and the Church 95

VI Drum Language 96

VII Collection of Material and
      Phonograph Recordings 101

VIII Classification and Arrangement of Material 104

IX List of Museums Containing Instruments 105

X Bibliografies 107

XI Author Index 108

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CONTENTS

Foreword to the first edition by B. W. Andrzejewski ix
Foreword to the 1996 edition by Abdilahi Qarshi xi
Preface to the first edition xv
Preface to the 1996 edition xxiii

1. Introduction
The social context 1
The Nature of Traditional Pastoralist Poetry 12
The Historical Development of Modern Oral Poetry 17

2. The Family of Miniature Genres
The Nature of the Family of Miniature Genres 27
The Poetry of the Miniature Family 32

3. The emergence of the Belwo
The Historical Background 49
The Belwo is Born 53
The Poetry of the Belwo 59

4. The Heello: Period One
The Metamorphosis: Belwo to Heello A 75
The Modem Poem: Heello A to Heello B 82

5. The Heello: Period Two
The Historical Background 95
The Poetry of the Second Period 103

6. The Heello: Period Three
The Historical Background 117
The Poetry of the Third Period 146

7. Characteristics of the Heello: All Periods
Themes Common to All Periods 175
Structural Characteristics and
Development Common to All Periods 190
The Impact of Media on Modern Poetry 208

8. Conclusion
The Inheritance of the Heello 215
Forces Behind the Success and Development of Modern Poetry 216

CONTENTS

Foreword by Banning Eyre ix
Introduction 1

Part 1 Early Days
1 The Birth of Afrobeat 27
2 Joe Mensah Remembers 41
3 Fela in Ghana 49
4 Stan Plange Remembers 29

Part 2 Confrontation
5 Kalakuta is Born 67
6 “JB” Talks about Fela 73
7 The Kalakuta Republic 81
8 The Black President 114
9 Amsterdam and After 125

Part 3 Retrospect
10 Mac Tontoh on Fela 139
11 Frank Talk about Fela 152
12 Obiba Plays It Again 165
13 Smart Binete Sorts It Out 174
14 Anku Checks Out the Beat 178
15 Nana Danso Orchestrates 183
16 Some Early Afro-Fusion Pioneers 197
17 Interview with Fela 204
18 Afterthoughts and Updates 209
19. Felabrations at Home and Abroad 238

Chronology 259
Notes 269
Selected Bibliography 281
Discography 285
Appendix A: “Shuffering and Shmiling” Score 303
Index 309

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CONTENTS

AFRICA

The North and West
Introduction: Peter Gabriel 1
Libya 3
Tunisia 5
Algeria 6
Morocco 13
Mauritania 16
Senegal 17
Mali 20
Guinea 26
Guinea-Bissau 29
Cape Verde 29
Sierra Leone 31
Côte d’Ivoire 32
Ghana 34
Togo and Benin 36
Nigeria 37

Central Africa, The South and East
Introduction: Manu Dibango 42
Cameroon 44
Zaire 49
Congo 56
Gabon 56
Angola 57
Zambia 58
Mozambique 59
Zimbabwe 60
South Africa 65
Madagascar 70
Mauritius and Reunion 71
Tanzania and Zanzibar 72
Kenya 74
Uganda 76
Burundi 76
Ethiopia 77
Sudan 79

TABLE DE MATIÈRES

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